SOS Archive Index - By Issue | 1994 - 2001

For convenience, we have compiled this index of archive Sound On Sound articles from 1994 - 2001 that have now become available on our own site. 

Use on-page browser searching to find things.

Our appreciation and thanks go to SOS Forum member desmond for compiling the index. 

1994 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
1995 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
1996 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
1997 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
1998 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
1999 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
2000 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec
2001 | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec

Sound On Sound | January 1994

REVIEWS

• AKG C3000 | Large-diaphragm Capacitor Microphone
• AKG H30; Aiwa XD-S1100; P&G; 8000 Series | Widgets
• Alesis Monitor One | Studio Monitors
• Allen & Heath GS3V | Automated Mixer
• ART FXR & FXR Elite | Digital Effects
• Big Noise MaxPak V2 | PC Software
• Dance Industrial 2: David Frangioni & Rich Mendelson | Sample Library
• Digital Audio Labs cardD | PC Hard Disk Recorder
• EMS VCS3 | Analogue Synthesizer (Retro)
• Ian Boddy: Ambient Vol. 2 | Sample Library
• MOTU Digital Performer | Mac Sequencing & Digital Recording Environment
• Studio Electronics SE1 | Analogue MIDI Monosynth
• Tascam PE40 | Parametric EQ

PEOPLE + OPINION

• Jonathan More (Coldcut): Philosophy | Interview | Band
• Necroscope: Surviving Live | Interview | Band
• Stephen Morris & Gillian Gilbert: The Other Two and You | Interview | Band
• Tony Platt: Production Lines | Opinion | Music Production
• Toyah Wilcox: Leap | Interview | Artist
• Will Mowat: Soul Music | Interview | Artist

TECHNIQUE

• Atari & CD-ROM | Atari Notes
• Aural Hygiene: How To Keep Noise At Bay, Part 2 | Tips & Techniques
• Buying Used Gear | Tips & Techniques
• Creating Analogue Sounds On Digital Synths, Part 1 | Tips & Techniques
• Kawai K1 | Sequencing Clinic
• Macro Systems Toccata 16-bit Sampling System | Amiga Notes
• PC Retrospective 1993 | PC Notes
• Power Vocoding | Boss SE50 & SE70
• Shift and Conquer; Compress and Sustain; Simple Midi Switch | Sound Bites
• What's In Store For 1994? | Apple Notes
• Yamaha QY10 | Sequencing Clinic

Sound On Sound | February 1994

REVIEWS

• BBE Sonic Maximizer Model 462 | Enhancer
• DJ Toolz Breakbeats And Grooves Vol. 2 | Sample Library
• Ensoniq TS12 | Keyboard
• Greg Hawkes And Perry Geyer Sampleware Vol. 1 | Sample Library
• Korg X3R | Workstation Synth Module
• LA Audio 4C | Quad Compressor Limiter
• Masterbits B3 Organ: The Legend | Sample Library
• Roland S760 | 16-bit Sampler
• Roland SH101 | Vintage Synth
• Roni Music Sequencing Software (Atari ST, TT, Falcon) | 16-track Sequencer
• Viscount RD70 | MIDI Data Filer & Sequence Playback Unit
• Wilmslow Audio ATC SCMK 100; Sudiospares Wall Box; Atari ST TimeTalk | Widgets
• Yamaha MT8X | 8-track Cassette Recorder

PEOPLE + OPINION

• DMC's Brothers In Rhythm: Remixing Records | Interview | Band
• Lightwave: UK Electronica | Interview | Band
• Mark Tinley: Working With Duran Duran | Interview | Engineer
• Mike Barnett: Beyond Records | Interview | Producer
• Peter Hammill: The Noise, Fireships & Terra Incognita | Interview | Artist
• Tony Visconti: Making Music Should Be Fun | Opinion | Music Production (Production Lines)

TECHNIQUE

• A Balanced View; Separation Without A Vocal Booth; Boosting Quiet Synths | Sound Bites
• Clarity & WaveTools | Amiga Notes
• Creating Analogue Sounds On Digital Synths, Part 2 | Tips & Techniques
• Cubase Lite Update & Gravis Ultrasound | PC Notes
• Decibels Explained | Exploration
• Falcon 030 | Atari Notes
• MIDI Guitar Workshop | Tips & Techniques
• Multitimbrality Explained | Exploration
• PC Jargon Explained | Tips & Techniques
• PowerPC & Custom Icons | Apple Notes
• Sound Synthesis, Part 1 | Primer

Sound On Sound | March 1994

REVIEWS

• BCK Lite Show | MIDI-to-light Controller
• Climax Collection 7: Bass | Sample Library
• DBX 120XP | Sub-Harmonic Synthesizer
• GEM S2R | Rackmounting Synth Module
• JBL 4410A; Keynote Music Data Bank; Alice DA-PAK | Widgets
• Mo' Funky Elements | Sample Library
• MOTU MIDI Express | PC MIDI Interface
• Peavey DPM C8 | Master Keyboard
• Polestar Magnetics XL1+ | Sample Library
• Roland Audio Producer | RAP-10 PC Sound Card & ATW-10 Software
• Roland JV90 & JV50 | Expandable Synthesizers
• SCI Pro1 | Analogue Monosynth (Retro)
• Yamaha TG300 | General MIDI Tone Generator

PEOPLE + OPINION

• Mike Pickering: Can Producers Also Be Artists? | Opinion | Music Production (Production Lines)
• NAMM '94 Report | Conference
• Richard H Kirk: Cabaret Voltaire Electronica | Interview | Band
• Robbie Adams: Recording U2's Achtung Baby & Zooropa | Interview | Engineer
• Tom Oberheim: Marion Systems | Interview | Manufacturer

TECHNIQUE

• 100 Issues Of Sound On Sound | Special Feature
• Analogue Versus Digital Tape | Tips & Techniques
• Creating Analogue Sounds On Digital Synths, Part 3 | Tips & Techniques
• Fatar's CMS61 | PC Notes
• Hypercolourcard | Apple Notes
• Open Or Closed Headphones | Exploration
• Pragmatic Acoustics | Tips & Techniques
• Quick Draw; Warp9 | Atari Notes
• Soldering Made Easy | Tips & Techniques
• Sound Synthesis, Part 2 | Primer
• Tape Machine Care | Tips & Techniques
• Toccata 16-bit Sampler | Amiga Notes

Sound On Sound | April 1994

REVIEWS

• Best Service Alpha Dance | Sample Library
• Casio CTK-650 | GM-Compatible Keyboard
• Digidesign DINR | Intelligent Noise Reduction Software
• Dynacord DLS 223 | Digital Organ Cabinet
• Global Trance Mission | Sample Library
• Hands On Starlite | MIDI-to-light Controller
• Kurzweil Micro Piano | Sampled Piano Sound Module
• LA Audio 4G | 4-channel Frequency Conscious Noise Gate
• Oktava MK219 | Capacitor Microphone
• Sony HR-MP5 | Multi-effects Processor
• Soundcraft Spirit Studio LC | Multitrack Mixer
• Steinberg Time Bandit | Time Stretching & Pitch Shifting Software
• Sunrise Software PC Drummer | Drum Programming Software
• Tube Amp Book; CIS GT Pro | Widgets
• Yamaha GW10 | Guitar Effects Pedal System
• Zoom 9050S | Advanced Instrument Effects Processor

PEOPLE + OPINION

• Chris Rea & Stuart Epps: Recording Espresso Logic | Interview | Artist/Engineer
• Jane Siberry: When I Was A Boy | Interview | Artist
• John Dyson: Different Values | Interview | Artist
• Orbital: Recording 'Chime', London Studio | Interview | Band
• Pascal Gabriel: Music Equipment Product Support | Opinion | Music Production (Production Lines)
• Soundcraft: Going Live | Conference

TECHNIQUE

• Apple Acronyms & MIDI | Apple Notes
• Backing Up Your PC Data | Tips & Techniques
• Battle Of The Multimedia | Amiga Notes
• Build A Guitar Amp Dummy Speaker Load | Tips & Techniques
• Creating Analogue Sounds On Digital Synths, Part 4 | Tips & Techniques
• Drum Miking | Exploration
• Help For Your Hi-Fi | Tips & Techniques
• MIDI Song Files | Atari Notes
• Optech; Arbiter | PC Notes
• Streamlining Computer Sequencing | Tips & Techniques
• Studio Wiring, A Practical Guide, Part 1 | Tips & Techniques
• Tempo Track Tweaking | Tips & Techniques

Sound On Sound | May 1994

REVIEWS

• Alesis QuadraSynth | 64-note Polyphonic 76-key Synthesizer
• Allen & Heath GL2 | Studio/Live Rackmount Mixer
• BOSS DR5 | Rhythm Section
• Drawmer 1961 | Dual-channel Vacuum Tube Equaliser
• Emu Proteus FX | Sound Module & Onboard Effects
• Psychotronic Sounds Of Neuronium | Sample Library
• Pure Energy Clock II Sync; The Arc Musicians' DirectoryPure Energy Clock II Sync; The Arc Musicians' Directory | Widgets
• Pure Technology Astro Glide 202 | Sample Library
• Roland GR09 | Guitar Synth
• Roland JX10 | Super JX Analogue Polysynth (Retro)
• Roland SC50 | General MIDI Sound Module
• Ross's Rising Funk | Sample Library

PEOPLE + OPINION

• Article Index, SOS 1985-1994 | Index
• Barry Adamson: Composing For Film | Interview | Composer
• Beverley Craven: MOR & Love Scenes | Interview | Artist
• Chris Franke: The Sequencer King | Interview | Artist
• Colin Newman: From Musician To Record Label | Opinion | Music Production (Production Lines)
• Kraftwerk & Electric Music 1994 | Convention
• Suzanne Ciani: Dream Suite, American Success | Interview | Artist

TECHNIQUE

• Chip Replacement | Tips & Techniques
• Equipment Valeting | Tips & Techniques
• Exploring Analogue, Part 1 | Exploration
• GEMini CD-ROM | Atari Notes
• Logitech Soundman Wave & Lyrrus G-Vox | PC Notes
• Multimedia; MediaPoint | Amiga Notes
• Opcode World Tour | Apple Notes
• Organising Your Sample Library | Tips & Techniques
• Roland MC50 & MC500 | Power Sequencing
• Secrets Of Expressive Sequencing, Part 1 | Primer
• Studio Wiring: A Practical Guide, Part 2 | Tips & Techniques

MUSIC BUSINESS

• Richard Rothman: Producing Independent Records | Interview | Music Production

Sound On Sound | June 1994

REVIEWS

• Creative Labs Soundblaster AWE32 | PC Soundcard
• D-Zone Loopisms Volumes 1 & 2 | Sample Library
• Genelec 1030A | Studio Monitors
• Kurzweil ROM1 | Orchestral Expansion Board for K2000 & 2000R
• Lexicon Vortex | Audio Morphing Effects Processor
• Mesa Engineering V-twin | Guitar Preamp Footpedal
• Milli Keyboard Interface; Keyfax Software Twiddly Bits | Widgets
• Oberheim Matrix 1000 | Analogue Synth Module
• Opcode Vision 2.0.3 | Sequencing Software
• Phonic PLC 3200 | Compressor/Limiter
• Samson MPL2242 | 22-Input Rackmounting Mixer
• Sly Dunbar's Reggae Drumsplash | Sample Library
• Soundtracs Topaz | Multitrack Recording Console
• Typhoon OS, Yamaha TX16W | Alternative Operating System For Sampler

PEOPLE + OPINION

• Clifford White: 21st Century Music | Interview | Artist
• David Sylvian: Recording Tin Drum & The First Day | Interview | Artist
• Electronic Sound & Pictures: Producing Interactive Multimedia | Interview | Company
• EMMA Electronic Music Festival | Convention
• Finitribe: Wangling A £75k Payout | Interview | Band
• Mike Vernon: Recording Blues Players | Opinion | Music Production (Production Lines)

TECHNIQUE

• Creative Sampling Made Easy | Tips & Techniques
• Direct-to-disk Sampling System | Amiga Notes
• Exploring Analogue, Part 2 | Exploration
• Hard Drives | Atari Notes
• Media Vision's Memphis | PC Notes
• Multitimbrality: A Brief History | Exploration
• New Purchases: What To Look Out For | Tips & Techniques
• Performer 5.0; MIDI Machine; FreeMIDI | Apple Notes
• Producing Realistic Guitar Strumming Effects Using Creator/Notator | Tips & Techniques
• Recording The Spoken Word | Tips & Techniques
• Secrets Of Expressive Sequencing, Part 2 | Primer

Sound On Sound | July 1994

REVIEWS

• Alesis AI-1 | Digital Interface/Sample Rate Converter
• Analogue Progate Atari Hard Drive; Xplora CD-ROM: The Secret World Of Peter Gabriel | Widgets
• Aphex Easyrider 106 | 4-Channel Compressor
• D-Zone Loopism Volume 3 | Sample Library
• Ecstatic Acid Bytes | Sample Library
• Funk Guitar | Sample Library
• Novation BassStation | Analogue Bass Synth
• Oktava MK012 | Capacitor Microphone
• Roland SDX330 | Dimensional Expander
• Soundcraft Folio Rac Pac | Mixer
• Waldorf Wave | Analogue/Digital Dynamic Spectrum Wave Table Synthesizer
• Yamaha VL1 | Virtual Acoustic Synthesizer
• Zoom 9002 Pro | Advanced Guitar Effects Processor

PEOPLE + OPINION

• Andre Jacquemin: Music Technology Advances | Opinion | Music Production (Production Lines)
• Malcolm Toft: MTA & Trident | Interview | Manufacturer
• Stephen Street: Recording Blur & The Cranberries | Interview | Producer
• The Grid: Evolver | Interview | Band

TECHNIQUE

• Audiomedia II Mac Hard Disk Recording; Sound Designer; Master List; Deck 2.1 | Tips & Techniques
• Bars&Pipes; Professional 2.5 | Amiga Notes
• Desktop Video On Your PC | Tips & Techniques
• Exploring Analogue, Part 3 | Exploration
• Information Superhighway | PC Notes
• MIDI Snychronisation Explained | Tips & Techniques
• Perfect Piano Loops | Tips & Techniques
• RAM Doubler | Apple Notes
• The True Cost Of Going Digital | Atari Notes
• Using Effects With Keyboards | Tips & Techniques
• Using The Windows 3.1 MIDI Mapper: With The Yamaha QY10 | Tips & Techniques
• Zen And The Art Of Cassette Deck Maintenance | Tips & Techniques

Sound On Sound | August 1994

REVIEWS

• Asymetrix Mediablitz | Multimedia Authoring
• Datafile | Sample Library
• Emu Ultra Proteus | Synthesizer Module
• Hallelujah | Sample Library
• Marantz PMD720 | Personal Recording Studio
• Power Master Hard Disk Drive System; Cubase Power Users Guide | Widgets
• Quasimidi Quasar | Synth Module
• Tascam M-2600 | Recording Console
• Waldorf EMES Blue | Nearfield Monitors
• Yamaha MT120S | Multitrack Cassette Recorder
• Yamaha QY300 | Music Sequencer

PEOPLE + OPINION

• Future Sound Of London: Broadcast, TV & Radio Musicians | Interview | Company
• Mike Stock: The Future Of British Pop | Opinion | Music Production (Production Lines)
• Paul Ward: Surreal To Real | Interview | Artist
• Trevor Horn: Recording ABC, ZTT, Yes, & The Pet Shop Boys | Interview | Producer

TECHNIQUE

• Ground Loops Explained | Exploration
• Meridian, Softwood | Amiga Notes
• Performing Arts Network & Hard Disk Recording | PC Notes
• Philosophy Of Mixing: Views From The Pros | Exploration
• QuickTime v.2.0 | Apple Notes
• Retro Look At Sequencer Packages | Atari Notes

Sound On Sound | September 1994

REVIEWS

• Alesis X2 | Studio Mixing Console
• Analogue To Digital II | Sample Library
• Behringer Edison | Stereo Image Enhancer
• East West Dance/Industrial | Sample Library
• Kenton Electronics Pro 4 | Multi-channel MIDI-CV Interface
• Korg G4 | Digital Rotary Speaker Simulator
• Korg Polysix | Synthesizer (Retro)
• Oberheim OBMx | Analogue MIDI Synth Module
• Phonic M1642 | 16-Channel Mixing Console
• Roland SC88 | Super Sound Canvas
• Samick KK1L | MIDI Master Keyboard
• Yamaha QY8 | Music Sequencer

PEOPLE + OPINION

• Behind Pink Floyd | Interview | Engineers
• Daniel Lanois: For The Beauty Of Wynona, Vintage Gear | Interview | Producer/Artist
• Danny Chang: Writing Music For Cartoons | Interview | Composer
• Joanna Leach: Classical Music Production | Opinion | Music Production (Production Lines)
• Nigel Lowis: Producing Dina Carroll | Interview | Producer

TECHNIQUE

• Atari Falcon 030 | Analysis
• Cubase Audio: Atari Falcon | Exploration
• G-VOX Bridge; Voyetra | PC Notes
• MIDI Files | Atari Notes
• QuickTime 2.0 & SampleSearch | Apple Notes
• Recording A Jazz Quartet On A Budget | Exploration
• Robocop, SilicaCare, CompuServe | Amiga Notes
• Using Amps As Effects | Tips & Techniques

Sound On Sound | October 1994

REVIEWS

• Akai MPC3000 | MIDI Production Centre
• Alesis Q2 | Multi-effects Processor
• Best Drum Sample CD Ever | Sample Library
• Brass Super Section | Sample Library
• Cimple Solutions Extraports MIDI Expander; K&K; Active Cable | Widgets
• Dynacord DRP5 | Reverb and Effects Processor
• Emu EIIIX Roundup | v2.1 System Software; Remote Editor/Librarian; Sample CD-ROM
• Hyperdance | Sample Library
• MOTU Performer v5.0 | Sequencer
• Oktava MK011 | Capacitor Microphone
• Roland S760 Expansion? | Sampler
• Yamaha RY20 | Rhythm Programmer

PEOPLE + OPINION

• Bob Moog: Snyth Pioneer | Interview | Manufacturer
• Fluke: '80s Dance & Modern Remixes | Interview | Band
• John Leckie: Record Producer? You're Lucky! | Opinion | Music Production (Production Lines)
• Jon Anderson: Yes, Change We Must | Interview | Artist
• Museum Of Synthesizer Technology | Exploration
• The Making Of Mackie Mixers | Interview | Manufacturer

TECHNIQUE

• Acoustic Piano Miking Workshop | Tips & Techniques
• American Amiga Lightwave & Toaster | Amiga Notes
• Basics Of Hard Disk Recording, Part 1 | Primer
• FX Shopping For Illusions: Buying A Multi-effects Unit | Tips & Techniques
• Getting The Most Out Of Your Gear | Tips & Techniques
• MOTU FreeStyle | Apple Notes
• PC Budget Sequencing: 7 Ways To Spend £150 On A Sequencer | Tips & Techniques
• Prismatica & Internet Access | PC Notes
• The Importance Of Impedance | Exploration
• Trakcom & Falcon | Atari Notes

Sound On Sound | November 1994

REVIEWS

• Alesis S4 Quadrasynth | 64-voice Sound Module
• Behringer Combinator | Multi-band Compressor
• Black II Black Vol. 1 | Sample Library
• CAD88 & CAD89 | Dynamic Microphones
• CP Technology Missing Link MIDI-CV Converter; Intrinsic Technology Plus48 MIDI Port Expander | Widgets
• Digitech TSR12 | Studio Reverb & Multi-effects Processor
• Emu Classic Keys | Sound Module (Preview)
• Emu ESi32 | 16-Bit Sampler (Preview)
• Ensoniq KT76 | Workstation Keyboard
• Fostex RD8 | Digital Multitrack Recorder
• Korg Wavedrum | Drum Synthesizer
• Neil Conti: Funky Drums From Hell | Sample Library
• Spirit Folio Lite | 12:2 Mixer
• SPL Optimizer | Equaliser
• Yamaha FX770 | Guitar Effects Processor

PEOPLE + OPINION

• Graham Massey (808 State): Using The Internet For Communication | Interview | Band
• Mitchell Froom: Recording Crowded House & Elvis Costello | Interview | Producer
• Multimedia & Amiga Falcon | Exploration
• Steve Ferrera: Head Of A&R; At Echo | Opinion | Music Production (Production Lines)
• Todd Rundgren: Interactive Music, Recording Adventures In Utopia | Interview | Producer

TECHNIQUE

• 3D Mixing: Giving Your Mixes More Space | Tips & Techniques
• Basics Of Hard Disk Recording, Part 2 | Primer
• Blue Ribbon & Dr T's KCS | Amiga Notes
• Cost Of MIDI Files | Atari Notes
• Getting The Best From Your Leslie Simulator | Tips & Techniques
• Networking On The Internet For Musicians | Tips & Techniques
• Opcode — Behind The Scenes | Apple Notes
• Using Samplecell II With Sound Designer II | Exploration
• Windows MIDI Mapper | PC Notes

Sound On Sound | December 1994

REVIEWS

• Control Synthesis Deep Bass Nine | MIDI Analogue Monosynth
• Cubase Audio DAE | Sequencing & Digital Audio Software
• Danny Cummings & Miles Bould's Rhythm Of Life | Sample Library
• Emu Classic Keys | Analogue Keyboard Sound Module
• Fatar Studio 1100 & 900 | MIDI Master Keyboards
• First Among Sequels: Remix II | Sample Library
• LA Lite CX2 | Dual Channel Compressor
• Lexicon PCM80 | Reverb and Effects Processor
• Marion Systems MSR2 | Analogue Synthesizer
• Marshall DRP1 | Direct Recording Guitar Preamp
• Opcode Overture | Notation Software
• Roland Super JV1080 | Expandable Synthesizer Module
• Rolls Patchwork RP93; P&R; Wall Box | Widgets
• Ross RCS1602 | 16-Channel Mixing Console

PEOPLE + OPINION

• Boris Blank (Yello): Recording Zebra | Interview | Band
• Don Was & Don Smith: Recording The Rolling Stones | Interview | Producer/Engineer
• Mark Goodier & Bill Padley: Wise Buddah Music Radio | Interview | DJ/Producer
• Pete Wingfield: What Is A "Classic" Record? | Opinion | Music Production (Production Lines)
• Producing Music & Effects For A Major TV Documentary, Part 1 | Exploration
• Tangerine Dream: Changing Use of Technology, Part 1: 1967-1977 | Exploration
• Yamaha: New Products | Interview | Manufacturer

TECHNIQUE

• ADAT: Power User's Guide | Exploration
• Aura | Amiga Notes
• Compressing Your Mix | Tips & Techniques
• Digital Performer v2.0 | Apple Notes
• MIDI Circuits; Controllers & Goldstar GMK49 | PC Notes
• MIDI Controllers & How To Use Them, Part 1 | Primer
• MIDI Triggering From Your Acoustic Drum Kit | Tips & Techniques
• StormTracker | Atari Notes

Sound On Sound | January 1995

REVIEWS

• Networking In The Music Business; Rapco DB 101SL Passive DI Box | Widgets
• ART CS2 | Compressor/Limiter
• Boss RV70 | Digital Stereo Reverb
• Charlie Lab Digitar | Pocket MIDI Guitar
• Emu ESi32 | 32-Voice Digital Sampler
• Ensoniq Soundscape | 16-Bit PC Soundcard
• Gigapack Vol. 1 | Sample Library
• Korg Palette | Sample Library
• Korg X5 | AI 2 Synthesizer
• Kurzweil PC88 | Performance Controller Keyboard
• MOTU Freestyle | Sequencing Software
• Oberheim Far | Resynthesis Technology (Preview)
• Roland MCR8 | MIDI Multi-Controller
• Ross RX15S | Stereo 15-band Graphic Equaliser
• Yamaha Promix 01 | Automated Digital Mixer
• Yamaha W7 | Synthesizer Workstation

PEOPLE + OPINION

• Andrew Price: Copyright-free Music | Interview | Artist
• Bill Leeb: Front Line Assembly | Interview | Band
• Karl Steinberg: Cubase & Computers | Interview | Manufacturer
• Paul Staveley O'Duffy: Flexible Music Industry | Interview | Music Production (Production Lines)
• Producing Music & Effects For A Major TV Documentary, Part 2 | Exploration
• Tangerine Dream: Changing Use Of Technology, Part 2: 1977-1994 | Exploration

TECHNIQUE

• 1994 Awards | PC Notes
• Atari Mega Archive | Atari Notes
• AudioMaster IV | Amiga Notes
• Buying A Mac For Music | Tips & Techniques
• How To Treat, Label & Store Tape | Tips & Techniques
• Interactivity; Yamaha Media Technology; System 7.5 | Apple Notes
• MIDI Controllers & How To Use Them, Part 2 | Primer
• Monitoring & Vocals | Tips & Techniques
• Setting The Right DAT Recording Level | Tips & Techniques

Sound On Sound | February 1995

REVIEWS

• Alesis MidiVerb IV | Multi-effects Processor
• ART MR1 | Compact 16-bit Digital Reverb
• Audio Technica Midnight Blues | Dynamic Microphones
• Black II Black Vol. 2 | Sample Library
• EDP Wasp | Analogue Monosynth (Retro)
• Korg AX30G | Guitar Multi-effects
• Kurzweil K2000 v3 | Software Upgrade
• Peter Siedlaczek's Orchestral Colours | Sample Library
• Quasimidi Technox | Rackmount Synthesizer
• Tascam DA30 MK II | Professional DAT Recorder
• Vestax HDR6 & HDR4 | Digital Hard Disk Recorders
• Viscount RD800 | MIDI Data Filer
• Voyetra MIDI Orchestrator Plus | Windows MIDI Sequencer
• X-Static Goldmine 2 | Sample Library
• Zoom 1202 | Effects Processor

PEOPLE + OPINION

• Douglas Floyd-Douglass: Finding Undiscovered Talent | Interview | Music Production (Production Lines)
• Graham Blyth: Designing Spirit Mixers | Interview | Manufacturer
• In The Nursery: Playing Live In Europe | Interview | Band
• Mike Oldfield: Recording Songs Of Distant Earth | Interview | Artist
• Multimedia Authoring Software For The PC | Exploration
• Rupert Hine: Les Negresses Vertes | Interview | Producer

TECHNIQUE

• A Pragmatic Guide To Creative Sequencer Abuse | Tips & Techniques
• Apple Notes | System 7.5
• Atari Multi-Port MIDI Expanders | Exploration
• AV & Photogenics | Amiga Notes
• Buying A PC For Music: IBM, Part 1 | Exploration
• Creative Use Of Your Sampler | Tips & Techniques
• How Enhancers Work | Exploration
• Improving Your Studio For Next To Nothing | Tips & Techniques
• MagiCMac | Atari Notes
• Mastering On ADAT | Tips & Techniques
• Tortus, Cakewalk & Cataloguing Floppy Disks | PC Notes

MUSIC BUSINESS

• Brian Jackson: EMI Music, Part 1 | People & Politics In The Music Business

Sound On Sound | March 1995

REVIEWS

• Ethnic 2 | Sample Library
• Funk Bass | Sample Library
• Korg Oasys | Open Architecture Synthesis (Preview)
• Langevin CR3A | Capacitor Microphone
• Lexicon Reflex | Dynamic MIDI Effects Processor
• Mackie LM3204 | Stereo Line Mixer
• Peavey Valvex | Stereo Tube Mixer
• Philip Rees TS1 | MIDI Tape Sync Unit
• Roland MS1 | Digital Sampler
• Roland SH09 | Analogue Monosynth (Retro)
• Roland VG8 | V-Guitar System (Preview)
• Spirit Absolute 2 | Nearfield Monitors
• Tascam 488 MkII | 8-track Portastudio
• Turtle Beach Quad | 4-Track Digital Recording Software
• Vindaloops | Sample Library
• Widgets | Metrasound SY22; Sound Recording Advice
• Yamaha VL7 | Virtual Acoustic Synthesizer

PEOPLE + OPINION

• Ambient Techno: Peter Namlook, Mixmaster Morris, Scanner & David Toop | Interview | Artist
• Chris & Cosey: 2 Unlimited | Interview | Band
• Digidesign Past & Present | Interview With The President: Peter Gotcher Of Digidesign
• Pete Brown: Production Lines | Interview | Music Production
• The Beatles Live At The Beeb: Raiders Of The Lost Archive | Interview | Producer/Engineer
• Tim Simenon: Bomb The Bass | Interview | Artist

TECHNIQUE

• Buying A New Computer | Atari Notes
• Buying A PC For Music, Part 2 | Tips & Techniques
• Cubase Logical Edit Explained, Part 1 | Exploration
• EQ: How & When To Use It | Tips & Techniques
• Evolving Role Of The PC; Steinberg Wave Player | PC Notes
• How To Patch Effects & Processors | Tips & Techniques
• Oregon Research's Gamesmith | Amiga Notes
• Planning Your First Home Studio, Part 1 | Primer
• Theatre Sequencer | Apple Notes

MUSIC BUSINESS

• Brian Jackson: EMI Music, Part 2 | People & Politics In The Music Business

Sound On Sound | April 1995

REVIEWS

• Analogue Systems TH48 | Sequencer
• Aphex 107 | Dual-channel Thermionic Mic Preamp
• Charlie Morgan Master Drums 2 | Sample Library
• Emu Systems Emulator IV | Digital Sampler
• Funky Ass Loops | Sample Library
• LF-OIDS Vol. 1: Bassline Loops | Sample Library
• Macromedia SoundEdit 16 | Sample Editing Software
• Omniphonics Footprint Series 75 | Power Amplifier
• Roland System100M | Modular Synth (Retro)
• Ross RX-NR4 | 4-Channel Noise Reduction
• Sound Quest MIDIQuest | Universal Editor/Librarian
• Spirit PowerStation | Powered Mixer
• Steve Stevens Guitar Sample Collection | Sample Library
• Turtle Beach Monte Carlo | PC Sound Card
• Twango Emotive Response | Modelling System (Preview)
• Widgets | All You Need To Know About The Music Business; SOS Cable Management Kit
• Yamaha MU80 | Tone Generator
• Zoom 9150 | Valve DSP Guitar Multi-effects Processor

PEOPLE + OPINION

• Ann Dudley: Art Of Noise | Interview | Artist
• Frank Kelly (Alesis): The Science Behind Gear For Sound | Frank Kelly Of Alesis
• Gilad Keren: Making Waves | Interview | Manufacturer
• Mark Russell: Writing Music For Radio Shows | Interview | Composer
• Phil Oakey: The Human League | Interview | Band
• Stuart Epps: Production Lines | Interview | Music Production
• Zipi: Is This The End Of MIDI? | Exploration

TECHNIQUE

• Apple Notes | QuickTime 2.0
• Building A School Studio In 10 Weeks | Exploration
• Cubase Logical Edit Explained, Part 2 | Tips & Techniques
• Digital Delay Tactics | Tips & Techniques
• Improve Your Sequencer's Notation Facilities | Amiga Notes
• Live Multitrack Recording | Exploration
• MIDI Timing Delays & Your Sampler | Tips & Techniques
• Net Surfing, TripleDAT & Soundscape SSHDR | PC Notes
• Planning Your First Home Studio, Part 2 | Tips & Techniques
• SIMM Boards & Memory | Atari Notes

MUSIC BUSINESS

• Dominic Walker: BMG | People And Politics In The Music Business

Sound On Sound | May 1995

REVIEWS

• Best Service XX Large | Sample Library
• Clavia Nord | Lead Synthesizer
• Fostex XR5 | 4-track Cassette Recorder
• GRM Tools v1.5 & HyperPrism | Software
• Heart Of Asia | Sample Library
• Korg Prophecy | Solo Synthesizer (Preview)
• Korg X5DR | Synth Module
• Lexicon LXP15 II | Multi-effects
• Loopism Vol. 4 | Sample Library
• Media Vision Pro | 3D PC Sound Card
• Microtech Gefell UMT70S | Capacitor Microphone
• Nevaton MC51 | Capacitor Microphone
• Roland VG8 | Virtual Guitar System
• Solton MS40 | Multimedia Music Station
• SPL EQ Magix | Mic Preamp/Equaliser
• Steinberg ReCycle | Sample Manipulation Software
• Technics SX-WSA1 | Acoustic Modelling Synthesizer (Preview)
• Workstation Vol. 1 | Sample Library

PEOPLE + OPINION

• Bill Katoski: KAT Inc., Percussion & Drum Controllers | Interview | Manufacturer
• Duncan Browne: In Memoriam — The Making Of 'Songs Of Love And War' | Exploration
• Frankfurt Musik Messe Report 1995 | Convention
• Keith Emerson's Keyboard Clearout | Exploration
• Mark Thomas: Composing & Recording For Film And TV | Interview | Composer
• Mute Records: Nitzer Ebb, Renegade Soundwave, Daniel Miller | Interview | Music Production
• Simon Dawson: Recording The Stone Roses' Second Coming | Interview | Producer
• The Rapino Brothers: Production Lines | Interview | Music Production

TECHNIQUE

• A Question Of Trust, Part 1: Can You Trust Your Equipment? | Exploration
• Cubase Logical Edit Explained, Part 3 | Exploration
• Dr T's M Package & OctaMED Pro v.6 | Amiga Notes
• Falcon MkII & C-Lab | Atari Notes
• Max 3.0 7, Skinnyshort & Software upgrades | Apple Notes
• MIDI For Guitarists: A Crash Course In MIDI Effects Control | Tips & Techniques
• Noise: What Is It & How Can It Be Avoided? | Exploration
• PC Retrospective | PC Notes
• Planning Your First Home Studio, Part 3 | Tips & Techniques

Sound On Sound | June 1995

REVIEWS

• Alesis Matica 500 | Power Amplifier
• Allen & Heath GS1 | 8-buss Recording Console
• Fostex XR7 | 4-track Cassette Multitracker
• Funky Rhythms You Can't Live Without | Sample Library
• JL Cooper Cuepoint | Universal Autolocator
• KRK K-Rok | Nearfield Monitors
• Moog Taurus | Bass Pedals (Retro)
• Polestar Magnetics Drum Tools | Sample Library
• Ridge Farm Gas Cooker | 2-Channel Tube DI Box
• Rode NT2 | Capacitor Microphone
• Roland GI-10 | Guitar MIDI Interface
• Roland JS30 | Sample Workstation
• Roland XP50 | Music Workstation
• Soundfield ST250 | Stereo Microphone
• Widgets | CIS Studio Desk Pro Mk2; Active Instrument Lead
• Yamaha MU5 | Tone Generator
• Zero Phantom Horns | Sample Library

PEOPLE + OPINION

• Adrian Utley: Portishead Sound Shaper | Interview | Artist
• BBC Radio One FM: On The Net | Exploration
• Dave Ward: Gateway Celebrates 20 Years Of Audio Education | Interview | Education
• Hector Zazou | Songs from the cold seas
• Martyn Ware: Record Companies Should Seek New Talent | Opinion | Music Production (Production Lines)
• Steve De Furia: Behind The Scenes At Lexicon | Interview | Manufacturer

TECHNIQUE

• A Question Of Trust, Part 2: Working With Music Industry Professionals | Exploration
• Analogue To Digital: Changing From 8-track Tape To Hard Disk Recording | Exploration
• Cheap Sampling With PC Soundcards | Tips & Techniques
• Choosing A Microphone: Types & Uses | Tips & Techniques
• Creating A Cubase MIDI Mixer Map For Yamaha SY85, Part 1 | Tips & Techniques
• How To Use Amiga's MIDI Facilities | Amiga Notes
• Planning Your First Home Studio, Part 4 | Tips & Techniques
• QuickTime With Everything | Apple Notes
• RT300; Video On Your PC; 1995 MEMS | PC Notes
• The Eagle Atari Clone | Atari Notes

Sound On Sound | July 1995

REVIEWS

• Analogue Systems FB3 | Filter Bank
• Emu Systems E64 | Digital Sampler
• Fostex D5 | DAT Recorder
• Freekee Jack Swing | Sample Library
• Kat trapKAT | MIDI Percussion Controller
• Kenton GS8 | MIDI Guitar Switcher
• Korg Trident | Polysynth (Retro)
• NHT 1.3A | Nearfield Monitors
• Novation BassStation | Rack Analogue Synth
• Philips DCC730 | Digital Recorder
• Soundtracs Topaz | Macro Mixer
• Spirit Protracker | 8-channel Mixer
• Synclavier S Link 2.0 | Audio File Format Conversion Software
• Tech 21 Sansamp PSA1 | Guitar Amp Simulator
• The Bass Appetiser | Sample Library
• Widgets | SKB Pop-Up Mixer Flightcase; Adams Chord Systems
• Workstation Vol. 2 | Sample Library
• Yamaha CS80 | Polysynth (Retro)
• Yamaha Rev100 | Digital Reverb

PEOPLE + OPINION

• Alex Paterson: The Orb, Legal Battles & Orbvs Terrarvm | Interview | Artist
• Andy Pickford: Terraforma, Replicant & Blade Runner | Interview | Artist
• Making It In The Industry: Landing A Record Deal | Tips & Techniques
• Michael Brook: World Music | Interview | Producer/Guitarist
• Michael Errington: Composing For Film Scores & Soundtracks | Interview | Composer
• Peter Jones: Relationship Between Producer & Artist | Opinion | Music Production (Production Lines)

TECHNIQUE

• Master Keyboards & PC Multimedia | PC Notes
• MIDI Files & MCPS | Atari Notes
• OctaMED | Amiga Notes
• OMS, QuickTime & Alternatives | Apple Notes
• Planning Your First Home Studio, Part 5 | Tips & Techniques
• Sampling Analogue Synthesizers | Exploration
• Second-hand Equipment, Part 1 | Exploration
• Soundproofing Tips For The Home Studio | Tips & Techniques

Sound On Sound | August 1995

REVIEWS

• Akai DR8 | Hard Disk Recorder
• Audio Technica ATH | Studio Headphones
• Byetone VM95 & VM97 | Dynamic Microphones
• Digitech Studio 5000 Digitech Studio Vocalist | Harmony Processors
• Emagic Logic 2.0 | MIDI Recording System
• Jeanius Electronics Russian Dragon RD-R3 | Timing Analysis
• Jungle Joose | Sample Library
• Loopism Vol. 5 | Sample Library
• Mackie SR24•4 | Mixing Console
• Peavey PVM480 | Back-electret Capacitor Mic
• Roland MC202 | Microcomposer (Retro)
• Silver 5L | Closefield Monitors
• Tascam DA-20 | Digital Audio Tape Recorder
• The Cosmos | Sample Library
• TLA Dual | Mic Preamp/DI Box
• Waldorf Microwave 2.0 | Wavetable Synthesizer
• Widgets | CP Mega EMS 400/500; Sound Foundation Kill Switches
• XX Large: The Killer | Sample Library
• Yamaha 02R | Digital Recording Console (Preview)

PEOPLE + OPINION

• Peter Cunnah: D-Ream | Interview | Artist
• Phil Da Costa: Young Musicians V Old Record Producers (Ageism In The Music Industry) | Interview | Music Production (Production Lines)
• Steve Reich: City Life | Interview | Composer

TECHNIQUE

• APRS Multimedia Shows | PC Notes
• Creating A Cubase MIDI Mixer Map For Yamaha SY85, Part 2 | Tips & Techniques
• DIY Drum Pads And Pedal Triggers | Tips & Techniques
• Escom News | Amiga Notes
• How To Make Your Own Digeridoo | Tips & Techniques
• Improve Your Stereo Master With Post-Production Sweetening | Tips & Techniques
• MIDI Basics, Part 1 | Exploration
• New Atari MIDI Boxes & Ports | Atari Notes
• Second-Hand Equipment, Part 2 | Tips & Techniques
• Sympathetic Mixing: How To Set Up A Good Mix | Tips & Techniques
• Transferring 16-bit Audio Files From Mac To Synth | Apple Notes

Sound On Sound | September 1995

REVIEWS

• 3G Mynah Plus | 16:4:3 Mixer
• Alesis Monitor Two | Studio Monitors
• Analogue Dreams | Sample Library
• Ashly Audio PQX 572 | Parametric Equaliser
• Award-Session Sessionmaster JD10 | Guitar DI Box/Preamp
• Behringer Eurodesk | 8-buss Recording Console
• Creamware TripleDAT | Digital Audio Interface
• Fletcher Electroacoustics JoeMeek Voice Channel | Mic Amp/Compressor/Enhancer
• KCCM Resample Pro | Sample Format Conversion Software
• Kenton Pro Solo | MIDI-CV Converter
• Kurzweil K2500R | Production Station Rack (Preview)
• LA Riot 3 | Sample Library
• Philips DCC170 | Digital Recorder
• Roland VP330 | Vocoder Plus (Retro)
• Samson S11 | Dynamic Microphone
• Tekno Industrial | Sample Library
• Widgets | Keyfax Software Twiddly Bits & Twiddly Beats; Vacuum State Electronics Tube Preamp Cookbook
• Yamaha CBX-K1 | MIDI Keyboard XG
• Yamaha MU50 & Yamaha CBX-K1 | Tone Generator & MIDI Keyboard XG
• Yamaha RY8 | Portable Rhythm Programmer
• Yamaha Sound Edge | PC Soundcard
• Zoom 1010 Player | Pedalboard Guitar Effects Processor

PEOPLE + OPINION

• 1995 SOS Readers Survey | Exploration
• At Home With... Rick Cordes | Interview | SOS Reader
• Mark Shreeve: Vintage Gear, Hollywood & Samantha Fox | Interview | Artist
• Mikail Graham: Emagic | Interview | Company
• Paul White: Hard Disks, Transistors, Esoteric Software | Sounding Off
• The Young Gods: Swiss Technology | Interview | Band

TECHNIQUE

• BMF Show | PC Notes
• Creative Loop Construction | Tips & Techniques
• Introduction To Cubase, Part 1: Structure Of Cubase & The 'Arrange' Window | Tips & Techniques
• Making The Most Of Your Emu Proteus, Part 1 | Tips & Techniques
• MIDI Basics, Part 2: Sequencing | Exploration
• Music-X & Notator-X; Sequencing Roundup | Amiga Notes
• QuickTime & Mac Audio Capabilities Table — Past & Present | Apple Notes
• The Art Of Miking Acoustic Instruments | Tips & Techniques
• Top 10 Atari Tips | Atari Notes

Sound On Sound | October 1995

REVIEWS

• ART Tube MP | Tube Mic Preamp
• Bass Legends | Sample Library
• Digitech TSR24S | Dual Channel Multi-effects Processor
• Emagic Logic 2.5 | MIDI Recording Environment
• Fatar CMS 61 & Studio 610 | Master Keyboards
• Fostex DMT-8 | Digital Multitracker (Preview)
• Groove Tubes MD1/MD2/MD3 | Valve Mics
• Korg Prophecy | Solo Synthesizer
• Kurzweil K2500R | Rack Sound Module
• Mackie LM3204E | Expander For LM3204 Line Mixer
• New York City Drumworks | Sample Library
• Phat & Phunky | Sample Library
• Recording On A Budget | Steinberg Cubasis Audio for Windows
• Rhodes Chroma | Analogue Polysynth (Retro)
• Roland Sound Expansion Series | Synth Expander Modules
• Tannoy PBM5 II | Nearfield Monitors
• Widgets | Spectra Dynamics' Advanced Damping/Isolation Polymer; Washburn VGA 15 Guitar Amp
• Yamaha H3000 | Power Amp

PEOPLE + OPINION

• Bill Nelson: Guitar Boy In Wonderland | Interview | Artist
• Emu Systems: Sampling, The Future & CA | Interview | Manufacturer
• Paul Ward: Standardisation | Sounding Off
• Roy Thomas Baker & Gary Langan: The Making Of Queen's 'Bohemian Rhapsody' | Interview | Producer/Engineer
• Software Synthesis: The Wave Of The Future? | Exploration
• Sonar 1995: International Electronic Music & Multimedia Festival | Event Report

TECHNIQUE

• AWE32 Soundcard | PC Notes
• Current State Of The Atari | Atari Notes
• Gain Structure | Exploration
• Giftware | Amiga Notes
• Hardware Supply | Apple Notes
• Introduction To Cubase, Part 2: Recording; Key, Drum & List Editors | Tips & Techniques
• Making The Most Of Your Emu Proteus, Part 2 | Tips & Techniques
• MIDI Basics, Part 3: MIDI Messages | Exploration
• Submixing In The MIDI Studio | Exploration

Sound On Sound | November 1995

REVIEWS

• Akai S2000 | Digital Sampler
• Alesis Quadrasynth Plus | Piano Polyphonic Synthesizer
• Beyer MCE83 | Back-electret Microphone
• Canam Quartz | PC Digital Recording & MIDI Sequencing Software
• Design Labs Prologue Plus | MIDI-CV
• Digidesign SampleCell II | PC Card
• Fatar MP1 | MIDI Pedalboard
• Gigpack 2 | Sample Library
• Korg Trinity | Music Workstation (Preview)
• LA Audio MX2 | Mic Preamp
• Marion Systems Pro Synth | Synth Module
• Pop, Rock, R&B; Vol. 1 | Sample Library
• Roland TR909 | Rhythm Composer (Retro)
• SEKD Samplitude Studio | PC Hard Disk Recording Software
• Sounds Of Sumatra | Sample Library
• Soundtracs Topaz Mini | Stereo Recording Mixer
• Yamaha QY22 | MIDI Sequencer

PEOPLE + OPINION

• Jagz Kooner & Gary Burns Sabresonic Studio, David Holmes | Interview | Band
• John Bundrick: Still Rabbiting On | Interview | Artist
• Mel Simpson: The Fate Of The Reluctant Guinea Pig | Sounding Off
• Music & Movement — Using MIDI With Contemporary Dance | Exploration
• Optical Disk & CD-ROM | Exploration
• QSound Labs: Right On Q | Interview | Manufacturer
• Rick Wakeman: Cirque Surreal | Interview | Artist

TECHNIQUE

• DIY Speaker Stands | Tips & Techniques
• Introduction To Cubase, Part 3: Quantisation; The Master Track; Synchronisation | Exploration
• MIDI Basics, Part 4: Automation | Exploration
• PC Plus Soundcard | PC Notes
• PCI Busses & Windows '95 | Apple Notes
• Screen Resolution | Atari Notes
• Signal Problems & How To Avoid Them | Tips & Techniques
• Zip Drives & Sample Conversion; Amisox & Soxgui | Amiga Notes

Sound On Sound | December 1995

REVIEWS

• Akai S3000XL | Sampler
• ART MDM8L | 8-Channel Compressor/ Limiter
• Audio Technica AT873R | Back-electret Vocal Microphone
• B&W; CDM1 | Hi-fi Speakers
• BBE 362 NR | Sonic Maximizer
• Beyerdynamic DT250 | Headphones
• Digidesign Session 2.0 | Multitrack Software
• Emu Systems Sound Engine | GM Sound Module
• Ensoniq DP/2 | Parallel Effects Processor
• Fostex DMT8 | Digital Multitracker
• Iomega Zip 100 | Zip Drive
• Jungle Warfare | Sample Library
• Korg Trinity series | Music Workstation
• MIDI + Audio: Top 4 Mac Programs Compared | Software
• MOTU Unisyn | Universal Editor/Librarian
• Presence Audio ZYP A2S | Miniature Nearfield Monitors
• Tech 21 Sansamp XXL | Hi-tech Overdrive Unit
• Technics SX-WSA1 | Acoustic Modelling Synthesizer
• Techno Toolbox | Sample Library
• Turtle Beach Sample Vision | Sample Editing Software
• World Colours | Sample Library

PEOPLE + OPINION

• A Journey Through Synthesizer History | Exploration
• Aquabats: Chaotic Recording | Interview | Band
• Changing Face Of Technology: The Last 10 Years | Exploration
• Ed Buller & Gary Stout: Node | Interview | Band
• Martin Russ: Software Updates | Sounding Off
• The PC In Music | Exploration
• The Story Of The Beatles' Anthology Project | Exploration

TECHNIQUE

• All About The Boundary Effect | Exploration
• Buyer's Guide To Synths, Workstations & Modules | Tips & Techniques
• Introduction To Cubase, Part 4: Configuring Cubase; MIDI Processing & Filtering | Exploration
• Kooky Ballerina | Demo Doctor
• Making The Most Of An 8-track | Tips & Techniques
• MIDI Basics, Part 5: Multi-port Interfaces | Exploration
• OctaMED Technique & ARexx | Amiga Notes
• Soundpool | Atari Notes
• Using MIDI With Modern Dance | Apple Notes
• Vintage FX: Faking Tape Loop Echo | Tips & Techniques
• Yamaha CD-ROM Writer | PC Notes

Sound On Sound | January 1996

REVIEWS

• Alesis ADAT XT | Recorder
• Alesis QS6 | Synthesizer
• Audio Technica ATM33a & ATM10a | Artiste Series Back-Electret Mics
• Emu Darwin | Digital Audio Disk Recorder
• Fita Live | Single Channel Parametric EQ
• Korg Trinity Plus | Music Workstation
• Modern Synths & Dance | Sample Library
• MOTU Freestyle | PC Sequencer
• Rogers LS1 | Nearfield Monitors
• SPL MikeMan | Mic Preamp
• Steve Gadd Drumscore | Sample Library
• Supreme Beats Vol. 1-4 & 5 | Sample Library
• Viscount MF01 Song Worker | Active Data Filer/GM Module
• Yamaha QS300 | Workstation Synthesizer

PEOPLE + OPINION

• Eugene Romain: Gear Lust | Sounding Off
• How To Become A Record Producer, Part 1: What Is A Record Producer? | Tips & Techniques
• Playback | Readers' Music Reviewed
• Randy Thorderson (DOD/ Digitech): The Future | Interview | Manufacturer
• Towering Inferno: Recording Kaddish | Interview | Band
• Turnkey Music Superstore Revamped | Exploration
• William Orbit: I Love Classical Music | Interview | Artist

TECHNIQUE

• Buying Your First Synth | Tips & Techniques
• Computer Busses | Apple Notes
• Drawmer DS201 Dual Gate | Tips & Techniques
• MIDI Live | Tips & Techniques
• MIDI Patch Maps | PC Notes
• Sampling Basics, Part 1 | Tips & Techniques
• Software Audio Workshop & Cakewalk Professional | Exploration
• Tangent Music | Amiga Notes
• Tape Noise Reduction | Exploration
• World Wide Web | Atari Tips & Techniques

Sound On Sound | February 1996

REVIEWS

• Akai SG01v | Synth Module
• Alesis DM5 | Drum Module
• Audio Technica AT4050 | Studio Capacitor Microphone
• Digitech RPM1 | Valve Rotary Speaker Simulator
• Digitech Studio Quad | Digital Effects Processor
• Digitech TSR6 | Stero Effects Processor
• Emagic Logic Audio 2.5 | Software
• Eurotech | Sample Library
• Interface Dance | Sample Library
• Keyfax Software Twiddly Bits Vol. 5, Capital Mamba Custom Cases, Heavenly Music Song Builder Series MIDI Files, tapKAT & rimKAT Drum Triggers | Product Roundup
• Mackie 1202 VLZ | 12-Channel Mic/Line Mixer
• Rocktron Hush IICX | Single-ended Noise Reduction System
• Roland JX3P | Polysynth (Retro)
• Roland VS880 | Digital Multitrack Recorder (Preview)
• Tascam DAP1 | Portable DAT Machine
• TDM Software Plug-ins | Digidesign Pro Tools, Part 1
• Waldorf Pulse | Monosynth
• Workstation Three | Sample Library
• Yamaha 02R | Digital Recording Console

PEOPLE + OPINION

• Elliot Scheiner: Van Morrison & Dominos | Interview | Engineer
• Gavin Friday: Virgin Prunes | Interview | Artist
• How To Become A Record Producer, Part 2: Pre-Production | Tips & Techniques
• Klaus Schulze: Digital To Analogue Conversion | Interview | Artist
• Paul Nagle: When Synths Were Real Instruments | Sounding Off
• Ron Berry: Synthesist, Designer, Hobbyist | Interview | Artist

TECHNIQUE

• C-lab Falcon MkX, Ease, Papyrus v4 | Atari Tips & Techniques
• Choosing Studio Cable | Tips & Techniques
• EQ: A New Perspective | Exploration
• Kickstart Your Inspiration | Tips & Techniques
• Musicator; Illuminatus v3 | PC Notes
• Painted Desert | Playback | Readers' Music Reviewed
• Sampling Basics, Part 2 | Tips & Techniques
• SuperJAM | Amiga Notes
• System & Third-party Software For Sound Synthesis; PCI | Apple Notes

Sound On Sound | March 1996

REVIEWS

• Alesis Microverb IV | Reverb
• Behringer Ultra-curve | Signal Processor
• Heart Of Africa Vol. 1 | Sample Library
• Kurzweil K2500 | Keyboard Production Station (Preview)
• Moog Source | Synthesizer (Retro)
• Oberheim Eclipse Electronic Piano & OB3 Drawbar Organ Module | Instruments
• On A Jazz Tip | Sample Library
• Opcode Digitrax, OSC Deck II & Digidesign Session | Apple Mac Software Roundup
• Opcode Studio Vision Pro v3.0 | Software
• Portasol Technic Gas Soldering Iron; Sounds OK K2000 Sound Software | Product Roundup
• Power Computing P120 | Macintosh Clone
• Quasimidi Raven | Synthesizer
• Roland RSS10 | Sound Space Processor
• Roland VS880 & VS8F1 | Digital Multitrack & Effects Board
• Samson Mixpad 9 | Mini Mixer
• Sennheiser MD504, MD421, K6P/ME64 | Drum Mics
• TDM Software Plug-ins | Digidesign Pro Tools, Part 2
• TL Audio VI-1 | Valve Interface
• Vinylistics | Sample Library
• X-Static Goldmine 1 | Sample Library
• Yamaha SU10 | Stereo sampler

PEOPLE + OPINION

• CRAIG ANDERTON: Can Technology Create Music? Forget It! | Sounding Off
• The Specialists Speak | Hi-Tech Servicing, Part 1
• Working As A Team | How To Become A Record Producer, Part 3

TECHNIQUE

• Aural Synthetica V1.0 | Amiga Notes
• First Steps In Direct-to-stereo Recording | Tips & Tricks
• Herb | Playback | Readers' Music Reviewed
• Sampling Basics, Part 3 | Tips & Techniques
• SE800, C-lab, Bernd Lohrum, Sound Studio & Soundpool | Atari Notes
• Spectra Plus | PC Notes
• Spicing Up Your Synth Sounds | Tips & Tricks
• Sun Microsystems | Apple Notes

Sound On Sound | April 1996

REVIEWS

• A.P.E.S. Acoustishirt System; Music House Powermaster Genesis SCSI | Product Roundup
• Beats 'n' The Hood | Sample Library
• Behringer Eurorack MX2642 | 4-Buss Mixer
• Distorted Reality | Sample Library
• Emu E4K | Performance Sampling Keyboard
• Ensoniq MR | Rack Synth Module
• Isotrack Smartpatch | Patchbay
• Kurzweil K2500/K2500X | Keyboard Production Station
• Methods Of Mayhem | Sample Library
• Pioneer D9601 | High Sampling Rate DAT Recorder
• Roland MSQ700 | Sequencer (Retro)
• Soundfield SPS422 | Microphone
• Steinberg Cubase Score | Software
• The Ultimate Piano Collection Vols. 1-3 | Sample Library
• Waldorf Gekko | Chord Memoriser & MIDI Trigger
• Yamaha Pro R3 | Digital Reverberator
• Yamaha RM800 | Recording Console

PEOPLE + OPINION

• DRAKE MUSIC PROJECT: Music & Mobility | Interview | Band
• MIKE COLLINS: The Apple Macintosh | Sounding Off
• NIGEL BEAHAM-POWELL & BELLA RUSSELL: TV Composition | At Home With
• PAUL SCHUTZE: Composing In The Modern Age | Interview | Composer
• Soundscape SSHDR1 | Hard Disk Recording System
• The Specialists Speak | Hi-Tech Servicing, Part 2
• Working As A Team | How To Become A Record Producer, Part 4

TECHNIQUE

• Compression & Limiting | Exploration
• Evolution's Music Creator | PC Notes
• Internet Software | Apple Notes
• Making The Most Of Arpeggiators | Tips & Tricks
• Multi-platform Editing & Sequencing | Atari Notes
• Nurb | Playback | Readers' Music Reviewed
• NYDI & MagiC v4 | Atari Notes
• OctaMED v6 & Sound Studio | Amiga Notes

Sound On Sound | May 1996

REVIEWS

• Akai DR16 | Hard Disk Multitrack Recorder
• ARP Axxe & Little Brother (Retro) | Synth
• AVI Neutron | Nearfield Monitor Speakers
• Behringer Dualflex EX2100 | Enhancer/Harmonizer
• Creative Essentials Vols. 1-10 | Sample Library
• Lexicon PCM90 | Digital Reverberator
• Loopism 6 | Sample Library
• Mackie Ultramix | Automation System
• Midiman MultiMixer 6 & MicroMixer 18 | Mixer
• Quasimidi Cyber 6 | Master Keyboard
• Robots & Computers | Sample Library
• Roland XP80 | Music Workstation
• Rolls RP220 & ADB3 | Mic Preamp & DI Box
• Sonic Foundry Sound Forge 3 | Digital Audio Editing Software
• Soundtracs Topaz Project 8 | Mixer & Automation Software
• Yamaha CBX-K1XG | MIDI Sound Keyboard
• Yamaha DB50XG | PC Soundcard Daughter Board

PEOPLE + OPINION

• ALESIS: ADAT & The Future Of Technology | Interview | Manufacturer
• Choosing A Studio | How To Become A Record Producer, Part 5
• GUY SIGSWORTH: Bjork Live | Interview | Engineer
• IAN CATT: Kitchen Sink Music | Interview | Artist
• RIKKY ROOKSBY: Perfect Digital Recording = Monotony | Sounding Off

TECHNIQUE

• Ben Littlewood | Playback | Readers' Music Reviewed
• Crescendo Web & Internet | Apple Notes
• Faderless Mixing | Tips & Tricks
• Falcon Drives | Atari Notes
• Loom & Rexecute | Amiga Notes
• Match Before You Mix, Part 1 | Tips & Techniques
• Mysteries Of Metering | Exploration
• Salvaging Archive Tape Recording | Tips & Tricks
• Soundcards & Multimedia | PC Notes
• Yamaha CDE100/102 CD Writer & Digidesign Masterlist CD | Mastering On The Mac

Sound On Sound | June 1996

REVIEWS

• Abracatabla | Sample Library
• Akai Sample Library Vol. 1-4 | Sample Library
• ART Pro Noise Gate | 8-channel Noise Gate
• Audio Technica Six-pack | Studio Microphone Assortment
• Boss GX700 | Guitar Effects Processor/Preamp
• Cakewalk Pro Audio v4.01 | Sequencing Software
• Dynaudio BM5 & BM10 | Nearfield Monitors
• Effects Buyer's Guide | Book
• Emu Orbit 9090 | Synthesizer
• Fostex D80 | Digital Multitrack Recorder
• Korg Pandora | Guitar Multi-Effects Processor
• Loopism Dance Zone | Sample Library
• Mackie 1402VLZ | 12-Channel Mic/Line Mixer
• Moog Memorymoog | Analogue Polysynth (Retro)
• Passport Alchemy 3 | Sample Editor
• Samson PL2404 | 4-Buss Line Mixer
• Spectral Audio ProTone | Monosynth
• Studiomaster Mixdown Classic 8 | 8-buss Mixer
• Symphonic Adventures | Sample Library
• Waldorf Miniworks | 4-pole Filter
• Yamaha P150 | Electronic Piano

PEOPLE + OPINION

• ANDREW BARTA: Tech 21's Solid-state Superhero | Interview | Manufacturer
• Computers & Creativity | Opinion
• In The Studio | How To Become A Record Producer, Part 6
• NICK ROTHWELL: Visual Imagination & Unconventionality In Music | Sounding Off
• STEVE RODWAY OF MOTIV8: Remixing Pulp & St Etienne | Interview | Producer
• THE CURE: Recording Wild Mood Swings | Interview | Band

TECHNIQUE

• Buying An Effects Processor | Feature | Tips & Tricks
• CD-Grab; Koan Plus Generative Music 1 | PC Notes
• MacTCP; Web Browsers | Apple Notes
• MagiC Mac Vs TOS | Atari Notes
• Match Before You Mix, Part 2 | Tips & Techniques
• Reverb & Psychoacoustics | Exploration
• SMPTE & MTC (MIDI Time Code) | Exploration
• Voodoo Guru | Playback | Readers' Music Reviewed

Sound On Sound | July 1996

REVIEWS

• Digidesign Session; Digidesign Audiomedia III | Digital Recording Software; PCI Card
• Digitech MV5 | Vocal Harmony Processor
• Digtal Kitchen Mind Control | Sample Library
• Ensoniq SQ80 | Workstation Synth (Retro)
• Event 20/20 | Studio Monitors
• Fatar Studio 1176 | MIDI Master Keyboard
• Flamenco Sounds | Sample Library
• LA Audio 4x4 | 4-channel Dual Filter Noise Gate Compressor
• Lexicon PCM80 | Plug-in Expansion Cards
• Mackie CR1604 VLZ | 16-channel Mixer
• Mutronics Mutator | Stereo Analogue Filter
• Novation DrumStation | Drum Synth Module
• Prosonix 48-Way Bantam Patchbay, Music House Data Products Powermaster Rackmac C2 Apple Rackmount Kit, Nureality Vivid 3D Stereo Enhancement System, Roland MC50 Operations Handbook Level 1 | Product Roundup
• Shure Beta Series | Dynamic & Back-electret Microphones
• Spirit Folio SX | 20-Input Mic-line Mixer
• Steinberg Cubase VST | Audio Sequencer
• Synclavier Sampler Library | Sample Library
• Syntecno TeeBee | Analogue Synth Module
• SyQuest EZ135 | Removable External SCSI drive
• Tascam 302 | Dual Cassette Deck
• X-Static Goldmine 3 | Sample Library

PEOPLE + OPINION

• Digital DIY | Digital Technology & The Modern Musician, Part 1
• GARY NUMAN: A New Flame | Interview | Artist
• GRAHAM MASSEY (808 STATE): Recording Don Solaris | Interview | Band
• NIGEL SHAW: Independent Music | Interview | Producer
• PAUL GOMERSALL: Recording George Michael's "Older" | Interview | Engineer
• RICHARD SYMONS (PRO TAPE): Media Revolution | Interview | Manufacturer
• STEVEN ROBINSON: The State Of Pop Music Today | Sounding Off
• The Mix | How To Become A Record Producer, Part 7

TECHNIQUE

• ADAT; JL Cooper DataSync2; Voyetra Sequencer Plus Gold | PC Notes
• C-Lab Falcon MkX | Atari Notes
• Darren Cleare | Playback | Readers' Music Reviewed
• Fixing The Mix, Part 1: Salvage Techniques | Tips & Techniques
• Mac IIsi; Bargain vs Power | Apple Notes
• Minimising Mixer & Effects Noise | Tips & Tricks

Sound On Sound | August 1996

REVIEWS

• Alesis Nanoverb | Mini Digital Effects Unit
• Aphex 661 Expressor | Single-Channel Valve Compressor
• ARP 2500 | Modular Analogue Synthesis System (Retro)
• Carmichael's Crunchy Nut Drum Loops | Sample Library
• Digitech VTP1 | Valve Mic Preamp
• Electrovoice RE1000, RE2000 & RE200 | Capacitor Microphones
• JoeMeek | Stereo Compressor
• Korg IH | Intelligent Harmoniser
• Korg PHC11 & PHC12 Prophecy | ROM/RAM Cards
• Peavey Unity 500 | 14-channel Compact Mixer
• Roland MC303 | Groovebox
• Roland PMA5 | Personal Music Assistant
• Sample Material | Sample Library
• Sound Effects: Action/Adventure | Sample Library
• Steinberg Wavelab | Digital Recording & Editing Software
• Swinging | Sample Library
• Tascam 564 | Digital MiniDisc Portastudio (Preview)
• Tascam DA38 | Digital Recorder
• TC Electronic M2000 | Digital Effects Processor
• The Best Of Everything: Vol. 1 | Sample Library
• TL Audio 2011 & 2012 Indigo Range | Valve Equalisers
• Yamaha CS1X | Control Synthesizer

PEOPLE + OPINION

• Digital DIY | Digital Technology & The Modern Musician, Part 2
• ED WYNNE (OZRIC TENTACLES): Five Go Mad In Somerset | Interview | Band
• FRED SPECKEEN (IVL TECH): Pitch Craft | Interview | Manufacturer
• JJ JECZALIK: Art Of Silence | Interview | Artist
• NORMAN FAY: Dance-specific Sound Modules Are Bad | Sounding Off
• Pirate Radio On The Internet | Exploration
• STEVE HILLIER (DUBSTAR): Northern Lights | Interview | Band
• The Business Of Music | How To Become A Record Producer, Part 8

TECHNIQUE

• Cakewalk Audio; Tel-Me Route-finder | PC Notes
• Crash TV | Playback | Readers' Music Reviewed
• Fixing The Mix, Part 2: Advanced Improvements | Tips & Techniques
• Improving The Sound Of Your Reverb | Tips & Tricks
• SyQuest EZ135 | Apple Notes
• Wave Master; CD Recorder Pro 2; Positive Image | Atari Notes

Sound On Sound | September 1996

REVIEWS

• Access Waldorf Microwave & Oberheim Matrix 1000 | Programmers
• Aphex 109 | 2/4-band Valve Parametric EQ
• ART Pro MPA & Dual MP | Tube Mic Preamps
• Audix OM-3XB | Dynamic Microphone
• Bias Peak | Digital Audio Editing Software
• Bolder Sounds Vol. 1: Eclectic | Sample Library
• Cuckooland Vol. 1: Unhinged | Sample Library
• Digitech Studio Twin | Digital Multi-effects Unit
• Marshall JFX1 | Digital Effects Unit
• MOTU Digital Performer v1.7 | Software
• New World Order Journey 1 | Sample Library
• Opcode Vision 2.5 | Software
• Roland A90 | Expandable Controller
• Roland Jupiter 6 | Analogue Polysynth (Retro)
• Sony DPSV77 | Multi-effects Processor
• Studio Electronics ATC1 | Analogue Tone Chameleon Monosynth (Preview)
• Tascam Portastudio 424 MkII | Portastudio
• That Jungle Flavour | Sample Library
• TL Audio C2021 | Indigo Tube Compressor
• Viscount EFX10 | Multi-effects Processor
• Yamaha MD4 | Digital Multitracker
• Yamaha VL70M | Virtual Acoustic Tone Generator (Preview)

PEOPLE + OPINION

• COURTNEY PINE: Modern Day Jazz Stories | Interview | Artist
• KITARO: Down Silk Roads | Interview | Artist
• LIAM HOWLETT: The Prodigy & Firestarter | Interview | Engineer
• SCHOOL OF AUDIO ENGINEERING: 20th Anniversary | Interview | Company
• STEPHEN BENNETT: Mac vs PC | Sounding Off

TECHNIQUE

• C-Lab Falcon MkX | Atari Notes
• Candid | Playback | Readers' Music Reviewed
• Creating Audio CDs & The Future Of CD-R; NeatO | PC Notes
• Creating Custom Sample Textures | Tips & Tricks
• Creating Rhythmic Gate Effects | Tips & Tricks
• Digidesign's Digital Audio Engine; Inside Digidesign 882 | Apple Notes
• Making The Most Of Your Mixer | Tips & Tricks

Sound On Sound | October 1996

REVIEWS

• Akai DR4vr | 4-track Hard Disk Recorder
• Big Bad Sound | Sample Library
• Boss SX700 | Studio Effects Processor
• Digitech Studio 400 | Effects Processor
• DOD 512 | Multi-effects Processor
• Emu Launch Pad | MIDI Controller
• Joe Meek VC3 Pro Channel | Preamp/Compressor/Enhancer
• Junk Percussion | Sample Library
• Korg N364 | Workstation Synth
• Last Unicorn Wavecraft | Modular Synth Emulator
• Loopzilla 2 | Sample Library
• New World Order Journey 2 | Sample Library
• Panasonic SV3800 | Professional DAT Recorder
• Rode Classic | Valve Microphone
• Sequential Prophet T8 | Analogue Polysynth (Retro)
• Soundcraft Ghost | 8-buss Automated Mixing Console
• Spatializer HTMS 2510 | 3D Sound Processor
• Spirit Folio Notepad | 10-input Micro Mixer
• SPL Tube Vitalizer | Psychoacoastic Enhancer
• Tannoy System 600 | Nearfield Studio Monitors
• Tascam MO8 | 12-channel Mini Mixer
• Travelogue: Out Of Africa 1 | Sample Library
• Yamaha VL70m | Virtual Acoustic Synth Module
• Zoom Studio 1204 | Effects Unit

PEOPLE + OPINION

• ANDY MCCLUSKEY (OMD): Universal Appeal | Interview | Band
• HUGH PADGHAM: The Master Craftsman Behind Sting & Phil Collins | Interview | Producer
• IAN BODDY: Working With Limitations | Sounding Off
• Music & Audio Sites On The Internet, Part 1 | Exploration
• ROGER ENO: Channel Light Vessel | Interview | Artist
• ST Is Dead, Love Atari | Exploration

TECHNIQUE

• Analogue Tape Compression For Digital Recording | Exploration
• Guy Jackson | Playback | Readers' Music Reviewed
• Integrating Samplers & Your PC Via SCSI | Tips & Tricks
• Making Seamless Sample Loops With Your Hard Disk Recorder | Tips & Tricks
• MOTU FreeMIDI & Opcode OMS | Apple Notes
• Sound Canvas Shareware Editor | Atari Notes
• SSEYO Koan Pro, Generative Music 1; Ark Website | PC Notes
• Tascam DA88 Care & Maintenance | Tips & Tricks
• Using The Opcode Studio 5LX Multi-port MIDI Interface/Patchbay, Part 1 | Exploration

Sound On Sound | November 1996

REVIEWS

• Alesis QS8 | Master Controller/Synthesizer
• Audio Technica AT4033a | Studio Condenser Microphone
• Behringer Eurorack MX1602 | Compact Mixer
• Boss VT1 | Voice Transformer
• Earthworks OM1 | Omnidirectional Microphone
• Emagic Logic Audio 2.5 | Software
• Ensoniq MR76 | Performance/Composition Keyboard
• Focusrite Green Voicebox | Voice Processor
• Keith Le Blanc's Kickin' Lunatic Beats 2 | Sample Library
• Korg MS20 | Monosynth (Retro)
• LA Audio Classic Channel | Single-channel Preamp/Compressor/EQ
• Mass Technology 500 | Studio Power Amplifier
• Midiman MIDI Gman | General MIDI Sound Module
• MTA Intermix | Modular Mixing System
• Peavey Addverb III | Digital Stereo Effects Processor
• Sample Compilation | Sample Library
• Spirit Absolute Zero | Nearfield Monitors
• SPL Charisma | 8-channel Valve Signal Processor
• Studio Electronics ATC1 | Analogue Tone Chameleon
• The Drum Doctor's Drums 2: Ross Garfield | Sample Library
• TL Audio Indigo VP2051 & PA2001 | Valve Voice Processor & Valve Preamp
• Yamaha P50m | Piano Tone Generator
• Yamaha QY700 | Music Sequencer

PEOPLE + OPINION

• Big Briar Etherware & Longwave Instruments Pocket Theremin | Electronic Instrument
• DAVID LORD: Enigma Variations | Interview | Artist
• DAVID LOWE: British Airways, TV Music & Me | At Home With
• GREG MACKIE & CARL PERKINS: Mackie Designs | Interview | Manufacturer
• JON JACBOS: Recording Elvis Costello & The Attractions | Interview | Engineer
• Music & Audio Sites On The Internet, Part 2 | Exploration
• NICHOLEE SMITH: The Beast Called 'Manager' | Sounding Off

TECHNIQUE

• All About Soundcards, Part 1 | Exploration
• AtariPhile; Sunrise Audio Systems | Atari Notes
• Device Drivers & External Controllers | PC Notes
• PC Anatomy Explained | Exploration
• PC Desktop Music Systems — How To Connect Them | Tips & Tricks
• PC Hard Disk Recording Requirements | Exploration
• Producing & Recording Electric Guitar Styles | Tips & Tricks
• Quick Time 2.5 | Apple Notes
• Stuart Robertson | Playback | Readers' Music Reviewed
• Using The Opcode Studio 5LX Multi-port MIDI Interface/Patchbay, Part 2 | Exploration

Sound On Sound | December 1996

REVIEWS

• ART FX1 | Stereo Digital Effects
• Audio Technica ATH-M40 | Studio Headphones
• Behringer MDX 4000 Mastercom | Multi-Band Compressor
• Burning Grooves | Sample Library
• Clavia Nord Lead 2.0 | Virtual Analogue Synth
• Creamware Tripledat | Digital Audio Editing/Recording System
• Crown CM700 | Back-electret Cardioid Microphone
• DBX 1066 | Compressor/Limiter/Gate
• Digidesign Pro Tools 4.0 | Digital Audio Software Upgrade
• Far CR20 | Nearfield Monitors
• Fostex DMT8VL | Digital Multitracker
• Funk Bass | Sample Library
• Korg Soundlink DRS 168RC | Automated Digital Recording Console
• Lexicon MPX1 | Multi-effects Processor (Preview)
• MOTU PC-MIDI Flyer & Pocket Express | Parallel Port MIDI Interfaces
• Percussion Slam | Sample Library
• PPG Wave 2.3 & Waveterm B | Synthesizer/Sampler (Retro)
• PreSonus DCP8 & ACP8 | 8-channel Dynamics Processors
• Spendor SA200 | Active Monitors
• Spirit Folio F1 | 14/16-input Mixer
• Tascam 564 | 4-track MiniDisc Portastudio
• TC Electronic Finalizer | Studio Mastering Processor
• Technics SX-WSA1R | Acoustic Modelling Synth Module
• X-Static Goldmine 4 | Sample Library
• Yamaha G50 | MIDI Guitar Interface
• Yamaha MU10XG | GM/XG Sound Module

PEOPLE + OPINION

• IRCAM: Institute For Research & Co-ordination in Acoustics & Music | Exploration
• MIKE CHANDLER & FRANCO DE BONIS: Creative Labs | Interview | Manufacturer
• PATCEE FRANCIS: Music Should Transcend Tech | Sounding Off
• PETE GLEADALL: Programming & Recording Pet Shop Boys' Bilingual | Interview | Engineer
• STEVE LEVINE: Digital Domain | Interview | Producer

TECHNIQUE

• All About Soundcards, Part 2 | Exploration
• Analogue Sequencer Simulator | Atari Notes
• Black Not Green | Playback | Readers' Music Reviewed
• Coping With Crashes In Windows '95 | Tips & Tricks
• Digital Interconnection Standards Explained | Exploration
• How To Record Singing Guitarists | Tips & Tricks
• Installing PC Soundcards On Windows '95 | Tips & Tricks
• MOTU Digital Performer | Apple Notes
• Terratec EWS64; Making Waves; Musicians' Union | PC Notes
• Things You Should Know About Hard Disk Recording | Exploration

Sound On Sound | January 1997

REVIEWS

• Akai CD3000XL | Sampler
• Ali Baba & The 40 Ravers | Sample Library
• Audio Technica 4041 | Cardioid Capacitor Microphone
• Audioworks Sound 2MIDI | Audio-to-MIDI Conversion Software
• DBX Project 1 Model 286 | Microphone Processor
• Evolution Music Creator Pro | PC music Package
• Focusrite Green Focus EQ | Preamp/Equaliser
• IQS SAW Plus 3.3 | Multitrack Recording/Editing Software & IQS Plug-ins
• Kawai K5000W | Advanced Additive Workstation
• Korg Trinity | Expansion Options
• Lexicon MPX1 | Reverb & Multi-effects Processor
• MOTU MTP AV | MIDI Interface/Patchbay/Synchroniser
• Optifile Drax | VCA Mixing Automation System
• Peavey DeltaFex | Digital Stereo Effects Processor
• Philip Rees Little MCV | MIDI-CV Converter
• Philip Wolfe Rock Keyboard Vol. 1 | Sample Library
• Power Technology DSP-FX | Digital Effects Processor
• SPL Auto Dynamic De-esser | Studio Processor
• Steinberg Red Valve It TDM | Guitar Preamp Plug-in
• Tascam 414 | Portastudio
• Tracer Technologies DART Pro | Noise Reduction Software
• Ultra Freakin Bass: Will Lee Bass Library Vol. 2 | Sample Library
• Yamaha TX802 | FM Synth Module (Retro)

PEOPLE + OPINION

• DANE BUTCHER (SYMETRIX/LUCID): Quality, Digital Hardware | Interview | Manufacturer
• EAT STATIC: Chart Success | Interview | Band
• GEORGE WEBLEY: Is The Big Apple Of Pop Music Rotten To The Core? | Sounding Off
• HAROLD BUDD: American Vision | Interview | Artist
• MARVIN CAESAR: The Aphex Approach To Compression | Interview | Manufacturer
• SUZANNE CIANI: Riding The Independent Wave | Interview | Artist
• The USA's Low-budget Record Revolution | Exploration

TECHNIQUE

• Apple Expo 1996; File Management | Apple Notes
• Choosing PC Drives & Controllers, Part 1 | Tips & Techniques
• Early Sound Scattering & Control Room Design | Exploration
• Elly Brown | Playback | Readers' Music Reviewed
• Emulating Dolby Surround Encoding With A Stereo Mixer | Tips & Tricks
• Musicator Audio | PC Notes
• Recording The Spoken Voice | Tips & Tricks
• Reducing Ambient Noise In Computer-based Studios | Tips & Tricks
• TOS 2.06; Swiss Precision; Keychange Music Services | Atari Notes
• Using Short Delays To Create Up-front Ambience | Tips & Tricks

Sound On Sound | February 1997

REVIEWS

• A Poke In The Ear With A Sharp Stick | Sample Library
• Audio Toys Inc 8MX2 | Preamp/Mixer
• Cool School Interactus Circle Of Digi Volume One CD-ROM; Neutrik 48-Way Jack Patchbay | Product Roundup
• Emagic Zap | Lossless Audio Compression Utility
• Focusrite Green | Dual Mic Preamp
• Genelec 1029A & 1091A | Active Nearfield Monitors & Sub-woofers
• Guillemot Maxi Sound 64 | PC Soundcard
• Hohner Midia Red Roaster | 24-bit CD Pre-mastering Software
• Intelligent Devices Pro Audio Analyser 2.0 | Audio Analysis Software
• Iomega Jaz | Removable 1GB Hard Drive
• Korg NS5R | Synth Module
• LA Audio GCX2 | 2-channel Compressor/Gate
• MIDI + Audio On The PC: Steinberg Cubase, Emagic Logic Audio, Cakewalk Pro Audio | Product Comparison
• Rock History Drum Loops Vol. 1 | Sample Library
• Roland GR30 | Guitar Synthesizer
• Roland JP8000 | Analogue Modelling Synthesizer (Preview)
• Roland S330 | Digital Sampler (Retro)
• Smoov Grooves | Sample Library
• Sony MDMX4 | Digital Multitracker
• Steinberg Wavelab 1.5 | Audio Editing Software & DSP Plug-ins
• SyQuest EZFlyer 230 | Removable External 230MB Drive
• TC Electronic 1210 | Spatial Expander & Stereo Chorus/Flanger (Retro)
• The Definitive Percussion Sampler Vol. 1: Steve Reid | Sample Library
• TL Audio Crimson 3011 & 3012 | 4-band & Parametric EQs
• Waldorf Pulse Plus | Monophonic Synthesizer
• Westlake LC 6.75 | Nearfield Monitors
• Zeta Jazz & Synthony | MIDI Violin & MIDI Controller

PEOPLE + OPINION

• ALAN FISH-BARNES: What's In A Name? | Sounding Off
• All About Library Music | Exploration
• DANNY SABER: Saber Dance | Interview | Artist
• DAVID WEST: The Sound Of The X Files | Interview | Music Production
• Freelance Engineers & Their Personal Racks | Exploration
• John Adams | Crossing Borders
• MARK SNOW: Scoring The X-Files | Interview | Composer
• ROB URRY (DBX): Embracing The Digital Age | Interview | Manufacturer

TECHNIQUE

• CD-R Recorders; Marantz CDR620; Cyberspace | PC Notes
• Choosing PC Drives & Controllers, Part 2 | Tips & Techniques
• Direct Injection | Exploration
• EQ | Exploration
• French Atari Show; Alibi; Panther | Atari Notes
• Making MIDI Sequencing More Realistic, Part 1: General Tips | Tips & Techniques
• Making The Most Of Soundcard Daughterboards | Tips & Tricks
• Optimising Serial Ports; New Mac Buyer Checklist | Apple Notes
• Stereo Microphone Techniques Explained, Part 1 | Exploration
• Steven Collazo | Playback | Readers' Music Reviewed

Sound On Sound | March 1997

REVIEWS

• Alesis Nano Compressor | Stereo Compressor/Limiter
• Alesis Point Seven | Shielded Nearfield Studio Monitor
• ART Levelar | Vactrol Levelling Amplifier
• Creative Essentials Mixed Mode CDs | Sample Library
• DBX Model 760X | Microphone Amplifier
• Digitech Vocalist | Workstation Vocal Harmony Processor
• Drawmer 1962 | Digital Vacuum Tube Preamp
• Dynaudio BM6A | Active Nearfield Monitors
• Freeform Analogue Technologies Freebass FB383 | Analogue Monosynth
• Groove Tubes A-series | Valve Microphones
• Liquid Guitar | Sample Library
• Orgon Systems Energiser | Analogue Synthesizer
• Roland JP8000 | Analogue Modelling synthesizer
• Roland MC8 | Microcomposer (Retro)
• Roland Sound Canvas SC88 | Pro GM Sound Module
• Samson Q5 | Headphone Amplifier
• Soundtracs Topaz 14:4 | 4-buss Compact Mixer
• TL Audio Crimson C3021 | Tube Compressor
• Turtle Beach Systems Multisound Pinnacle & Fiji | PC Soundcards
• Vestax HDRV8 | 8-track Hard Disk Recorder
• Westlake BBSM4 | Nearfield Monitors
• Yamaha Rev500 | Reverb Processor

PEOPLE + OPINION

• BUTCH VIG: Nevermind The Garbage | Interview | Producer
• Buying Budget Gear | Feature | Tips & Tricks
• CHRIS MADDEN: Beta Testing | Sounding Off
• CHRISTOPHER FOGEL: Alanis Morissette's Jagged Little Pill | Interview | Engineer
• CTS Professional Sales | Exploration
• GEORGE MASSENBURG: The Equalizer | Interview | Music Production
• HIDEKI NAKANO & MOTONORI NAKAMURA (SONY JAPAN): Behind The MDMX4 Minidisc Multitracker | Interview | Manufacturer
• JEAN-PHILLIPE RYKIEL & FRANÇOIS BREANT: Pioneers Of Western/African Fusion | Interview | Artist

TECHNIQUE

• Audio Editing On The PC: Steinberg Wavelab, Sonic Foundry Sound Forge, SEK-D Samplitude Studio | Exploration
• Capturing A Good Vocal Performance | Tips & Tricks
• Electronic Cow's MIDI Arpeggiator; Sound Chip Synth | Atari Notes
• Fitzwilliam Swing Band | Playback | Readers' Music Reviewed
• Making MIDI Sequencing More Realistic, Part 2: Drum Parts | Tips & Techniques
• MMX; Extensions | Apple Notes
• PC Musician's Guide To Plug & Play | Exploration
• Reverb From First Principles | Exploration
• Sonic Foundry Sound Forge 4 | Software & DSP Plug-ins
• Soundscape Version 2.0; CheckIt | PC Notes
• Stereo Microphone Techniques Explained, Part 2 | Exploration
• Using Toast & Masterlist CD To Make CDs In The Studio | Tips & Tricks

Sound On Sound | April 1997

REVIEWS

• Aardvark Aard Scape | Tape Saturation Emulator
• Akai MPC2000 | Digital Percussion Sampler/Sequencer
• BBE 262 | Sonic Maximiser
• Beyer Blueprint A75 | Stereo Amplifier
• Beyer MCE84 | Back-electret Capacitor Mic
• Cheetah MD16 | Drum Machine (Retro)
• Cuckooland Vol. 2: Ghost In The Machine | Sample Library
• Diffusion Of Useful Noise | Sample Library
• Ensoniq Boom | Professional Effects Processor
• JoeMeek VC1 | Studio Channel
• Korg IX300 | Interactive Music Workstation
• Kurzweil K2000/2500 | Voice Crystal Sound Sets
• LOG Advance | Non-coding Audio Recorder (Preview)
• Rane Mojo MH4 | Headphone Amplifier
• Rane PaqRat | 24-bit Recording Converter
• Rogers DB101 | Nearfield Monitors
• Roland JV2080 | Synth Module
• Sherman Filterbank | Analogue Filter Bank
• SPL Stereo Vitalizer MkII | Vitalizer
• Syntonic Generator | Sample Library
• Tascam M1600 | Series Mixing Console
• TL Audio Crimson PA 3001 | Mic Preamp
• X-File Of House | Sample Library
• Yamaha AN1X | Analogue Physical Control Synth (Preview)
• Yamaha MFC10 | MIDI Foot Controller

PEOPLE + OPINION

• BRUCE FAIRBAIRN: Recording INXS's Elegantly Wasted | Interview | Producer
• COLIN TOWNS: Behind The Mask | Interview | Artist
• Does Going Retro Spell The End For Future Tech? | Opinion
• IAN POPPERWELL: Hi-tech Exclusion | Sounding Off
• JYOTI MISHRA: Today Derby, Tomorrow The World! | Interview | Artist
• MAGIC CARPET: Recording A '90s Album With A '70s Ethos | Interview | Band
• PAUL FARRER: Writing The Soundtrack For Shakespeare's Macbeth | Interview | Composer

TECHNIQUE

• Anatomy Of A Mixer | Exploration
• Compressors | Exploration
• Cool MAX Timeline; MPEG | Apple Notes
• Emagic Logic's Environment | Exploration
• Essential Accessories For The PC Musician | Tips & Tricks
• Guide To Upgrading Your PC | Tips & Tricks
• HD Recording With The Akai S1100 Sampler | Tips & Tricks
• Machine Codes | Playback | Readers' Music Reviewed
• Sound Synthesis On A Computer, Part 1 | Exploration
• SSEYO's Koan X & Evolution's Sound Studio Pro Gold | PC Notes
• Transferring Song Data Between MIDI Sequencers | Tips & Tricks
• Virtual Symphony; Attila Mezei JV1080ED; Avalon | Atari Notes

Sound On Sound | May 1997

REVIEWS

• ART Dual Levelar | Dual-channel Vactrol Compressor
• Buying A Cassette Multitracker | Feature | Tips & Tricks
• Digitech VCS1 | Dual-channel Dynamics Processor
• Elation KM201 | Capacitor Microphone
• Emu E4X | Turbo 128-voice Stereo Sampler
• Hammond XM1 & XMC1 | Organ Module & Drawbar Controller
• Harbeth Xpression! DPM1 & MS1 | Monitor System
• Lucid Technology NB24 & ADA1000 | NuBus Digital I/0 Card & 20-bit A/D D/A converters
• New York City Percussion Works | Sample Library
• Opcode Studio 64X | Cross-platform MIDI Interface
• Peter Siedlaczek's Advanced Orchestra Vol. 1-5 | Sample Library
• Quasimidi Rave-O-Lution 309 | Synthesis System & Sequencer
• RBF Software Octamed Soundstudio | Tracker/Sequencer Software
• Roland TR808 | Rhythm Composer (Retro)
• Roland VS880 | V-Xpanded Digital Multitrack
• SoundTech PL200 | Power Amplifier
• Spirit Absolute 4P | Active Monitors
• TEAC CD-R50S | CD-writer
• Techno Mage Life | Interactive Sound Generator
• Waves Audio Track | TDM Plug-in
• Yamaha MU90R | GM/XG Tone Generator

PEOPLE + OPINION

• BANCO DE GAIA: Last Train To Learning | Interview | Artist
• GODRIC WILKIE: Finding Information | Sounding Off
• JOHN LECKIE: True Brit | Interview | Producer
• Releasing Your Own Album | Feature | Tips & Tricks

TECHNIQUE

• Analogue Multitrack | Exploration
• Analogue Tape Machine Maintenance | Feature | Tips & Tricks
• Analogue Tape Machines | Exploration
• Apple Desktop Buss Mouse II; Rhapsody; MacOS | Apple Notes
• Hardware Add-ons For Falcon & ST | Atari Notes
• PC Crash Recovery | Tips & Tricks
• Playback | Readers' Music Reviewed
• Psychoacoustic Enhancers | Exploration
• Sound Synthesis On A Computer, Part 2 | Exploration
• Steinberg Cubase | Tips & Tricks
• Windows '95 Resource Kit; MIDIman; PC Future | PC Notes

Sound On Sound | June 1997

REVIEWS

• Aardvark Aardverter | Professional A/D and D/A Converter
• Alesis QSR | 64-voice Synth Module
• CAD Equitek | Back-electret Condenser Microphones
• Double Platinum Drums | Sample Library
• Drawmer MX30 | Dual Gated Compressor/Limiter
• Emu Planet Phatt | Sound Module
• Groove Tubes CL1s | Tube Compressor
• Interactive Light Dimension | Beam MIDI Controller
• Jomox Xbase 09 | Drum Machine
• Kenton Pro 2000 | MIDI-to-CV Converter
• Latronic Notron | Step Sequencer
• Lexicon Dual Reverb | PCM Alogrithm Card
• Liquid Grooves | Sample Library
• PC Dance Tools | Sample Library
• Retrospec Squeeze Box | Valve Compressor
• Roland MBD1 | Bass & Drums Sound Expansion Module
• Sampling Sound System Vol. 4: House | Sample Library
• Sony DTCA9 | DAT Recorder
• Sunrise Audio Workstation | Digital Recording System
• Waves Native Power Pack | DSP Processing Plug-ins
• XX Large: The Killer 2 | Sample Library
• Yamaha 03D | Digital Mixing Console

PEOPLE + OPINION

• ARTHUR BAKER: From Planet Rock To Star Maker | Interview | Artist/Producer
• IAN STEWART: Stop Faking It & Get Real | Sounding Off
• KARL JENKINS: Unclassifiable Ethnic, Classical & Rock Fusion Becomes World Class | Interview | Artist
• Legal/Copyright Issues When Using Samples | Exploration
• MARCUS RYLE (ALESIS): The Next Generation — ADAT Meridian Pro Digital Tape Recorder | Interview | Manufacturer
• MARK CUNNINGHAM: Recreating Sgt Pepper's Lonely Hearts Club Band | Interview | Artist
• Reconstructing A Live Recording In The Studio | Feature | Tips & Tricks
• STEPHEN LIRONI: Altered Image | Interview | Artist/Producer

TECHNIQUE

• Creating Personalised AWE32/64 Soundfonts | Tips & Tricks
• D-SoundPRO 2.5 & Ambrosia ColorSwitch | Apple Notes
• Electric Cow MIDI Arpeggiator & Sound Chip Synth | Atari Notes
• Integrating Mixing & Signal Processing | Tips & Tricks
• MMX OverDrive & AMD K6 Processors | PC Notes
• MOTU Digital Performer, Composer MOSAIC, Freestyle | Tips & Tricks
• Physical Modelling Synthesis Explained | Exploration
• Synth School, Part 1: Analogue Oscillators, Filters & LFOs | Tips & Techniques
• The Way Out | Playback | Readers' Music Reviewed
• Using External MIDI Controllers | Tips & Tricks

Sound On Sound | July 1997

REVIEWS

• Akai S20 | MIDI Digital Phrase Sampler
• Alesis Nano Piano | Stereo Piano Module
• Amek System 9098 | Dual Mic Amp
• Bellari RP562 | Stereo Tube Sonic Exciter
• Creative Labs AWE64 | Gold Soundcard
• Digidesign Pro Tools 4 | Software
• Emagic Audiowerk8 | PCI I/O Card
• Emu Carnaval Latin | Sound Module
• Focusrite Green 4 & Green 5 | Dual Compressor/Limiter & Channel Strip
• Kawai K5000R & K5000S | Additive Keyboard Synth & Module
• Korg Pandora PX2 | Multi-effects Unit
• Korg Soundlink DRS 1212 | Multi-channel PCI Audio I/O Card
• Mac MIDI Interfaces | Feature | Tips & Tricks
• Quested VS2205 | Active Nearfield Studio Monitor
• Retrospec Juice Box | Tube DI Unit
• Roland D50 | LA Synthesizer (Retro)
• Roland VK7 | Virtual Modelling Tonewheel Organ
• Sampling Sound System Vol. 1: Popped | Sample Library
• Sampling Sound System: Roots Reggae | Sample Library
• Strictly 12 Inch | Sample Library
• Syntrillium Cool Edit 96 | Software
• That Jungle Flavour Vol. 2 | Sample Library
• Waldorf Microwave II | Wavetable Synthesizer
• Yamaha A3000 | Digital Sampler

PEOPLE + OPINION

• FLOOD & HOWIE B: Producing U2's Pop | Interview | Producer
• JUDY LEMON: Less-than-satisfactory Service | Sounding Off
• Morphonic Productions & Studio | Interview | Manufacturer

TECHNIQUE

• ActiveX & DirectX | PC Notes
• Checking The Full Specification Of Your PC | Feature | Tips & Tricks
• Goodman PDL Computer Shows | Atari Notes
• Interactive Composition Software | Exploration
• Luna Lazuli | Playback | Readers' Music Reviewed
• Multi-effects Explained, Part 1 | Exploration
• Opcode Software Tips | Tips & Tricks
• RON BERRY: Acoustic Modelling With Analogue Modular Synth | Interview | Artist
• Shareware; Out Of Phase & Interpolate | Apple Notes
• Snapshot Mixing On A Budget | Tips & Tricks
• Spring-Clean Your PC | Tips & Tricks

MUSIC BUSINESS

• A Personal View Of The Commercial Music Industry | Exploration

Sound On Sound | August 1997

REVIEWS

• Antares System Auto-tune | Digidesign Pro Tools TDM Pitch Correction Plug-in
• Cakewalk Pro Audio 6 | Software
• CLM Dynamics DB400s | Mic Preamp
• Electronica (Audio CD with MIDI Files) | Sample Library
• Emu Orbit V2 | Sound Module
• Fostex D90 | Hard Disk 8-track Recorder
• Gem Pro2 | Digital Piano
• HHB CDR800 | CD Recorder
• Hypnotica | Sample Library
• JoeMeek VC4 | Enhancer
• Korg Z1 | Polyphonic Physical Modelling Synthesizer (Preview)
• LA Audio Millennium MPX1 | Mic Processor
• Novation Super Bass Station | Analogue Synth
• PreSonus Blue Max | Smart Compressor
• Quickshot MIDI | Composer Keyboard
• Rode NT1 | Cardioid Capacitor Vocal Mic
• Sony PCMR500 | Professional DAT Recorder
• Sound Cube | Sample Library
• Spendor QT100 | Nearfield Monitors
• Steinberg/Propellerheads Rebirth RB338 Techno Micro Composer | Software
• TL Audio Crimson 3013 | Parametric Equaliser
• Yamaha AN1X | Analogue Physical Modelling Control Synth

PEOPLE + OPINION

• AMBER: TV Music Production | Exploration
• JAMES ASHER: Down To Earth | Interview | Artist
• JAMES: Recording From Home? | Interview | Band
• JON GASS: Mix Master | Interview | Artist/Producer
• MARTIN RYAN: Things Now Are As Good As They Used To Be! | Sounding Off

TECHNIQUE

• Check Your Plug-ins | PC Notes
• Hi-fi Tweaks In The Studio | Tips & Tricks
• Hollis Research Trackman; Roni Music's Sweet 16 | Atari Notes
• Identifying Problems In PC Hard Disk Recording Systems | Tips & Tricks
• MIDI Interfaces For The PC | Exploration
• Multi-effects Explained, Part 2 | Exploration
• News Of MacOS 8 | Apple Notes
• Non-linear Audio Restoration On The PC | Tips & Tricks
• Synth School, Part 2: Resonance, Envelopes & Routing | Tips & Techniques
• Technological Tribute to Frank Zappa | Exploration
• The Saint vs The Free Market | Playback | Readers' Music Reviewed
• Tunes For Toons: Writing Music for Animation | Exploration

Sound On Sound | September 1997

REVIEWS

• Alesis Nano Bass | Bass Sound Module
• Alesis Wedge | Reverb Processor
• Allen & Heath Mixwizard 20:8:2 | Mixer
• Audio Technica ATM89R | Back-electret Microphone
• Clavia Nord Lead 2 | Virtual Analogue Synth
• Demeter VTD82B | Tube Direct DI Box
• Digitech Studio Quad V2 | Multi-effects Unit
• Dynatek CDS 654SE | External 4-speed SCSI CD-ROM Drive
• Ensoniq ASRX | Sampling Workstation
• Fields Of Motion | Sample Library
• Fostex X14 | 4-track Cassette Recorder
• Groove Tubes 5SC & 6TM | Capacitor Microphones
• JoeMeek VC2 | Single-channel Valve Voice/Instrument Processor
• LA Audio EQX2 | Parametric EQ
• Master Drums 3 | Sample Library
• Oberheim/Viscount OB3-squared | Tonewheel Organ Module
• Sample Shop's Golden Greats | SOS Desert Island Discs
• Sampler Memory Problems — High Risk RAM | Tips & Tricks
• Sampling From Scratch — The Basics | Tips & Tricks
• Sampling Sound System Vol. 4: Brushed | Sample Library
• Sampling Sound System Vol. 6: Country | Sample Library
• Sampling Tips | Tips & Tricks
• Spatializer PT3D | TDM Spatial Enhancement Plug-in
• Terminalhead Underfire Vol. 1 | Sample Library
• Turning Sample CDs Into Music | Tips & Tricks
• Understanding Sampler Features | Tips & Tricks
• Yamaha QY70 | Music Sequencer
• Zobel Active One | Active Monitors
• Zoom Studio 1201 | Multi-effects Processor

PEOPLE + OPINION

• BIG GEORGE WEBLEY: Engineers | Sounding Off
• DANNY KOFFEY (ENDEMIC VOID): Innovative Jungle, Drum & Bass Samples | Interview | Artist
• ELIOT KENNEDY: Producing Sheffield Music | Interview | Producer/Songwriter
• JOHN WARDLE (JAH WOBBLE): Burning Bright | Interview | Artist
• MIKE HIGHAM: Digital Doctor | Interview | Engineer
• Music Publishing In The Real World | Exploration

TECHNIQUE

• Installing A New PC Hard Drive | Tips & Tricks
• Mac OS8 Information | Apple Notes
• Mark Rafe | Playback | Readers' Music Reviewed
• Multi-effects Explained, Part 3 | Exploration
• PC Backups & Recording Hardware Settings | PC Notes
• Schoenberg v3; Finding Software On The Internet | Atari Notes
• Synth School, Part 3: Digital Synthesis (FM, PD & VPM) | Tips & Techniques

Sound On Sound | October 1997

REVIEWS

• Aardvark Aardsync II | Master Digital Audio Sync Generator
• Alesis Nanosynth | 64-voice Synth Module
• ART Effects Network | Reverb/Delay Unit
• ATC SCM20A | Pro Active Monitors
• Basicussions | Sample Library
• Bias Peak v1.6 | Audio Editor
• Creamware Masterport v2.4 | Hard Disk Recording & Editing System
• Didgeridoo | Sample Library
• EES MIDI-CV7 | MIDI-to-CV converter
• Hof Dynamic Master | Compressor
• Kelsey Acoustics Patchbay; EMO E655 | Patchbay; Power Distribution System
• Korg Z1 | Multi-oscillator Physical Modelling Synthesizer
• KRK Rok Bottom | Subwoofer
• Microtech Gefell UMT800 | Large-diaphragm Capacitor Microphone
• NTI Nightpro EQ3D | Dual-channel Equaliser
• Oz Audio Q-MIX HM6 | Headphone Amp
• Peavey Spectrum Bass II | Digital Phase Modulation Synthesizer
• Penny & Giles DC16 | MIDI Controller
• Roland A33 | 76-note MIDI Keyboard Controller
• Sampling Sound System Vol. 5: G-Soul | Sample Library
• Sonic Foundry CD Architect | Software
• SPL Machine Head | Digital Tape Saturation Emulator
• Steinberg Wavelab v1.6 | Audio Editor Upgrade
• Symetrix 606 | Dual-channel Delay
• Syntecno TeeBee Mark II | Analogue Monosynth
• Vintage Keyboards | Sample Library
• Z Systems Z161R | Detangler

PEOPLE + OPINION

• COLDCUT: Ninja Tune | Interview | Band
• KHALED: Algerian Rai Music | Interview | Artist
• MICHAEL 'JAKKO' JAKSZYK: The Road To Ballina | Interview | Artist
• ROBIN MORLEY: Stop Showing Off & Make Some Tunes | Sounding Off
• The History Of The Hammond | Exploration

TECHNIQUE

• Benefits Of Using Macros | Apple Notes
• Cakewalk Hints | Tips & Tricks
• Cheap & Cheerful Music Programs On The ST Platform | Atari Notes
• Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 1 | Tips & Techniques
• Multi-effects Explained, Part 4 | Exploration
• PC DOS Commands | Tips & Tricks
• Playback | Readers' Music Reviewed
• SCSI Problems | PC Notes
• Synth School, Part 4: Additive Synthesis | Tips & Techniques
• Where To Use Processors & Why, Part 1 | Tips & Techniques

Sound On Sound | November 1997

REVIEWS

• Access Virus | Advanced Simulated Analogue Synthesizer (Preview)
• Alesis Studio 12R | Rack Mixer
• AXE: PC/MAC Interactive CD-ROM | Sample Library
• Bass Box | Sample Library
• DACS Micamp | Dual-channel Mic Preamp
• Def House | Sample Library
• EES PC-MIDI | 1/4 PC MIDI Interface
• Emu E-Synth Professional | Digital Synthesizer
• Evolution Sound Studio Gold | PC Sequencing Software
• Freeform Analogue Technologies PCP330 | Procoder (FAT)
• GeneralMusic GEM SK76 | World Keyboard
• Hughes & Kettner Tube Rotosphere | Leslie Speaker Simulator
• JoeMeek VC6 Meekbox | Compressor/Enhancer/Mic Preamp
• Korg DSS1 | Digital Sampling Synthesizer (Retro)
• Korg SGproX | Master Keyboard
• KRK E7 Expose | Active Reference Monitors
• Mackie HR824 | Active Monitors
• MOTU Digital Timepiece | Universal SMPTE/Video/Digital Audio Synchroniser
• Oberheim/Viscount Minigrand | Piano Module
• Pitbull Jungle Loops | Sample Library
• Reality PC | Software Synthesizer
• Roland V-Drums/TD10 | COSM-modelled Drum System (Preview)
• Soundscape SSHDR1+ | Hard Disk Recording System
• Steinberg Cubase VST v3.5 | Software
• TSC Nashville Mac Clone | Music Workstation
• Yamaha MU100R | Tone Generator

PEOPLE + OPINION

• AUTECHRE: Techno-logical | Interview | Band
• DIRK CAMPBELL: Composing For TV | Interview | Composer
• DON WAS: Producing For The Rolling Stones, Elton John, Bob Dylan | Interview | Producer
• GLYN CORNELIUS: Direct Injection | Sounding Off
• VANGELIS: Recording At Nemo Studios | Interview | Artist

TECHNIQUE

• Apple Shareware & Freeware | Apple Notes
• Fractal Music | Atari Notes
• Hard Drives; Memory Expansions; Faster Processors | PC Notes
• Linking Synth Sounds To Music Sequences | Tips & Tricks
• Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 2 | Tips & Techniques
• Multi-effects Explained, Part 5 | Exploration
• Obtaining Maximum Level On Digital Recordings | Tips & Tricks
• Optimising PC Soundcard Audio Performance | Tips & Tricks
• Playback | Readers' Music Reviewed
• Solving Akai Sampler SCSI & CD-ROM Compatibility Problems | Tips & Tricks
• Sonic Foundry Sound Forge Software Tips | Tips & Tricks
• The Psychology Of Recording | Exploration
• Where To Use Processors And Why, Part 2 | Tips & Techniques

Sound On Sound | December 1997

REVIEWS

• ARP Odyssey | Duophonic Analogue Synthesizer (Retro)
• Bellari RP583 | Dual Tube Compressor
• Bill Bruford's Packet of Three | Sample Library
• Buying A Voice Channel | Feature | Tips & Tricks
• DACS Headlite | Headphone Amplifier
• Doepfer MS404 | MIDI Analogue Synthesizer
• Empirical Labs Distressor | Compressor
• Event Electronics Gina | Multitrack PCI Soundcard
• Far CR10A | Powered Nearfield Monitors
• Fostex D160 | Hard Disk Multitrack Recorder
• Fresh Killed Meat: Prime Funk | Sample Library
• Hof Hofex Spectral Exciter II | Psychoacoustic Enhancer
• Lexicon PCM80 | Vocal Fix Card
• MIDIMAN Digipatch12X6 | Digital Audio Patchbay
• Philips CDR870 | CD Writer
• Quasimidi Rave-O-Lution 309 Upgrades | Dance Box
• Roland V-Drums | Electronic Drums
• SPL Dynamaxx | Compressor/Decompressor/Limiter/Gate
• Symetrix 551E | 5-band Parametric Equaliser
• Tascam DA98 | Digital Multitrack Recorder
• TL Audio 02031 | Indigo Valve Overdrive
• Vocal XTC | Sample Library
• Voice of Native America | Sample Library
• Yamaha CDR400TX | CD-R Writer

PEOPLE + OPINION

• CRAIG ANDERTON: Software Hell | Sounding Off
• MORCHEEBA: From Clapham To The Orb | Interview | Band
• N-TRANCE: Do You Think I'm Sexy? | Interview | Band
• Pitching & Writing A Channel 5 Theme Tune | Interview | Composer
• SOS Christmas Wishlist 1997 | Opinion
• TCHAD BLAKE: Binaural Excitement | Interview | Artist

TECHNIQUE

• Cakewalk Home Studio; Cubase VST | PC Notes
• Electronic Cow's Sound Chip Synth | Atari Notes
• Equipping A Home Studio, Part 1 | Tips & Techniques
• Playback | Readers' Music Reviewed
• Portable DAT Recording On A Budget | Feature | Tips & Tricks
• Practical Drum Kit Miking, Part 1 | Tips & Techniques
• Recording & Storing Large Projects On PC Hard Disks | Tips & Tricks
• Setting Up A New Computer | Apple Notes
• Synth School, Part 5: The Origins Of S&S; | Tips & Techniques
• Where To Use Processors & Why, Part 3 | Tips & Techniques

Sound On Sound | January 1998

REVIEWS

• AKG Solidtube | Valve Capacitor Microphone
• Behringer Eurodesk MX3282 | 8-buss Mixer
• Boss Dr Sample SP202 | DJ Looping Sampler
• DBX 160s | Compressor/Limiter
• Demeter HM1 | Tube Mic Preamp
• Digidesign Pro Tools | Digital Recording & Editing Environment (Preview)
• Digidesign Universal Slave Driver | Synchroniser
• DUY Digital Audio Plug-ins | Software Plug-ins
• Emagic Logic Audio v3.0 | MIDI + Audio Sequencer
• Emu ESi4000 | 64-note Polyphonic Sampler
• Ensoniq Paris II | PCI Hard Disk Recording System
• Fostex CDR200 | CD Recorder
• Guitarras Atomicas | Sample Library
• Jazz Quartet Vol. 1: Saxophone Legacy | Sample Library
• Korg DL8000R | Digital Multitap Delay
• Oberheim Xpander | Analogue Synth Module (Retro)
• Old School Flavours Vol. 2: Vintage Soul | Sample Library
• Roland VS880 S2 | CD-writing Upgrade
• Scoring Tools | Sample Library
• Sonic Foundry Acoustic Modeler | DirectX Plug-in
• Sounds OK Dreamwaves Korg; Atacama Pro 10; BCK Footpedals | Wavestation Sound Cards; Speaker Stands; Footpedals
• Soundtech ST1602 | Quantum Mix Compact MIxer
• Viscount EFX100 | Multi-effects Processor
• Yamaha MDF3 | MIDI Data Filer

PEOPLE + OPINION

• OLA ONABULE: Recording Soul At Home | Interview | Artist
• PAUL FARRER: Unlikely Recording Set-up In Contact | Sounding Off
• Promoting Your Act | Feature | Tips & Tricks
• UNSOUND RECORDINGS | Recoil: Alan Wilder

TECHNIQUE

• BeOS | Apple Notes
• CHIPS WITH EVERYTHING | PC Musician Hardware Update
• Compact Disc Formats Explained | Exploration
• Customise Your PC; Yamaha Software | PC Notes
• MIDI Filer; Parx Quincy | Atari Notes
• Playback | Readers' Music Reviewed
• Practical Drum Kit Miking, Part 2 | Tips & Techniques
• Recording Christmas Music | Feature | Tips & Tricks
• Recreating Your Mixes | Tips & Tricks
• Where To Use Processors & Why, Part 4 | Tips & Techniques
• Yamaha VL70M | Breath-controller Sequencing Workshop

Sound On Sound | February 1998

REVIEWS

• Allen & Heath MixWizard | 14:4:2 Mixer
• BSS Opal DPR422 | Compressor/De-esser
• Clavia Nord Modular | Virtual Analogue Modular Synthesizer (Preview)
• CreamWare T-DAT 16 | Multitrack Recording System
• Digidesign Pro Tools 24 | Digital Recording & Editing Environment
• Doepfer MAQ16/3 | MIDI Analogue Sequencer
• Dope Headz | Sample Library
• Korg AM8000R | Ambience Multi-effect Processor
• Korg TR Rack | Expanded Access Synth Module
• Madjef's Black Butta | Sample Library
• Mediterranean Instruments | Sample Library
• Metalithic Systems Digital Wings | Audio PC Recording System
• MixMan Studio | Performance Remixing Software
• Neumann TLM50 | Capacitor Microphone
• Red Sound Systems Voyager 1 Beat Xtractor | DJ Accessory
• Roland Jupiter | Analogue Polysynths (Retro)
• Steve White On The Beaten Track | Sample Library
• Tascam DA302 | Dual DAT Deck
• TL Audio Ivory Series VP5051 | Valve Processor
• Waves Maxxbass | Bass Enhancement Plug-in
• Xpression! DPM1 | Proactive Powered Monitors

PEOPLE + OPINION

• AS ONE (KIRK DEGIORGIO): Adidas Ads, Folklore & Blue Note Jazz | Interview | Artist
• CHRISTOPHER HOLDER: Danger In The Studio | Sounding Off
• DAVE ROSSUM: Inside Creative Labs | Interview | Manufacturer
• DAVID BYRNE: Talking Heads | Interview | Artist
• PAUL NAGLE: Northern Exposure | Interview | Artist

TECHNIQUE

• 16/32 Systems Magnum ST card | Atari Notes
• BeOS | Apple Notes
• Capacitor Microphones Explained | Exploration
• Effective Drum Programming, Part 1 | Tips & Techniques
• Equipping A Home Studio, Part 2 | Tips & Techniques
• Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 3 | Tips & Techniques
• PC Soundcard Buyer's Guide, Part 1: Stereo Cards | Feature | Tips & Tricks
• Playback | Readers' Music Reviewed
• Practical Studio Soundproofing, Part 1 | Tips & Techniques
• Synth School, Part 6: Building On PCM — The Next Generations | Tips & Techniques
• Using An Optically Connected Multi-channel Digital Setup | Feature | Tips & Tricks
• Where To Use Processors & Why, Part 5 | Tips & Techniques
• Windows 98 | PC Notes

Sound On Sound | March 1998

REVIEWS

• Akai DPS12 | Digital Personal Studio
• Clubsphere DJ Intermix Series: 80-90BPM | Sample Library
• Digital Audio Labs V8 | Multitrack Hard Disk Recording System
• DPA 4060 | Miniature Microphone
• Drawmer MX40 | Quad Gate
• Electrovoice RE500 | Capacitor Microphone
• FAT Resinator Filter | Processor
• Inward Connections Vac Rac | Modular Processing System
• JBL 6208 | Bi-amplified Reference Monitor
• Korg N5 | Music Synthesizer
• Korg S3 | Rhythm Workstation (Retro)
• Korg Universe Vol. 1 & 2 | Sample Library
• KRK Rokit | Nearfield Monitors
• Midiman Flying Cow | D/A and A/D Converter
• MOTU Digital Performer v2.11 | DAW
• Old School Flavours Vol. 1, 2 & 3 | Sample Library
• Prosoniq Sonicworx Artist | Audio Editing Software
• Roland A70 | Expandable Controller Keyboard
• Smart Research C2 | Compressor
• Spectral Audio Syntrack | Analogue Filter/Synthesizer
• Terratec Audiosystem EWS64 | XL PC Soundcard
• The Hammond Organ: Beauty In The B & Lovetone Wobulator | Book & Stereo Vibrato/Tremolo Pedal
• Viscount Gammaverb Reverb | Processor
• Yamaha Range: EX7, EX5R, P200, MD8, WX5, DSP Factory (Preview) | Product Roundup

PEOPLE + OPINION

• DAVE GALE: Understanding What's Best | Sounding Off
• DEBBIE WISEMAN: TV & Film Composer Extraordinaire | Interview | Composer
• GIORGIO MORODER: Electric Dreams With Donna Summer | Interview | Artist
• KARL BARTOS: Electric Music & Kraftwerk | Interview | Artist

TECHNIQUE

• All About Patchbays | Exploration
• CPU Clock Speed | Apple Notes
• Effective Drum Programming, Part 2 | Tips & Techniques
• FaST Club; Floppyshop | Atari Notes
• Making Arrangements: A Rough Guide To Song Construction & Arrangement, Part 4 | Tips & Techniques
• MIDI, Audio & PC Plug-ins | Exploration
• PC Soundcard Buyer's Guide, Part 2: Multi-channel Cards | Feature | Tips & Tricks
• Playback | Readers' Music Reviewed
• Practical Studio Soundproofing, Part 2 | Tips & Techniques
• Where To Use Processors & Why, Part 6 | Tips & Techniques
• Windows Laptops | PC Notes

Sound On Sound | April 1998

REVIEWS

• Clavia Nord Modular Virtual Analogue Modular Synthesizer, Part 1 | Exploration
• Datadusta Digital Tape; Emu Morpheus | Bit-buster Tape; Patch Cards
• DBX MC6 | Mini-comp Compressor
• Denny Jaeger Private Collection Vol. 1 | Sample Library
• Digitech S100 | Dual-engine Multi-effects Processor
• Digitech Talker | Advanced Vocal Synthesizer
• Emagic Logic Audio 3 | MIDI + Audio Sequencer
• Emagic Unitor 8 | Cross-platform MIDI Interface
• Kinetix Wobbly Bits | Variable-rate Digital Recording System (Preview)
• Korg D8 | 8-track Digital Recording Studio
• Korg Minikorg Family (Retro) | Synthesizer
• Malice In Wonderland | Sample Library
• Opcode Studio 64XTC | MIDI Interface/Patchbay/Digital Synchroniser
• Oram Octasonic Precision | Octal Mic Preamp
• Roland MC505 | Groovebox
• SADiE 3 | DAW
• Sony PCMR300 | DAT Recorder
• Soundtracs RX8 | 8-buss Mixing Console
• Srictly R&B; | Sample Library
• Tannoy System 600A | Active Monitor
• Technics KN5000 | Auto-accompaniment Keyboard
• TL Audio Ivory 5050 & 5001 | Valve Preamp & Mic/Line Amp
• Vinylistics Vol. 3 | Sample Library
• Wildcat Canyon Autoscore Pro | Audio-To-MIDI Software
• Yamaha MD8 | Multitrack Minidisc Recorder

PEOPLE + OPINION

• ALAN DOUGLAS: Recording With Eric Clapton | Interview | Engineer
• M PEOPLE: Songwriting & Musicianship | Interview | Band
• ROGER JACKSON: Computers... Love Them Or Hate Them | Sounding Off
• RYUICHI SAKAMOTO: Classical & Pop Fusion | Interview | Artist
• TONY TAVERNER: Sensible Studios | Interview | Producer

TECHNIQUE

• Atari Computing; Pulsar; Softjee | Atari Notes
• DI Boxes & Why We Need Them | Exploration
• Effective Drum Programming, Part 3 | Tips & Techniques
• Equipping A Home Studio, Part 3 | Tips & Techniques
• Ins & Outs Of Gain Structure | Exploration
• Mic Types & Characteristics | Exploration
• Playback | Readers' Music Reviewed
• Practical Studio Soundproofing, Part 3 | Tips & Techniques
• QuickTime 3 | Apple Notes
• Synth School, Part 7: Transitional Synthesis | Tips & Techniques
• Using A PC As A Self-Contained Music Making System | Tips & Tricks
• XGedit; Cubase VST 3.55 | PC Notes

Sound On Sound | May 1998

REVIEWS

• Access Virus | Virtual Analogue Synthesizer
• Alesis ADAT XT20 | Digital 8-track Recorder
• Audio Technica 30 Series | Microphones
• Audio Technica ATM23HE | High-energy Dynamic Mic
• Beyer MCD100 | Digital Condenser Microphone
• Blue Chip Axon AX100 | MIDI Guitar Converter
• Clavia Nord Modular Virtual Analogue Modular Synthesizer, Part 2 | Exploration
• Digitech Vocalist Performer | Vocal Harmony Processor
• Double Platinum Rock Piano | Sample Library
• Dynaudio BM15A | Powered Monitors
• Fostex COP2 | Optical/Balanced Digital Converter
• Fostex DP8 | Digital Switcher
• Guitar Odyssey | Sample Library
• JoeMeek VC5 Meequaliser | 3-band EQ
• Mediatrix Audiotrix 3DXG | Soundcard
• MOTU FreeStyle | Sequencer
• Novation Supernova | Polyphonic Synthesizer Module (Preview)
• Roland VS840 | Digital 8-track Workstation
• SoundTech PL602 | Power Amplifier
• SPL Dual-channel | Valve Signal Processor
• Symphony Of Voices | Sample Library
• Tascam TMD8000 | Digital Console
• Yamaha EX5 | Workstation Synthesizer
• Zoom RhythmTrak 234 | Drum Machine

PEOPLE + OPINION

• BILL LASWELL: Re-shaping The Music Of Miles Davis | Interview | Producer
• BOB MOOG: Pioneering Synths | Interview | Manufacturer
• JOHN ORAM: Father Of British EQ | Interview | Designer/Producer/Musician
• PAUL JOHNSON: Computers Vs Hardware | Sounding Off
• The Truth About Demos, Part 1 | Exploration
• VINCE HILL: Recording Ripples Of Change | Interview | Artist

TECHNIQUE

• All About Digital Audio, Part 1 | Exploration
• Creating Multiple Booting PC Environments | Tips & Tricks
• D-sound Pro 3.5 Beta | Apple Notes
• Effective Drum Programming, Part 4 | Tips & Techniques
• EIDE; CD-R | PC Notes
• Electronic Cow EC909 | Atari Notes
• Playback | Readers' Music Reviewed
• Practical Guide To Making CDs | Tips & Tricks
• Practical Studio Soundproofing, Part 4 | Tips & Techniques

Sound On Sound | June 1998

REVIEWS

• Analogue Systems RS Integrator | Modular Synth
• AVI Nuneutron | Compact Monitors
• Black II Black Vol. 3 | Sample Library
• Event EMP1 | Solid-state Mic Preamp
• Focusrite Platinum | Tone Factory
• Fostex FD4 | Digital Multitracker
• Korg SG-Rack | Stage Piano Module
• Korg ZSC 01 Sound Collection Z1 | Sound Card
• Line 6 Flextone Plus | 100 Watt Stereo Guitar Amplifier
• Midiman Dman 2044 | PC Soundcard
• Moog Polymoog | Analogue Polysynth (Retro)
• Neumann TLM103 | Cardioid Condenser Microphone
• Roland VS1680 | 24-bit Digital Studio Workstation
• Spirit Digital 328 | 8-buss Digital Mixing Console (Preview)
• Steinberg Wavelab v2 | Real-Time Sound Processor
• Strictly House | Sample Library
• Syntrillium Software Cool Edit Pro | Audio Editor
• TC Electronic FireworX | Signal Processor
• TL Audio Ivory | Parametric Equaliser
• X-Static Goldmine 5 | Sample Library
• Xtortion One | Sample Library

PEOPLE + OPINION

• Acoustic Treatments For The Project Studio | Feature | Tips & Tricks
• KENNY CAMPBELL: Mac Users, Get Together | Sounding Off
• MARTIN VERGO (MONO): Recording Formica Blues | Interview | Band
• MIKE HEDGES: Recording Manic Street Preachers, The Audience & Pure Essence | Interview | Producer
• ROB PLAYFORD: Producing Goldie | Interview | Producer
• The Truth About Demos, Part 2 | Exploration

TECHNIQUE

• All About Digital Audio, Part 2 | Exploration
• Cakewalk Pro Audio v7; Musician's CD Player | PC Notes
• Equipping A Home Studio, Part 4 | Tips & Techniques
• Optimise PC Internal Timing & Audio Recording With Cubase VST | Tips & Tricks
• Optimising MIDI Levels | Tips & Tricks
• Playback | Readers' Music Reviewed
• Proscore v1.92; Akai Sample EXchange | Atari Notes
• Software Synthesis; Hybrid Software | Apple Notes

SOUND ADVICE

• 20 Tips On Mixing | Tips & Tricks

Sound On Sound | July 1998

REVIEWS

• Acoustic Energy AE200 | Nearfield Monitors
• Alesis Studio 32 | Mixer
• ART Quadra/FX | 4-channel Effects Processor
• Doepfer A100 | CV Modular Synthesizer
• Drawmer MX50 | Full-band/Split-band De-esser
• Earthworks QTC1 & Z30X | Omni-directional Microphones
• Emu Systems Emax II | Sampler (Retro)
• Focusrite Platinum | Voicemaster
• Fresh Killed Meat — Drum & Bass Carnage | Sample Library
• Frontier Design Group Wavecenter | Digital Audio Card
• George Clinton | Sample Library
• Keyfax Hardware Phat Boy | MIDI Synth Controller
• Korg i30 | Interactive Music Workstation
• Lexicon Studio | Recording System
• Miditemp MP88W | MIDI & Digital Audio File Player/Data Filer/MIDI Matrix
• Moog Music UK Minimoog | Analogue Monosynth (Preview)
• Signex Isopatch CPJ48 | 48-way Patchbay
• Skinny Puppy | Sample Library
• SPL Stereo Vitalizer Jack | Psychoacoustic Enhancer
• Tascam DA20 MkII | DAT Recorder
• Time Signature WaveIt Soundfonts & Wien Editor | Sound Bytes
• Yamaha 01V | Digital Mixer
• Yamaha WX5 | Wind Controller

PEOPLE + OPINION

• CLIVE LANGER & ALAN WINSTANLEY: Producing Madness, David Bowie, Mick Jagger & Elvis Costello | Interview | Producer
• CRAIG ARMSTRONG: Songwriting For Massive Attack, Madonna & U2 | Interview | Songwriter
• MARK HAWLEY: Recording Tori Amos | Interview | Engineer
• PAUL NAGLE: The Erosion Of Musical Skill | Sounding Off

TECHNIQUE

• 20 Tips On Using GM Modules | Tips & Tricks
• All About Digital Audio, Part 3 | Exploration
• CD The Next Generation: Super Audio Compact Disc | Exploration
• Choosing A Recording Setup, Part 1 | Tips & Techniques
• Fret Calculator; Softjee Live Machine | Atari Notes
• Graphics Cards & Monitor Screens For The PC Musician | Tips & Tricks
• Metadata; Networking; SCSI; Opcode Studio Vision Pro v4.0 | Apple Notes
• Playback | Readers' Music Reviewed
• Practical Acoustic Treatment, Part 1 | Tips & Techniques
• Steinberg Freefilter; Spectralab | PC Notes
• Synth School, Part 9: The Imitation Of Analogue | Tips & Techniques

Sound On Sound | August 1998

REVIEWS

• Aardvark Aark 20/20 | 20-bit PC Digital Audio Recording System
• Alesis ADAT Type II | ADAT Recorder
• Allen & Heath GS3000 | 8-buss Console
• Amtech AGE One | Tape Echo Emulator
• Apogee AD8000 | 24-bit Digital Audio Converter
• Arboretum Hyperprism | Effects Plug-in Pack
• ART Tube PAC & Tube EQ | Preamp/Compressor & EQ
• Bit One/Bit 01/Bit 99 | Synths (Retro)
• Caig Laboratories Deoxit & Progold; Audio Technica ATM87R; Neato; Keyfax Software Twiddly Bits Vol. 9 Jazz | Contact Enhancement Treatments; Condenser Boundary Microphone; CD Labelling Kit; Samples
• DBX DDP | Digital Dynamics Processor
• Emu Audity 2000 | Digital Synth Module
• Housemaster | Sample Library
• Johnson Millennium | Guitar Amplifier
• Komputer Inside | Sample Library
• Lexicon MPX100 | Dual-channel Effects Processor
• Line 6 AX2 212 | Modelling Guitar Amp Upgrade
• No Kick | Sample Library
• Novation Supernova ASM | Polysynth
• Roland SP808 | Groovesampler Sampling Workstation
• Sennheiser Evolution Series | Vocal Microphones
• Smokin' Beats With Attitude | Sample Library
• Sony SMS1P | Sony SMS1P Powered Monitors
• Tannoy Reveal | Nearfield Monitors
• TC Works Native Essentials | EQ & Plug-In Software

PEOPLE + OPINION

• BON HARRIS: Programming For The Smashing Pumpkins | Interview | Engineer
• MARTIN WALKER: Why Is Some Music Software So Difficult To Use? | Sounding Off
• PASCAL GABRIEL (PEACH): Sliding Doors | Interview | Producer
• STEVE McNALLY: Making Waves | Interview | Sound Programmer

TECHNIQUE

• 20 Tips On Recording Guitars | Tips & Tricks
• All About Digital Audio, Part 4 | Exploration
• Choosing A Recording Setup, Part 2 | Tips & Techniques
• Creative Sequencer Tips, Part 1 | Tips & Techniques
• Digitally Transfering Sounds From Audio CD To Your PC | Tips & Tricks
• Intel Celeron; Cleansweep Deluxe v3.0 | PC Notes
• Joe Connor's InterActive | Atari Notes
• Mac OS 10 | Apple Notes
• Playback | Readers' Music Reviewed
• Practical Acoustic Treatment, Part 2 | Tips & Techniques
• Reorganising Your Studio On A Budget | Tips & Tricks
• Science Of Digital Audio Data Reduction | Exploration
• Synth School, Part 10: Modelling Electric Instruments | Tips & Techniques

Sound On Sound | September 1998

REVIEWS

• Alesis M20 | 20-bit Professional Digital Recorder
• Beyer MCE7 | Miniature Microphone
• Cakewalk Pro Audio 7 | MIDI + Audio Recording Software
• DACS FwS ColOSCIL2 | Ring Modulator
• DBX 266XL | Compressor/Gate
• Deepest India | Sample Library
• Digidesign Pro Tools 3.4 | DAW Software
• Fingerstyles | Sample Library
• Korg Trinity v3 DRS | Music Workstation
• KRK V8 | Active Monitors
• Kurzweil K2000VP | Variable Architecture Synthesis Technology Workstation
• LA Audio SPX2 | Source Switcher
• Lexicon PCM81 & PCM91 | Digital Effects Processors
• Marantz CDR630 | Compact Disc Recorder
• Native Instruments Generator 1.5 | Software Synth
• Oberheim OB Series | Analogue Synthesizers (Retro)
• Opcode Studio128X | Cross-platform MIDI Interface
• Philip Rees Little 2M, 5M & 9M | MIDI Mergers
• Product Roundup | Product Roundup
• Roland DJ2000 | Professional DJ Mixer
• Roland SC880 | Sound Canvas GM/GS Module
• SEKD Prodif 96 | PCI Soundcard
• Shawn Lee's Planet Of The Breaks | Sample Library
• Sonorus StudI/O | Soundcard
• TL Audio Ivory C5021 | 2-channel Valve Compressor
• Tony Mason... Steamin' | Sample Library
• Yamaha A3000 v2 | Pro Sampler & Upgrade Kit
• Yamaha DJX Super DJ | Sampling Keyboard

PEOPLE + OPINION

• BOB REARDON (LEXICON): Spatial Awareness | Interview | Manufacturer
• MARIUS DE VRIES: Launching A Massive Attack On Madonna | Interview | Programmer/Musician
• RUPERT COOK: Setting Your Computer Up For Glitch-free Music | Sounding Off

TECHNIQUE

• All About Digital Audio, Part 5 | Exploration
• Choosing A Recording Setup, Part 3 | Tips & Techniques
• Creative Sequencer Tips, Part 2 | Tips & Techniques
• Demystifying Yamaha's XG Soundcards | Exploration
• Identifying & Solving MIDI Problems | Tips & Tricks
• iMac; UBS Audio Interface | Apple Notes
• Norton Utilities | PC Notes
• Optimising PC Digital Audio Quality In Software | Tips & Tricks
• Playback | Readers' Music Reviewed
• Practical Acoustic Treatment, Part 3 | Tips & Techniques
• Synth School, Part 11: Modelling Strings & Wind Instruments | Tips & Techniques
• Tracker | Atari Notes

SOUND ADVICE

• 20 Tips On Monitoring | Tips & Tricks

Sound On Sound | October 1998

REVIEWS

• Antares ATR1 | Auto Tune Intonation Processor
• Chemical Beats | Sample Library
• Digidesign ADAT Bridge I/O | ADAT Interface For Pro Tools
• Digitech Studio S200 | Dual-engine Multi-effects Processor
• Emagic Logic Audio Platinum | MIDI + Audio Sequencing Software
• Full Phat — AMG Catalyst Series Vol. 1 | Sample Library
• Hammond XB1 | Organ
• Hooter Sound B1 | Mic Amp/Compressor/Limiter/Gate
• JBL LSR32 | Midfield Monitors
• Moog Minimoog 204E | Synth
• Opcode Studio Vision Pro 4 | MIDI + Audio Sequencer
• Pascal's Bongo Massive | Sample Library
• Peavey PVM T9000 | Valve Microphone
• Quasimidi Sirius | Dance Workstation
• Roland Alpha Juno 1 & 2 (Retro) | Synthesizer
• Roland JX305 | Groovesynth
• Skinned | Sample Library
• Sony MDS JE520 | Minidisc Recorder
• SPL Transient Designer | Dynamics Processor
• Steinberg Cubase VST 4 | Audio Sequencing Software
• Waldorf Microwave XT | Wavetable Synth
• Yamaha DSP Factory Hard Disk Recording System | Exploration
• Zoom 503 | Guitar & Bass Amp Simulator

PEOPLE + OPINION

• A Personal View Of Session Programmers, Part 1: Musicians | Exploration
• DARIO G: Recording SunMachine | Interview | Band
• DAVID FERGUSON: Writing Music For TV | Interview | Composer
• PAUL HODGSON: Music Is All In The Mind | Sounding Off

TECHNIQUE

• All About Digital Audio, Part 6 | Exploration
• Atari Computing Magazine; YSEditor v2.64; Trackman v2.5 | Atari Notes
• Buying A Ready-made PC Music System | Feature | Tips & Tricks
• Choosing A Recording Setup, Part 4 | Tips & Techniques
• Creative Sequencer Tips, Part 3 | Tips & Techniques
• Disk2File; Sound Forge v4.5 | PC Notes
• Playback | Readers' Music Reviewed
• Practical Acoustic Treatment, Part 4 | Tips & Techniques
• QuickTime 3 | Apple Notes
• Synth School, Part 12: The Way Ahead | Tips & Techniques

SOUND ADVICE

• 20 Tips On Recording Vocals | Tips & Tricks

Sound On Sound | November 1998

REVIEWS

• Audio Technica AT4060 | Valve Microphone
• Bitheadz Retro AS1 | Virtual Analogue Synth
• Calistan Solutions Wave Safe | Sound File Protection Software
• David Ruffy: Ruff Cutz | Sample Library
• Eventide DSP4500 | Ultra-harmoniser/Multi-effects Processor
• Independence | Sample Library
• Kenton Control Freak | MIDI Control Centre
• Kinman & Dimarzio Hum-Cancellers | Guitar Pickups
• Mackie D8B | Digital Recording Console
• Quested F11 | Active Nearfield Monitors
• Roland JP8080 | Analogue Modelling Synthesizer
• Roland JV-Series | Synthesizer Sound Expansion Cards
• Roland TR626 | Rhythm Composer (Retro)
• Sonic Foundry Acid | Loop-based Music Production Tool
• Steinberg/Propellerhead Rebirth RB338 v2 | Techno Microcomposer Software
• Tascam TMD1000 | Digital Mixer
• The Digital Kitchen's Definitive Grooves | Sample Library
• Trancewaves Vol. 1 & Red Sound Systems Micro BPM | Wavestation Soundcard & Headphone Amp/BPM Counter
• Turtle Beach Montego A3D | Xtream PC Soundcard
• Waldorf D-Pole Filter | Module Plug-in
• Wall Of Vinyl | Sample Library
• Waves Easywaves | PC Directx Plug-in Bundle
• Yamaha B1D/G50 | MIDI Bass Interface
• Yamaha P200 | Electronic Piano

PEOPLE + OPINION

• A Personal View Of Session Programmers, Part 2: Programmers | Exploration
• GARY BARLOW: Recording, Production & Songwriting | Interview | Artist
• GUY CHAMBERS & STEVE POWER: Recording Robbie Williams' 'Millennium' | Interview | Engineers
• JEEHUN HWANG: Composing Music For Videogames | Interview | Composer
• NEIL WATKINSON: Recording The Vocal High In The Mix | Sounding Off

TECHNIQUE

• 20 Tips On Using MIDI Guitar | Tips & Tricks
• All About Windows '98 | Exploration
• Choosing A Recording Setup, Part 5 | Tips & Techniques
• Creative Use Of Effects | Tips & Tricks
• Electronic Cow Squash It | Atari Notes
• iMac | Apple Notes
• Playback | Readers' Music Reviewed
• Practical Acoustic Treatment, Part 5 | Tips & Techniques
• Tubetraps; Speakerstands; Room Acoustics | Net Notes
• Windows '98; EZ SCSI | PC Notes

Sound On Sound | December 1998

REVIEWS

• AKG C1000S | Back-electret Microphone
• Alesis Q20 | Stereo Multi-effects Unit
• ATC A7 | Passive Monitors
• Boss DR202 | DR Groove Rhythm Machine
• Digitech 2120 | Artist Guitar Preamp/Effects Processor
• Ensoniq ASRX Pro | Resampling Production Studio
• Funk Stew 2 | Sample Library
• Koblo Vibra 9000 | Software Synth
• Korg DW8000 | Synthesizer (Retro)
• Korg N1R | Synth Module
• Mackie HUI | Control Surface For DAWs
• Musitek Midiscan v2.51 | Score To MIDI File Conversion Software
• Nemesys Gigasampler v1.5 | PC Software Sampler
• Pilchner-Schoustal Acoustic X | Room Acoustic Optimisation Software
• Roland G1000 | Arranger Workstation
• Spirit 328 | 8-buss Digital Mixer
• Things That Go Bump In The Night | Sample Library
• Twisted City | Sample Library
• Yamaha FS1R | FM Synthesis/Formant-shaping Tone Generator
• Yamaha SW1000XG | Audio/MIDI PCI Card

PEOPLE + OPINION

• BRIAN WILLIS: Dull Programming | Sounding Off
• CRAIG LEON: Recording The New Blondie Album | Interview | Producer
• DANIEL MILLER: Mute Records, Depeche Mode & Home Studio | Interview | Producer
• JOHN O'CONNOR: From 'Star Trekkin' To King Of The Hill | Interview | Composer
• STEVE LEVINE: Recording The Honeyz 'Finally Found' | Interview | Producer

TECHNIQUE

• 50 Christmas Ideas For Musicians | Exploration
• Creating Reverse Reverb | Tips & Tricks
• Creative Sampling, Part 1 | Tips & Techniques
• DirectX; Music On The Internet | PC Notes
• Electronic Cow; Softjee; Devil Studio; Easy Beat | Atari Notes
• Making The Transition To Computer-based Digital Recording, Part 1 | Tips & Techniques
• Measuring PC Hard Drive Audio Recording Performance | Tips & Tricks
• Playback | Readers' Music Reviewed
• Sound Manager | Apple Notes
• Synthesizer Sites | Net Notes

SOUND ADVICE

• 20 Tips On Using Microphones | Tips & Tricks

Sound On Sound | January 1999

REVIEWS

• Akai S5000 & S6000 | Samplers
• Analogue Systems RS200 & System 8000 | Analogue Sequencer & Modular Synthesizer
• Drawmer MX60 Front End | One Input Channel
• Emu Audio Production Studio | PCI Soundcard System
• Fostex FD8 | 8-track Hard Disk Recorder
• HHB Circle 5 | Active Monitors
• History Of Roland | Sample Library
• Kurzweil FDFX | K2500 Series Expansion Board
• Microtech Gefell UM900 | Valve Condenser Microphone
• Opcode Vision DSP v4.1 | Sequencer
• Otari RADAR II | Tapeless Multitrack Digital Recording System
• Quasimidi Polymorph | Sample-based/DSP Modelling Synthesizer
• Roland VK1 Drawbar | Organ (Retro)
• Sony DPS V55m | 4-channel Multi-effects Processor
• SPL Qure | Parametric Equaliser
• Studio Essentials | Studio Essentials
• TR808 & TR909 | Sample Library
• Vintage | Sample Library
• Vintage Rhythm | Sample Library
• Zoom Sampletrak ST224 | Sampler

PEOPLE + OPINION

• DAVID LOWE: Recording Touch & Go's 'Would You?' | Interview | Producer
• DEEP PURPLE: Recording The Album 'Abandon' | Interview | Band
• Inside Paul White's Studio: Update | Exploration
• PAUL WARD: Is It All Getting Too Easy? | Sounding Off
• SPIKE STENT: The Work Of A Top-flight Mixer | Interview | Mixer

TECHNIQUE

• Creative Sampling, Part 2 | Tips & Techniques
• DSoundPro | Apple Notes
• Harmony Central: Red Shift | Net Notes
• Making The Transition To Computer-based Digital Recording, Part 2 | Tips & Techniques
• Playback | Readers' Music Reviewed
• Reality v1.5; Partition Magc 4.0 | PC Notes
• Recording Brass & Reeds | Tips & Tricks
• Setting Up PC Operating Systems To Avoid Hard Disk Recording Glitches | Tips & Tricks
• Sound Pool Native DSP Mastering Suite; Atari Computing Convention | Atari Notes

SOUND ADVICE

• 20 Tips On Songwriting | Tips & Tricks

Sound On Sound | February 1999

REVIEWS

• Alesis GT Electronics | AM-series Microphones
• ASC Studio Traps | Portable Room Acoustic Baffles
• Cakewalk Metro 4 | MIDI + Audio Sequencer
• Cyberwave EMS Waveplant Synthesizer | Sample Library
• Digitech Studio Quad 4 | Multi-effects Unit
• Discovery Keyboards | Sample Library
• Distorted Reality 2 | Sample Library
• Doepfer Regelwerk | MIDI Fader Box & Step Sequencer
• Event Layla | Audio Recording System
• Glyph Technologies SCSI | CD-ROM & AV Hard Drives
• Kurzweil K250 | Workstation Keyboard (Retro)
• Line 6 Pod | Physical Modelling Guitar Preamp
• MOTU 2408 | 24-channel Digital Recording System
• Ramsa WR-DA7 | Digital Mixer
• Roland EG101 | Groove Keyboard
• Synton Fenix | Patchable Analogue Synthesizer
• Tascam DA45HR | 24-bit DAT Recorder
• TC Electronic Finalizer Express | Mastering Processor
• X-files Of Hip-hop | Sample Library
• Yamaha MSP5 | Powered Monitors
• Yamaha MU128 | Sound Module
• Yamaha RM1X | Sequence Remixer

PEOPLE + OPINION

• BILL NELSON: BeBop Deluxe & Being 50 | Interview | Artist
• How The Music Biz Really Works... | Exploration
• KLAUS SCHULZE: Electronical Meditation | Interview | Composer
• NICHOLAS ROWLAND: What Can We Learn From The Beatles? | Sounding Off
• Recording Cher's 'Believe' | Exploration

TECHNIQUE

• Backing Up Digital Audio Files | Tips & Tricks
• Musicians DIY On The Internet | Net Notes
• Playback | Readers' Music Reviewed
• Print2Pict; Wacom Pen Partner | Apple Notes
• User Groups; Wessex Atari Group; Key Change Music Services | Atari Notes
• Using Multiple Soundcards For PC Music | Tips & Tricks
• Using Sample Loops With Logic Audio | Tips & Techniques

SOUND ADVICE

• 20 Tips On Home Mastering | Tips & Tricks

Sound On Sound | March 1999

REVIEWS

• Advanced Mega Effects 3: Jingle Effects, Outer Space, Synth Twirls | Sample Library
• Audio Architect 4 | Software Synth
• AVI Biggatron | Monitors
• Beyer MCE90 | Studio Condenser Microphone
• Cakewalk Guitar Studio | MIDI + Audio Sequencing Software
• Creamware Pulsar | Music Production Environment
• Creative Essentials Vol. 32: Cuckooland Ambience | Sample Library
• Emu Proteus 2000 | Synthesizer
• Ensoniq Fizmo | Real-time Transwave Synth
• Guitar Wah Wah | Sample Library
• Lexicon MPX G2 | Guitar Effects Processor
• Marantz CDR640 | CD Recorder
• Peavey PC1600X | MIDI Command Station
• Sequential Circuits | Prophet Synthesizers 5 & 10 (Retro)
• Studio Essentials | Product Roundup
• TC Electronic Gold Channel | Stereo Signal Conditioner
• TL Audio C1 | Valve Compressor
• X-Files Of Jungle | Sample Library
• Yamaha CS2X | Performance Synth
• Yamaha FS1R | Editor Software

PEOPLE + OPINION

• HOWARD TURNER: The Studio Wizard | Interview | Musician
• PAUL ROBB: Scoring South Park, The Information Society & Working For Film & TV | Interview | Composer
• SAM INGLIS: Bad PR In The Music Business | Sounding Off
• The Future Of Music Copyright In A Digital World | Exploration
• TORE JOHANSSON: Recording The Cardigans 'My Favourite Game' | Interview | Producer

TECHNIQUE

• Basics Of Quantising | Tips & Tricks
• Bondi Blue G3 PowerMac | Apple Notes
• Creating Orchestral Music With Sampled Instruments | Tips & Tricks
• ETF4; MIDILyser | PC Notes
• Hands On On Stage Soft; Centek CenTurbo II Card | Atari Notes
• Harmony Central | Net Notes
• Playback | Readers' Music Reviewed
• Recording 20-bit & 24-bit PC Audio | Tips & Tricks
• Recording Bass Guitar | Tips & Tricks

SOUND ADVICE

• 20 Tips On Reducing Noise | Feature | Tips & Tricks

Sound On Sound | April 1999

REVIEWS

• AKG C4000B | Condenser Microphone
• Behringer DSP1000 Virtualizer V2 | 24-bit Multi-effects Unit
• Best Service XX Large Pads | Sample Library
• Big Briar Moogerfooger Filter | Low-pass Filter
• Bitheadz Unity DS1 | Software Sampler
• Fairlight Computer | Musical Instrument (Retro)
• Fretworks | Sample Library
• Graham Lear's Latin Rock Drumscape Vol. 3 | Sample Library
• Hans Zimmer Guitar Vol. 2 | Sample Library
• JBL LSR28P | Bi-amplified Monitor Loudspeaker
• JoeMeek C2 | Stereo Compressor
• Line 6 Farm | Pro Tools Plug-in
• Pro Tools 24 Mixplus | Digital Audio Workstation
• Roland SK88 Pro Sound Canvas | Desktop Keyboard
• Soundscape Mixtreme & SS8IO-3 | PCI Digital Audio Card & Analogue Interface
• SPL Vitalizer MK2-T | Psychoacoustic Enhancer
• TC Electronics G Force | Guitar Effects Processor
• Technosaurus Microcon & Cyclodon | Analogue Monosynth & Sequencer
• Vimage Vpower PF G3/240 | Processor Upgrade
• Yamaha MD4S | Multitrack MiniDisc Recorder
• Yamaha SU700 | Sampling Workstation

PEOPLE + OPINION

• All About ISDN | Exploration
• DAVE ERINGA: Recording The Manic Street Preachers' 'If You Tolerate This Your Children Will Be Next' | Interview | Producer
• DAVID HIRSCHFELDER: Scoring An Oscar For Elizabeth | Interview | Composer
• Future Of Musical Copyright In A Digital World — An Update | Exploration
• How To Become A Recording Engineer, Part 1 | Tips & Techniques
• LOUIS MEDINA: Roland Product Manuals | Sounding Off
• PAUL JOYNER: Recording In A Basement | Readerzone
• STEVE LEVINE: Recording Get Your Act Together | Interview | Producer

TECHNIQUE

• Dealing With Computer Audio Latency | Tips & Tricks
• Outlook Express | Net Notes
• Playback | Readers' Music Reviewed
• Recording Strings | Tips & Tricks
• Space Station Pro; AMD k6-2 | PC Notes
• Speeding Up Your PC For Music Applications | Tips & Tricks
• Squash It! Atari Computing Online | Atari Notes
• The Mac Serial Port; Romulus PCI card; Opcode Optical Port; All About Plug-ins | Apple Notes

SOUND ADVICE

• 20 Tips On Synth Programming | Feature | Tips & Tricks

Sound On Sound | May 1999

REVIEWS

• Alesis M1 | Active Powered Monitors
• Alien Guitars | Sample Library
• Behringer MDX2200 Composer Pro | Multi-function Dynamics Processor
• Black II Black Bangin' Beat Boxes | Sample Library
• Creative Labs SoundBlaster Live! | PCI Soundcard
• Digidesign Procontrol | Pro Tools Hardware Control Surface
• Focusrite Platinum Compounder | 2-channel Dynamics Processor
• Generalmusic Equinox | Keyboard Workstation
• HHB CDR850 Professional | CD-R/CD-RW Recorder
• JoeMeek SC4 | Stereo Compressor
• Kurzweil DMTi | Digital Multitrack Interface
• Midiman SAM S/PDIF-ADAT | Mixer & Format Convertor
• Octave Cat, Kitten & Voyetra | Synthesizers (Retro)
• Portable Digital Multitrack Recorders | Buyer's Guide
• Real Mega Different | Sample Library
• Rode NTV | Valve Microphones
• Score Draw | Sibelius Scorewriting Software
• Shure KSM32 | Cardioid Condenser Microphone
• Studio Essentials | Product Roundup
• Technosaurus Selector | Modular Synthesizer
• Total House | Sample Library
• Waldorf Q | Analogue Modelling Synthesizer (Preview)

PEOPLE + OPINION

• GEORGE DUKE: 1970s Jazz-Rock | Interview | Musician
• How to Become a Recording Engineer, Part 2 | Tips & Techniques
• IAN STEWART: Boring Music? Don't Blame Technology! | Sounding Off
• MIRIAM STOCKLEY: Recording Session Singing | Interview | Artist
• TOMMY D: Recording Catatonia's 'Dead From The Waist Down' | Interview | Producer

TECHNIQUE

• Avoiding Equipment Battery Failure | Tips & Tricks
• Connecting Audio + MIDI Signals Inside PC Music Software | Feature | Tips & Tricks
• DirectX 6.1, DirectMusic; Yamaha CRW4260S; Pentium III | PC Notes
• Faking Ensemble Backing Vocals | Tips & Tricks
• Playback | Readers' Music Reviewed
• Plug-ins; Adobe Premiere | Apple Notes
• Quinsoft Mixer Maps; Electronic Cow Charming Chaos; Pravda | Atari Notes
• Recording Real Pianos | Tips & Tricks
• Synth Secrets, Part 1: What's In A Sound? | Exploration
  Updated here: What's In A Sound?
• Web Browsers: Synth Zone; Microsoft Explorer | Net Notes

SOUND ADVICE

• 20 Tips On Smooth Studio Operation | Tips & Tricks

Sound On Sound | June 1999

REVIEWS

• Alesis DM Pro | Drum Module
• Beyerdynamic MCE93 & MCE94 | Studio Condenser Microphones
• BIAS Peak v2.02 | Sound Editing Package
• Dance Mega Drums 2 | Sample Library
• Gallery PX10 Production Palette | Pro Tools Control Surface
• Guillemot Maxi Studio ISIS | PC Soundcard System
• HHB Circle 3 | Nearfield Monitors
• Hip-Hop Master | Sample Library
• Houseworx! | Sample Library
• Korg MS10 | Synthesizer (Retro)
• Korg Triton | Music Workstation
• Rhodesattacks | Sample Library
• Roland JV1010 | Sound Module
• Sony DRE S777 | Sampling Reverb (Preview)
• SPL Gold Mike | Microphone Preamp
• Studio Essentials | Product Roundup
• Tascam CD-RW5000 | Compact Disc Recorder & Tascam CD Duplicator
• TC Electronic M3000 | Studio Effects Processor
• Zoom Rhythmtrak 123 | Drum Machine

PEOPLE + OPINION

• 1999 SOS Reader Survey Results | Special Feature
• BOB CLEARMOUNTAIN: Master Mixer | Interview | Producer
• How To Become A Recording Engineer, Part 3 | Tips & Techniques
• LAWRENCE RAY: Back To Base, MP Records & Blue Water Studio | Readerzone
• LIONROCK: Moriarty's Cavern | Interview | Band
• MERV DE PEYER & JIM SPENCER: Recording Electronic's 'Vivid' | Interview | Programmer/Engineer
• TJ STONE: Studio Equipment? Less Is More | Sounding Off

TECHNIQUE

• Audio Software Plug-in Roundup, Part 1: Background | Exploration
• Direct-To-Stereo Recording | Tips & Tricks
• How & When To Use Mix Compression | Tips & Tricks
• Improving Your PC Music System On A Budget | Feature | Tips & Tricks
• Koan Pro 2; Firewire Drivers | Apple Notes
• Mario Becroft PC AT; ASH Jinnee; FaST Club On Line | Atari Notes
• Norton Utilities Integrator; USB Tips | PC Notes
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 2: The Physics Of Percussion | Exploration
  Updated here: The Physics Of Percussion
• The Internet Underground Music Archive; Taxi A&R; | Net Notes
• Using Onboard Synth Effects, Part 3 | Tips & Tricks

SOUND ADVICE

• 20 Tips On Audio Recording With Computer Sequencers | Tips & Tricks

Sound On Sound | July 1999

REVIEWS

• ARX Sixgate & DI4 | 6-channel Gate & DI Box
• Boss DR770 | Drum Machine
• Discovery History Of Analogue | Sample Library
• Discovery TB303 | Sample Library
• Doepfer Drehbank | MIDI Controller
• DSTEC OS1 Original Syn | Analogue Monosynth
• Earthworks SR71 | Phantom Cardioid Microphone
• Emagic Audiowerk2 | Production Kit
• Friend Chip DT20 Pro Con & DT40 Copy Con | Digital Audio Processors
• Korg Electribe EA1 & ER1 | Analogue Modelling Synthesizer & Rhythm Synthesizer
• Lo-fi Transmission | Sample Library
• Megaton House Bomb | Sample Library
• Millennia Media NSEQ2 | Dual-channel Parametric EQ
• Opcode DATport | USB Digital Interface
• Plug-in Folder | Product Roundup
• Roland VM3100 | Pro V-Mixing Stations
• Steinberg Avalon 2 | Atari Sample Editor (Retro)
• Steinberg Clean! | PC Audio Restoration & CD Burning Software
• Studio Essentials | Product Roundup
• Tannoy Reveal | Active Studio Monitors
• Terratec Audiosystem EWS64 XXL | PC Soundcard
• Yamaha MU15 | GM/XG Mini Sound Module

PEOPLE + OPINION

• BARRINGTON PHELOUNG: Composing The Inspector Morse Theme & Other TV/Film Music | Interview | Composer
• CLIFF JONES & MARK FRITH: Recording Gay Dad's 'Joy' | Interview | Producer
• Enhanced CD Format & How To Use It, Part 1 | Exploration
• LEE DAVIS: Infant Prodigy | Readerzone
• MARCUS MILLER: Camel Island Jazz Legend | Interview | Producer/Composer
• RICK WAKEMAN: Recording Return To The Centre Of The Earth | Interview | Musician
• SIMON LOWTHER: Home Recordings Always Sound Like Home Recordings | Sounding Off

TECHNIQUE

• 20 Tips On Using Effects In The Mix | Tips & Tricks
• Compiling An Album On CD-R | Tips & Tricks
• Creating A Website, Part 1 | Tips & Tricks
• Electronic Cow Charming Chaos; Core Design; Softjee Audiomid | Atari Notes
• MP3 Developments | Net Notes
• Playback | Readers' Music Reviewed
• Recording Real Drums | Tips & Tricks
• Stealth Gee3; QuickTime 4; Sound Synthesis & Sampling; Streaming | Apple Notes
• Synth Secrets, Part 3: Modifiers & Controllers | Tips & Tricks
  Updated here: Modifiers & Controllers
• Transferring Digital Audio Using PC Soundcards | Tips & Tricks
• Using Onboard Synth Effects, Part 4 | Tips & Tricks
• Using Remote Controls For MIDI & Audio Recording | Tips & Tricks
• Windows 2000 Setup; Native Instruments Reaktor | PC Notes

Sound On Sound | August 1999

REVIEWS

• Alesis ADAT Edit | ADAT/Computer Editing System
• Behringer Modulizer 1200 | Pro Modulation-based Effects Unit
• BSS Opal DPR944 | Parametric Compressor/Gate
• CAD VSM1 | Large-diaphragm Valve Condenser MIc
• DH v2.0 | Sample Library
• Emagic Logic 4 | Audio Sequencing Software
• Emu E4XT Ultra | Synthesizer/Sequencer/Sampler
• Fostex D108 | 8-track Hard Disk Recorder
• Gadget Labs Wave/8:24 | PCI Soundcard
• Hafler TRM | Active Monitors & Subwoofers
• Heaven 17 | Sample Library
• Horny Clubsounds | Sample Library
• Jomox Airbase99 | Expander/Synthesizer
• Korg KP1 Kaoss Pad | Dynamic Effects Unit/Phrase Sampler
• Peavey VMP2 | Dual-channe Tube Preamp
• Purple Audio Inc MC76 | Peak Limiting Amplifier
• RME ADI-1 | 2-channel A-D/D-A Converter Box
• Roland GR-Series | Guitar Synthesizers (Retro)
• Roland XP30 | 64-voice Expandable Synthesizer
• Spectral Audio Neptune | Analogue Synthesizer
• Studio Essentials | Product Roundup
• TC Electronic Intonator | Vocal Pitch-correction Processor
• XXLarge Extreme 5 | Sample Library

PEOPLE + OPINION

• Enhanced CD Format And How To Use It, Part 2 | Feature | Tips & Tricks
• JOHN WALDEN: Using MP3 | Sounding Off
• NEIL WATKINSON: Recording In The Garden Shed | Readerzone
• STEPHEN STREET: Producing Blur, Cranberries & Catatonia | Interview | Producer
• STEVE HACKETT: Recording Darktown | Interview | Artist
• STEVE OSBORNE: Recording Suede's 'She's In Fashion' | Interview | Producer
• TOM GIRLING & JASON COX: Damon Albarn's 13 Studio | Interview | Artists

TECHNIQUE

• 34th Atari Note Retrospective | Atari Notes
• Ahead Software Nero; Adaptec Easy CD Creator; Sonic Foundry Vegus Pro | PC Notes
• All About Studio Power & Wiring | Tips & Tricks
• Alternative Uses For Auto-Tune | Tips & Tricks
• Avoiding Latency Problems When Recording In A Computer Studio | Tips & Tricks
• Consumer Portable Macs; Audio Ease thOnk_0+2 | Apple Notes
• Creating A Website, Part 2 | Tips & Tricks
• Getting The Best From PCs Old & New | Tips & Tricks
• Netsound, SAOL & MPEG Homepages | Net Notes
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 4: Of Filters & Phase Relationships | Tips & Tricks
  Updated here: Of Filters & Phase Relationships

MUSIC BUSINESS

• Making Money From Music | Big George's Guide To Commercial Success

SOUND ADVICE

• 20 Tips On Music For The Media | Feature | Tips & Tricks
• Using Microphones — Frequently Asked Questions | Advice

Sound On Sound | September 1999

REVIEWS

• Analogue Solutions Concussor | Modular Percussion Synth
• Black Butta 2 | Sample Library
• Boss GT3 | Guitar Effects Processor
• Dbx Quantum | Digital Mastering Processor
• Genelec 2029A | Digital Monitoring Speakers
• Hafler P1000 Trans.Ana | Power Amplifier
• JoeMeek JM47 Meekrophone | Capacitor Mic
• Korg NX5R | Sound Module
• Mackie VLZ Pro | Series Mixers
• Mindprint Envoice | Voice Channel
• Novation Nova | Polyphonic Synthesizer
• Oxford Synthesizer Company Oscar | Synthesizer (Retro)
• Phatter Phunkier | Sample Library
• RME Digi 9652 Project Hammerfall | PCI Soundcard
• Roland MC80 | Micro Composer Sequencer
• Roots Of South America | Sample Library
• Steinberg Cubase VST 3.7 | MIDI + Audio Sequencer
• TC Electronic Unit.Y | Yamaha 02R Co-processor Card
• Wall Of Vinyl 2 | Sample Library
• Xing Technology Audio Catalyst 2 | Software

PEOPLE + OPINION

• BILL PADLEY (WISE BUDDAH MUSIC LTD.): Music Production, Recording & Editing For Radio & TV | Interview | Producer
• BRIAN ENO: Recording James' 'I Know What I'm Here For' | Interview | Producer
• GARETH COUSINS: Recording The Music For Notting Hill | Interview | Composer
• How To Become A Recording Engineer, Part 4 | Tips & Techniques
• IAN HABGOOD: Theme Park Music | Readerzone
• MATT BELL: MP3s | Sounding Off

TECHNIQUE

• Axialis AX Icons 4.5; Dream Station | PC Notes
• Creating A Website, Part 3 | Tips & Tricks
• Electronic Cow MIDI Arpeggiator; Phonic MIDI Arpeggiator; Petri Sinisalo Real Arp | Atari Notes
• Making Use Of Discussion Lists | Net Notes
• Playback | Readers' Music Reviewed
• Recording A Choir On Location, Part 1 | Tips & Tricks
• Steinberg Rewire; MOTU Digtital Performer v2.6 | Apple Notes
• Synth Secrets, Part 5: Further With Filters | Tips & Tricks
  Updated here: Further With Filters
• Windows '98 Revisited | Exploration

MUSIC BUSINESS

• How Much To Charge | Big George's Guide To Commercial Success

SOUND ADVICE

• 20 Tips On Buying Second-hand Gear | Feature | Tips & Tricks

Sound On Sound | October 1999

REVIEWS

• Bizarre Guitar | Sample Library
• Drawmer Masterflow DC2476 | Mastering Processor
• Electrix Filterfactory & Warpfactory | Filter & Vocoder
• Fostex VM200 & VR800 | Digital Mixer & 8-track Digital Recorder
• GLM 8304 | 4-channel Reference Quality Mic Preamp
• Ill Jointz | Sample Library
• Lexicon LexiVerb; Aphex Aural Exciter; RBC Voice Tweaker | Plug-ins Folder
• Modular Sampler 001: Psychedelic Trance & Goa | Sample Library
• Modular Sampler 002: Big Beat & Electro | Sample Library
• Native Instruments Reaktor 2 | Software Synth/sampler
• Red Sound Federation BPM FX Pro | BPM Calculator/Effects Processor
• Roland ED SC8850 Sound Canvas | General MIDI 2/GS Sound Module
• Roland SRV3030 | Reverb Unit
• Sample Buyer's Guide | Tips & Tricks
• Sampler Buyer's Guide | Feature | Tips & Tricks
• Terratec EWS88MT | PCI Soundcard
• Yamaha RY9 | Drum Machine
• Yamaha TX81Z | FM Synth (Retro)

PEOPLE + OPINION

• GAVIN HARRISON: The 40ft High Studio | Readerzone
• JASON MILES: Miles Ahead | Interview | Musician
• MARK BRYDON & ROISIN MURPHEY: Recording Moloko's 'Sing It Back' | Interview | Artist/Producer
• PAUL CARMODY: Good Tunes First, Big Production Later | Sounding Off
• PAUL HARDCASTLE: King Of The Castle | Interview | Producer/Songwriter
• The Future Of Music Technology | Exploration

TECHNIQUE

• 20 Tips On Creating Realistic Sequenced Drum Parts | Tips & Tricks
• Buying & Selling Through Internet Auctions | Net Notes
• Choosing A CD Writer; Granular Synthesis | PC Notes
• Creating A Website, Part 4 | Feature | Tips & Tricks
• Giving Your Recordings A 'Produced' Sound | Tips & Tricks
• Light Of Adamas; Atar Computing Magazine; Softjee Expand & Easybeat | Atari Notes
• Make A Test Tone; iBook; Magma PowerBook Expander | Apple Notes
• PC-based Studio — Myth Or Reality? | Exploration
• Playback | Readers' Music Reviewed
• Recording A Choir On Location, Part 2 | Tips & Tricks
• Synth Secrets, Part 6: Of Responses & Resonance | Tips & Tricks
  Updated here: Of Responses & Resonance

MUSIC BUSINESS

• Getting Your Music Out There | Big George's Guide To Commercial Success

Sound On Sound | November 1999

REVIEWS

• Apogee PSX100 & Rosetta | High-resolution Digital Converters
• Big Beat | Sample Library
• CLM Dynamics DB500S Expounder | Dynamic Equaliser
• Didgeridoo & Overdrive Dance Collection | Sample Library
• Electron Sidstation | Sound Module
• Emu E5000 Ultra | Sampler
• Focusrite ISA430 Producer Pack | Input Channel
• Fostex CR300 | CD Recorder
• Hebden Sound 1000/2000 Series | Capacitor Microphones
• JEN Synthtone SX1000 (Retro) | Monosynth
• Koblo Stella 9000 | Sample Player Software
• LaCie DVD AM52 | DVD-RAM Drive
• Latin Groove Factory: Vol. 1-3 | Sample Library
• Line 6 Spider | DSP Modelling Guitar Amplifier
• Modular Sampler 003: UK Garage | Sample Library
• Ntonyx Style Enhancer | PC MIDI Sequencer Aplication
• Oberheim/Viscount MC3000 & MC2000 | Controller Keyboards
• Roland DS90 & V-series | Digital Monitors & Speaker Modelling
• Sonic Foundry Vegas | Multitrack PC Editing System
• Zoom RFX300 | Effects Unit

PEOPLE + OPINION

• APOLLO FOUR FORTY: Ad Astra | Interview | Band
• GWYNN T ROBINSON: The Sound Of Silence | Sounding Off
• JOHN PAUL JONES: Making Zooma | Interview | Artist
• Life In Music — The Real Story | Big George's Guide To Commercial Success
• MIKE HEDGES: Recording Travis' 'Why Does It Always Rain On Me?' | Interview | Producer
• PAUL SIMPSON: Horizontal Paul Music Project | Readerzone
• USB & MP3 | Cutting Edge | Digital Technology Developments

TECHNIQUE

• AIPL SpinCycle; XG Wizard | PC Notes
• Apple G4; Artmatic; USB MIDI Interfaces; MOTU | Apple Notes
• Creating A Website, Part 5 | Tips & Tricks
• Eine Kleine Music Mouse | Atari Notes
• Getting More Bass In Your Mix | Tips & Tricks
• Getting The Most From Yamaha's Digital Mixers | Tips & Tricks
• MIDI Reference Sites; MC Squared; Mission A/V | Net Notes
• Playback | Readers' Music Reviewed
• Soundcard Recording | Frequently Asked Questions
• Synth Secrets, Part 7: Envelopes, Gates & Triggers | Tips & Tricks
  Updated here: Envelopes, Gates & Triggers
• The Benefits Of Rewire Technology | Exploration
• Understanding & Using Multi-client Soundcard Drivers | Exploration

Sound On Sound | December 1999

REVIEWS

• Akai MPC2000XL | Percussion Sampler/Sequencer
• Arboretum Ray Gun; Arboretum Restoration-NR | Plug-ins Folder
• Cakewalk Pro Audio 9 | MIDI + Audio Sequencer
• Dbx 566 | Dual Vacuum Tube Compressor
• Digidesign Digi 001 | Computer Recording System
• Elka Synthex | 8-voice Polyphonic Synthesizer (Retro)
• Fostex DE1 Dual Effects Unit; Ticket Audio Powerline 2 Multi-outut Power Supply | Studio Essentials
• HHB Circle 3 | Active Monitors
• Indigo Three | Nearfield Monitors
• Oliver Lieb Samples | Sample Library
• Parker MIDIFly | Guitar
• Pod | Sample Library
• Rode Classic II | Valve Microphone
• Sony DRE S777 | Sampling Digital Reverb
• Tascam TMD4000 | Digital Mixer
• The Vinyl Frontier | Sample Library
• Vintage Time Traveler | Sample Library
• Waldorf Q | Synthesizer

PEOPLE + OPINION

• AL STONE: Recording Jamiroquai's 'Supersonic' | Interview | Producer
• GIBSON: Introducing GMICS — New Digital Audio Connection Standard | Exploration
• JIM SCOTT: Recording Red Hot Chili Peppers' Californications | Interview | Producer
• KIPPER: Producing Sting's Brand New Day | Interview | Producer
• MACKIE DESIGNS: On The HDR24/96 & The Future | Interview | Manufacturer
• MARTIN BUSHELL: Mixing In A Basement | Readerzone
• MILES GLEN: Finding The Time To Learn | Sounding Off

TECHNIQUE

• Creating A Website, Part 6 | Feature | Tips & Tricks
• Creating Realistic Sample-based Orchestral Arrangements, Part 1 | Tips & Tricks
• Exploring The History Of Electronic Music Online | Net Notes
• iMac; MOTU Digital Performer | Apple Notes
• Key Change Music Multi-port MIDI Interface; Gaston Klares' Composer Algorithmic Music Generator | Atari Notes
• Overclocking; Cubase VST by Ian Waugh | PC Notes
• PC Musicians & The Millenium Bug | Exploration
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 8: More About Envelopes | Tips & Tricks
  Updated here: More About Envelopes
• Using Mixermaps In Steinberg's Cubase Sequencer | Tips & Tricks

MUSIC BUSINESS

• Dealing With Inland Revenue | Big George's Guide To Commercial Success

SOUND ADVICE

• Patchbays | Frequently Asked Questions

Sound On Sound | January 2000

REVIEWS

• Advanced Media Trax | Sample CD Buyer's Guide
• AKG C3000B | Capsule Microphone
• Albie Donnelly's Killerhorns | Sample Library
• Audio Technica AT4047/SV | Microphone
• Climax Collection Volume 5 | Sample CD Buyer's Guide
• Denny Jaeger Master Violin Library | Sample CD Buyer's Guide
• Digisound 80 | Modular Synthesizer (Retro)
• East West Ultimate String Collection | Sample CD Buyer's Guide
• Emagic AMT8 | 8-port MIDI Interface
• Emu Systems EIIIX Sound Library | Sample CD Buyer's Guide
• JoeMeek VC6Q | Recording Channel
• Kawai MP9000 | Professional Stage Piano
• Kirk Hunter's The Virtuoso Series | Sample CD Buyer's Guide
• KRK V6 | Monitors
• LA Riot 4 | Sample Library
• M Audio Delta1010 | PCI Digital Recording System
• Masterbits Climax Collection | Sample CD Buyer's Guide
• MIllennia Media TCL2 | Valve & Solid-state Twin-topology Optical Compressor
• Miroslav Vitous Symphonic Orchestra | Sample CD Buyer's Guide
• MOTU Digital Performer v2.6 | MIDI + Audio Sequencer
• Orchestral Sample CDs | Sample CD Buyer's Guide
• Orient Odyssee | Sample Library
• Peter Siedleczek's Advanced Orchestra | Sample CD Buyer's Guide
• Peter Siedleczek's Orchestra | Sample CD Buyer's Guide
• Peter Siedleczek's Orchestra Plus | Sample CD Buyer's Guide
• Peter Siedleczek's Orchestral Colours | Sample CD Buyer's Guide
• Peter Siedleczek's Upgrade '97 | Sample CD Buyer's Guide
• Prosonus The Orchestral Collection | Sample CD Buyer's Guide
• Roland 7000-series | 'V-mix' Modular Digital Mixing System
• Roland Sample Archives | Sample CD Buyer's Guide
• Sample CD Buyer's Guide | Product Roundup
• Sampleheads: Dave Samuels Marimba & Vibes | Sample CD Buyer's Guide
• Scoring Tools Volume 1 | Sample CD Buyer's Guide
• Symphonic Adventures | Sample CD Buyer's Guide
• Synclavier Sample Library | Sample CD Buyer's Guide
• Syntec Super Strings | Sample CD Buyer's Guide
• Wave It Synth | Sample Library
• Yamaha CS6X | Control Synthesizer
• Yamaha PLG150AN & PLG150PF | Analogue Modelling & Piano Daughterboards
• Zero-G Creative Essentials Series | Sample CD Buyer's Guide
• Zoom RFX1000 & RFX2000 | Multi-effects Processors

PEOPLE + OPINION

• ANDY WRIGHT: Recording Eurythmics' I Saved The World Today' | Interview | Producer
• DJ VADIM: White Russian | Interview | Artist
• JEFF MEARNS: Gear Lust | Sounding Off
• MARK ISHAM: Film Music For Hollywood | Interview | Composer
• QUINN: Glasgow Duo | Readerzone

TECHNIQUE

• All Micro Show | Atari Notes
• Build Your Own Synth Websites | Net Notes
• Coding Computer Audio | Cutting Edge
• Ensuring A Long Life For Your PC | Tips & Tricks
• iCab | Apple Notes
• Introduction To Mixer Automation, Part 1 | Exploration
• Playback | Readers' Music Reviewed
• Reducing Unwanted Background Noise In The Studio | Tips & Tricks
• Stereo Editing, Part 1 | Tips & Tricks
• Synth Secrets, Part 9: An Introduction To VCAs | Tips & Tricks
  Updated here: An Introduction To VCAs
• Xteq X-setup; Reaktor Pro-Five | PC Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Applying For Grants & Loans | Tips & Tricks

SOUND ADVICE

• Akai S2000; Best Mics for Wind; Cheap Computers; PC Glitches; Heating | Q & A
• Enhancers | Frequently Asked Questions

Sound On Sound | February 2000

REVIEWS

• Access Virus B | Modelled Analogue Synth Module, KB Keyboard & v3.0 Software
• Adaptec Jam v2.5 | Audio CD Compilation Software
• Alien Artifakts | Sample Library
• Allen & Heath Mixwizard WZ20S | Stereo Source Mixer
• Bitheadz Voodoo | Software Drum Machine
• Chiswick Reach | Stereo Valve Compressor
• Digigram VXPocket | Laptop Digital Audio Card
• Freak Beats | Sample Library
• IK Multimedia T-racks | Mastering Software
• Korg D16 | Digital Recording Studio
• Lexicon MPX500 | Dual-channel Effects Processor
• PMC FB1 | Floor-standing Monitor Loudspeakers
• Roland UA100 | Audio Canvas
• Roots Of India | Sample Library
• Skippy's Big Bad Beats | Sample Library
• Smartlight SL600S | Studio Power Amplifier
• TC Electronic M One | Dual-Channel Effects processor
• Terrasonde Audio Toolbox | Test & Measurement Set
• TL Audio VTC | Valve Technology Console
• Waves DeEsser; Steinberg SPL De-Esser; Drawmer Dynamics; | Plug-in Folder
• Yamaha GX1 Synthesizer, Part 1 | Exploration
• Yamaha S80 | Workstation Synthesizer

PEOPLE + OPINION

• ADSL | Cutting Edge
• BEN BARTLETT: Music For Walking With Dinosaurs | Interview | Composer
• DAVE MITSON: Rolling Stones, South Park, Michael Jackson & Bob Dylan | Interview | Mastering Engineer
• JAY McCARTHY: When Music Is More Than Just A Hobby | Readerzone
• KEN McBETH: Building Analogue Synths | Interview | Manufacturer
• MIKE SENIOR: Who's In Charge, The Studio Gear Or The Musician? | Sounding Off
• MOBY: Recording Moby's 'Why Does My Heart Feel So Bad?' | Interview | Artist
• The BeOS Operating System: An Overview | Exploration

TECHNIQUE

• Cost-effective CD-playing & Video-editing Software | Atari Notes
• Cubase VST v3.71; Musical Freeware | PC Notes
• Downloadable Samples & Online Sampling Resources | Net Notes
• Improving PC Performance For Music | Tips & Tricks
• Introduction To Mixer Automation, Part 2 | Exploration
• Playback | Readers' Music Reviewed
• Second-hand Macs | Apple Notes
• Stereo Editing, Part 2 | Tips & Tricks
• Synth Secrets, Part 10: Modulation | Tips & Tricks
  Updated here: Modulation

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Working In Advertising | Feature | Tips & Tricks

SOUND ADVICE

• Defragmenting Hard Drives; MIDI Timepiece AV; Samplers | Q & A
• Live Recording | Frequently Asked Questions

Sound On Sound | March 2000

REVIEWS

• Audient ASP 8024 | High-resolution Analogue Mixing Console
• Casady & Greene Soundjam MP1.6 | MP3 Encoder & Player
• Doepfer MCV24 | Multi-channel MIDI-to-CV Converter
• Line 6 Delay & Modulation | Modeller Effects Pedals
• Oram HI-DEF 35 Limited Edition | Equaliser
• Red Sound Systems Dark Star | Desktop Synthesizer
• Slam On The Breaks | Sample Library
• Software Technology VAZ Modular 2.1 | Software Synth/Sampler
• Steinberg Wavelab 3 | Audio Editor & Sound Processor
• Studio Electronics Omega 8 (Preview) | Analogue Synth
• Swissonic USB Studio D | Stereo Mixer/Computer Interface
• TC Electronic Finalizer 96K | Mastering Processor
• TC Works Spark 1.5 | Audio Editor
• TL Audio Hybrid | Tube Preamp
• Videologic Systems Sirocco Pro | Loudspeakers
• Waldorf Microwave XTK | Wavetable Synthesizer
• XSample CD-ROM Library | Sample Library
• Yamaha GX1 Synthesizer, Part 2 (retro) | Exploration

PEOPLE + OPINION

• BIRD & BUSH: Producing Stereophonics | Interview | Producer
• CRAIG ALEXANDER: Less Is More | Readerzone
• DAVID GRIESINGER (LEXICON): Creating Reverb Algorithms For Surround Sound | Interview | Manufacturer
• DEBBIE POYSER: Apple Problems | Sounding Off
• NICKY GRAHAM: Recording 'Once In A Lifetime' | Interview | Producer
• PIERRE MARCHAND: Producing Sarah McLachlan | Interview | Producer
• REED GHAZALA: Designing 'Circuit-Bent' Instruments | Interview | Artist
• Terratec M3PO | Cutting Edge

TECHNIQUE

• Analogue Warmth; Studio In A Shed; PC Recording Setup; Live Backing | Q & A
• DirectSound | PC Notes
• Installing & Setting Up New PC Music Hardware | Tips & Tricks
• MacOS X | Apple Notes
• Mainstream Music Final Score v2.0; Hearcoach | Atari Notes
• Manufacturer Resources Online | Net Notes
• Minimising MIDI & Audio Timing Problems In Computer Sequencers | Tips & Tricks
• Playback | Readers' Music Reviewed
• Stereo Editing, Part 3 | Tips & Tricks
• Synth Secrets, Part 11: Amplitude Modulation | Tips & Tricks
  Updated here: Amplitude Modulation

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Get Your Songs Played On Local Radio | Feature | Tips & Tricks

SOUND ADVICE

• Processing Power | Frequently Asked Questions

Sound On Sound | April 2000

REVIEWS

• Aardvark Direct Pro 24/96 | Professional Studio System
• Alesis Masterlink | CD Mastering Processor
• Analogue Solutions Minimodular | Dual-oscillator Synth
• Antares Microphone Modeller | Pro Tools TDM Plug-in
• Digitech RP21D | Integrated Tube Guitar Processor
• Easy Listening | Sample Library
• Korg OASYS PCI | Synthesis, Effects & Audio Card
• Kurzweil 1000/1200-series | Workstations (Retro)
• Kurzweil K2600X | Keyboard Workstation
• Love & Pop String Thing | Sample Library
• Mackie CFX16 | Mixer
• Marantz PMD650 | Portable Minidisc Recorder
• RME ADI96 Pro | 4-bit/96KHz A-D Converter
• Royer R121 | Studio Ribbon Microphone
• Shawn Lee's Beneath The Planet Of The Breaks | Sample Library
• Steinberg Model E & Pro Five | VST Instruments
• Strictly Hip-Hop | Sample Library
• Thermionic Culture Phoenix | Valve Compressor
• TLA EQ2 | Parametric Valve Equaliser
• Touched By Sound DRM1 Syncussion | Analogue Percussion Synth
• Yamaha A5000 | Sampler
• Yamaha MSP10 & SW10 | Active Monitors & Subwoofers

PEOPLE + OPINION

• BeOS: Possible Implications For Musicians | Cutting Edge
• DAVID FRANK: Recording Christina Aguilera's 'Genie In A Bottle' | Interview | Producer
• MARTYN WARE: The Clarke & Ware Experiment | Interview | Artist
• MICHAEL NEILSON: TV & Film Soundtracks | Michael Neilson
• Millennium NAMM Roundup | News
• PHILIP CADMAN: Bleak Future | Sounding Off
• TOM LORD-ALGE: From Manson To Hanson | Mix Engineer

TECHNIQUE

• Arranging Pop | Tips & Tricks
• Creating Orchestral Arrangements On A Budget | Tips & Tricks
• Cycling 74; MacOS X; Studio Systems 2.1 | Apple Notes
• Fast Winding DATs; Getting Timecode Onto Video | Q & A
• Internet Radio | Net Notes
• Playback | Readers' Music Reviewed
• Preventative Maintenance In The Studio | Tips & Tricks
• QUiNCY; SC55 Pilot | Atari Notes
• Synth Secrets, Part 12: An Introduction To Frequency Modulation | Tips & Tricks
  Updated here: An Introduction To Frequency Modulation
• The Advantages Of Buying From Specialist Music Retailers | Feature | Tips & Tricks
• Waldorf PPG Wave 2.V; Reg Clean | PC Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Fronting Out A Situation | Feature | Tips & Tricks

SOUND ADVICE

• Voice Channels | Frequently Asked Questions

Sound On Sound | May 2000

REVIEWS

• Analogue Solutions SY02 | Dual Multimode Filter
• Boss BR8 | 8-track Digital Multitracker
• Dbx Silver Series 386 | Hybrid Dual Mic Preamp
• Early Patches | Sample Library
• Emagic ES1 | Virtual Analogue Synth
• Emu Systems ESI2000 | Sampler
• Helpful Music Analogue Synthesis Actual Reality & Audio Recording For Profit: The Sound Of Money | Studio Essentials
• JBL LSR25P | Active Monitors
• Korg MS2000 | Analogue Modelling Synthesizer
• Kurzweil XM1 Expression Mate | MIDI Processor
• Lexicon Studio Core 2 & MP100 | Soundcard & Reverb & Effects Card
• Liquid Grooves Groove Control | Sample Library
• Lost In Loops | Sample Library
• Lovetone Ringstinger | Ring Modulator
• Meyer Sound X10 | Monitors
• Retrofunk | Sample Library
• Ridge Farm Boiler | Compressor
• Roland MRS2 Promars | Analogue Synthesizer (Retro)
• Sennheiser MKH800 | Extended-bandwidth Studio Microphone
• Steinberg Cubasis VST | Digital Recording Software
• Steinberg GRM Tools | Plug-in Suite
• TC Electronic D-two | Digital Delay
• Watkins Copicat | Echo Unit
• Yamaha D24 MO | Disk-based High-resolution Digital Multitracker

PEOPLE + OPINION

• ALAN MOULDER: Recording Nine Inch Nails & Smashing Pumpkins | Interview | Producer/Engineer
• AUDIA PRODUCTION SERVICES: Music Technology Education | Sounding Off
• Mac OS X Front-end For Linux | Cutting Edge
• MELVIN & ADRIAN DUFFY: Brothernature | Readerzone
• NATHAN McCREE & MATT KEMP: Music For Computer Games | Interview | Composer
• NICK BRACEGIRDLE: Recording Chicane's 'Don't Give Up' | Interview | Artist/Producer

TECHNIQUE

• Arranger & Orchestra or Sequencer & Sound Modules? | Q & A
• Free Internet Access | Apple Notes
• Free Internet Access | Net Notes
• Interfacing Analogue & Digital Equipment | Tips & Tricks
• M | Atari Notes
• PC Solutions For MIDI Musicians | Tips & Tricks
• Perceptual Coding: How Mp3 Compression Works | Exploration
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 13: More On Frequency Modulation | Tips & Tricks
  Updated here: More On Frequency Modulation
• Windows 2000 | PC Notes

MUSIC BUSINESS

• STYLOROUGE: Designing CD Covers | Feature | Tips & Tricks

SOUND ADVICE

• Reverb | Frequently Asked Questions

Sound On Sound | June 2000

REVIEWS

• AKG C2000B | Capacitor Microphone
• Cornford Harlequin | Recording Amplifier
• Emu B3 Tonewheel | Organ Module
• Focusrite ISA 110 | Mic Preamp & Parametric EQ
• Koblo Gamma 9000 | Virtual Drum Machine
• Korg Mono/poly | Analogue Synthesizer (Retro)
• Miles Bould The Progression | Sample Library
• No Kick 2 | Sample Library
• Roland DS90A | Digital Active Monitors
• Roland VP9000 | Variphrase Processor
• Roland/Edirol U8 | USB Digital Studio
• Roots Of The Pacific | Sample Library
• SEKD Samplitude 2496 | Audio Editing & Mastering Software
• Tascam DA78HR | 24-bit Digital Multitrack Recorder
• TL Audio Fat Man Fat 1 | Stereo Valve Compressor
• Touched By Sound VSR3 & Tascam CD-D4000 MkII | Studio Essentials
• Vocal Pearls | Sample Library
• Waldorf Q | Rack Workstation & Software
• Yamaha CDR1000 | Professional CD Recorder

PEOPLE + OPINION

• CARL STIPETIC: In A City | Readerzone
• COLIN EMMANUEL: Recording Jamelia's ' Money', Featuring Beenie Man | Interview | Producer
• Copyright Issues For Digital Media | Cutting Edge
• GLEN KOLOTKIN: Recording Santana | Interview | Producer
• RICHARD NILES: TV Music | Interview | Composer/Artist
• THOMAS LUND: TC Electronic's Surround Reverb Technology | Interview | Manufacturer
• Wayne Rowley: I Wish Windows Was More Musician-friendly | Sounding Off

TECHNIQUE

• A Practical Guide To Working With Pictures, Part 1 | Exploration
• Freeware/Shareware Plug-ins | Net Notes
• Hinton Instruments AudioCalc | Atari Notes
• Lin Plug Gakstaar Alpha; Angus Hewlett Drum Sample | PC Notes
• MacOS 9.0.4 | Apple Notes
• Managing Your PC Plug-ins More Effectively | Tips & Tricks
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 14: An Introduction To Additive Synthesis | Tips & Tricks
  Updated here: An Introduction To Additive Synthesis
• Using Key Commands In Emagic's Logic | Tips & Tricks

MUSIC BUSINESS

• Alternative Ways Of Marketing Your Music, Part 1 | Tips & Tricks
• Big George's Guide To Commercial Success: Industry For Innovators, Not Imitators | Feature | Tips & Tricks

SOUND ADVICE

• CD Writers; Editing Software; Insert Plugs | Q & A
• Metering | Frequently Asked Questions

Sound On Sound | July 2000

REVIEWS

• Applied Acoustic Systems Tassman v1.2 | Physical Modelling Synth
• CEDAR Series X | Declicker, Decrackler & Dehisser
• Clavia Nord Modular v3.03 & MicroModular | Analogue Modelling Synths
• Doepfer Pocket Control | MIDI Control Surface
• Electrix MoFX | Time-synchronised Effects
• Emu Modular Synthesizers (Retro) | Synthesizer
• Evolution MK125 Dance Station | MIDI Keyboard Controller
• Hip Hop Raw Flava | Sample Library
• Joemeek VC3Q | Recording Channel
• Loopzilla Underground | Sample Library
• Marantz CD5000 CD Player & HZ Octopuss Power Distribution Utility | Studio Essentials
• PG Music Band-in-a-box | Auto-accompaniment Software
• Presoniq Time Factory | Time-shifting Software
• Quested VS2205 | Active Nearfield Monitors
• Roland VS1880 | 24-bit Studio Workstation
• Roland XV3080 | Sound Module
• SEKD Siena | PC Soundcard
• Sony DMX R100 | 8-buss Digital Console
• Spirit 324 | Live Digital Mixing Console
• Steinberg LM4 | 24-bit VST Drum Module
• Synchro Arts Vocalign AS | Time-shifting Software
• Synth Collector | Sample Library
• Wall Of Vinyl 3 | Sample Library
• XIX EH1901; CP1902; ME1903 | Enhancer; Compressor; Multi-effects Unit

PEOPLE + OPINION

• DAN HEARD: Music-shop Staff | Sounding Off
• ERIC PERSING: Creating Spectrasonics | Interview | Manufacturer
• JOHNNY DOLLAR & SIMON PALMSKIN: Recording Gabrielle's 'Rise' | Interview | Producer
• MIKE THORNE: The Stereo Society | Interview | Producer
• OLI BELL: Groove Criminals | Readerzone
• PEOPLESOUND.COM: Behind The Scenes | Interview | Company
• Physical Modelling, Firewire & DSP | Cutting Edge
• XTC: Ideal Studio & Recording Apple Venus Vol. 1 & Wasp Star | Interview | Band

TECHNIQUE

• A Practical Guide To Working With Pictures, Part 2 | Tips & Tricks
• Distributing Music Over The Internet | Net Notes
• Fractal Music Composer | Atari Notes
• Getting Started With Windows '95/'98 Music Applications | Tips & Tricks
• Norton Disk Editor; Speed Disk | Apple Notes
• Norton DiskEdit; SB Live; Jezar Freeverb VST | PC Notes
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 15: An Introduction To ESPS & Vocoders | Tips & Tricks
  Updated here: An Introduction To ESPs & Vocoders

MUSIC BUSINESS

• Alternative Ways Of Marketing Your Music, Part 2 | Tips & Techniques
• Big Georges Guide To Commercial Success: BBC Television Centre | Feature | Tips & Tricks

SOUND ADVICE

• EQ & Compression; Mastering & Reverb | Q & A
• Soundproofing & Acoustic Treatment | Frequently Asked Questions

Sound On Sound | August 2000

REVIEWS

• Adaptec Toast 4 | CD-writing Software
• Alesis AM11, AM30 & AM40 | Cardioid Capacitor Microphones
• Antares Auto-tune; Steinberg Mastering Edition | Plug-in Folder
• Bill Laswell Sound Virus Dub Tactic Manual | Sample Library
• Bitheadz Unity DS1 2 | Software Sampler
• Cedar Series X+ & Azimuth | Debuzzer & Corrector
• Creamware Powersampler DSP | Sampling System
• DAS Monitor 6 & Monitor 8 | Nearfield Studio Monitors
• Digital Audio Denmark ADDA 2402 | Converter
• Emu Systems Emulator II, Part 1 (Retro) | 8-bit Sampling Keboard
• Emu XL1 Xtreme Lead 1 | Sound Module
• Joemeek VC1Q | Studio Channel
• Johnson J Station | Guitar Recording Preamp
• Korg Electribe ES1 | Rhythm Production Sampler
• Lo-Fi & Illbient | Sample Library
• Quantum Leap Brass | Sample Library
• Roland SP808EX | Sampling Workstation
• Roland VA7 | Arranger Keyboard
• SPL Transient Designer 2 | 2-channel Dynamics Processor
• Steinberg Nuendo | Computer Recording System
• Tascam MX2424 | 24-track Hard Disk Recorder
• Total Drum & Bass | Sample Library
• Zoom GM200 | Guitar Amp Modeller

PEOPLE + OPINION

• An Introduction To mLAN, Part 1 | Exploration
• CHRIS BACHMAN & BARNABY SMITH: The Sound Joint | Readerzone
• JON THOMPSON: Online Distribution | Sounding Off
• MARTIN NEWCOMB & KEVIN VAN GREEN: Museum Studio | Interview | Collector
• MOUSSE T: Recording Tom Jones' 'Sex Bomb' | Interview | Producer
• MP3 | Cutting Edge
• NIGEL BATES: Mixing Vintage & Cutting-edge Technology | Interview | Producer/Engineer
• Recreating The Ballet Mechanique In The Digital Age, Part 1 | Feature | Tips & Tricks

TECHNIQUE

• A Practical Guide To Working With Pictures, Part 3 | Tips & Tricks
• Buying The Equipment You Really Need, Part 1 | Feature | Tips & Tricks
• Digital Audio | Frequently Asked Questions
• Hybrid Arts | Atari Notes
• Igor Engraver 1.0 Light; Groovemaker 2 | Apple Notes
• Playback | Readers' Music Reviewed
• Setting Up A Desktop Studio, Part 1 | Tips & Tricks
• Splitting Your PC Data Across Multiple Drives & Partitions | Tips & Tricks
• Synth Secrets, Part 16: From Sample & Hold To Sample-rate Converters (1) | Tips & Tricks
  Updated here: From Sample & Hold To Sample-rate Converters (1)
• Taskinfo 2000; PSP Mixbass | PC Notes
• Training Courses & Their Web Sites | Net Notes
• Virtual Mixers Explained | Exploration

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Fun | Feature | Tips & Tricks

SOUND ADVICE

• Vocal Recordings; Freeverb; Legal Issues; SW1000XG Soundcard | Q & A

Sound On Sound | September 2000

REVIEWS

• Akai DPS16 | Digital Personal Studio
• Amek Pure Path | Channel In A Box
• CAD VX2 | Large Diaphragm Valve Condenser Microphone
• Ego Sys Wami Rack 24 | Digital Audio & MIDI Soundcard
• Emagic EXS24 | Virtual Sampler
• Emu Systems Emulator II | 8-bit Sampling Keyboard, Part 2 (Retro)
• FMR RNC1773 'Really Nice' Compressor | Compressor
• Focusrite Platinum Mix Master | Mastering Processor
• MIllennium Garage | Sample Library
• Millennium Music | Custom-built PCs
• Mindprint T-Comp | Compressor
• Oberheim/Viscount OB12 | Analogue Modelling Synth
• Smart Sound P1000B & P2000 | Mains Power Conditioners
• Sound Spectral | Sample Library
• Steinberg Cubase VST5.0 | Multitrack Recording & Sequencing Software
• TC Works Spark | Modular Virtual Synthesis Software
• Top Secret Guitars | Sample Library
• Vintage & Valves Bluesy Guitars | Sample Library
• Waldorf PPG Wave 2.V | Wavetable Synth VST Instrument
• Yamaha AW4416 | Recording Workstation
• Zoom GFX8 | Guitar Effects Processor

PEOPLE + OPINION

• An Introduction To mLAN, Part 2 | Exploration
• DAVE FRIDMANN: Producing Flaming Lips & Mercury Rev | Interview | Producer
• E, WALLY GAGEL & JIM LANG (EELS): Recording Daisies Of The Galaxy | Interview | Band
• RAMON ZENKER: Recording Fragma's 'Toca's Miracle' | Interview | Producer
• Recreating The Ballet Mechanique In The Digital Age, Part 2 | Exploration
• SOUNDING OFF | Manufacturers ave exploited their customers' tolerances by Steve Watts
• THE SERIOUS HAT BAND: Anger The Burns | Readerzone
• Windows Media Player Version 7; IBM Microdrive | Cutting Edge

TECHNIQUE

• Business Advice On The Net | Net Notes
• Buying The Equipment You Really Need, Part 2 | Feature | Tips & Tricks
• Career; CD-R Backups; Mastering; Reducing Fan Noise; Minidisc Copying; Recording Vocals | Q & A
• Cubase 5.01 | PC Notes
• Electronic Cow Programs As Shareware | Atari Notes
• Playback | Readers' Music Reviewed
• Recording In One Room | Tips & Tricks
• Setting Up A Desktop Studio, Part 2 | Tips & Tricks
• Synth Secrets, Part 17: From Sample & Hold To Sample-rate Converters (2) | Tips & Tricks
  Updated here: From Sample & Hold To Sample-rate Converters (2)
• The Cube; mLAN | Apple Notes
• Understanding & Using Directional Microphones | Exploration
• Using Your PC Soundcard To Improve Sound Quality In Your Studio | Tips & Tricks

MUSIC BUSINESS

• Big Georges Guide To Commercial Success: Plan Of Action | Feature | Tips & Tricks
• Making Sense Of Music Contracts | Feature | Tips & Tricks

Sound On Sound | October 2000

REVIEWS

• Alesis Masterlink 2 | CD Mastering Processor
• Analogue Systems Sorceror | Modular Analogue Keyboard Synthesizer
• Drawmer 1969 | Dual-channel Valve Preamp/Processor
• Drumskills | Sample Library
• Echo Mona 24/96 | Digital Studio
• Emagic Logic Audio v4.5 | MIDI + Audio Recording Software
• Emagic MT4 | USB MIDI Interface
• Fostex VF16 | 16-track Digital Multitracker
• Gmedia Phat Boy v2 | MIDI Controller
• Line 6 Pod Pro | Physical Modelling Guitar Preamp
• Mackie HDR24/96 | 24-track Hard Disk Recorder
• Megaton Bomb Vol. 4: Big Beat | Sample Library
• MXL 2001 | Cardioid Capacitor Microphone
• Roland GR33 | MIDI Guitar Synthesizer
• Roland HPD15 Handsonic | Hand Percussion Pad
• Sequential Prophet 3000 | 16-bit Stereo Sampling System (retro)
• Soundscape R.Ed | PC-based Computer Recording System
• The Drummers Of Motown | Sample Library
• Total Hip Hop | Sample Library

PEOPLE + OPINION

• An Introduction To mLAN, Part 3 | Exploration
• KEN NELSON: Recording Coldplay's Parachutes | Interview | Producer
• MARK HILL: Artful Dodger & Producing Craig David | Interview | Producer/Artist
• MP3 Players | Cutting Edge
• PAUL SELLARS: MIDI + Audio Sequencing | Sounding Off
• PETE NORRIS: Recording Morcheeba's 'Rome Wasn't Built In A Day' | Interview | Producer

TECHNIQUE

• Adding Analogue Warmth To PC Recordings | Feature | Tips & Tricks
• Buying The Equipment You Really Need, Part 3 | Feature | Tips & Tricks
• Electron SidStation | Atari Notes
• Gain Structure For Soundcard Recording | Tips & Tricks
• Improving Your Stereo Mixing | Tips & Tricks
• MIDI Files | Net Notes
• Monitors Demystified, Part 1: Compromise & Approximation | Exploration
• Playback | Readers' Music Reviewed
• Proofing Music With MP3 & SoundJam MP | Apple Notes
• Reducing Noise From Your PC — Level Check | PC Notes
• Setting Up A Desktop Studio, Part 3 | Tips & Tricks
• Synth Secrets, Part 18: Priorities & Triggers | Tips & Tricks
  Updated here: Priorities & Triggers

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Plan Of Action, Part 2 | Feature | Tips & Tricks

SOUND ADVICE

• Atari Video Work; Mixing Digital Signals; Adjusting Gain; Vocal Booths; Reslo Mics; NuBas Mac Sampler | Q & A
• Using Plug-ins | Frequently Asked Questions

Sound On Sound | November 2000

REVIEWS

• All About EMS, Part 1 | Exploration
• Berklee Press Music Books; Hughes & Kettner Red Box Pro | Studio Essentials
• Best Of XX-Large | Sample Library
• Beyer MSB48 Phantom Power Supply; Tech 21 Bass Compactor Processor | Studio Essentials
• Electrix Filter Queen & EQ Killer | Processors
• Fostex NF1A | Nearfield Studio Monitors
• Korg Triton Rack | Expandable Sound Module/Sampler
• Line 6 Bass Pod | Physical Modelling Bass Preamp
• Lynx Studio Technology Lynx One | PC Soundcard
• Mark Walker Latin Drums: Rhythm Of The Americas Vol. 1 | Sample Library
• Native Instruments B4 Tonewheel | Organ Plug-in
• Nemesys Music Technology Gigasampler 160 | Software Sampler
• Peter Siedlaczek's Advanced Orchestra Compact Edition | Sample Library
• Rode NT3 | Studio Condenser Microphone
• Roland XV5080 | Rack Synthesizer/sample Playback Module
• Spiritual Voices | Sample Library
• SPL Channel One | Valve Voice Channel
• Yamaha AW4416 | Digital Audio Workstation
• Yamaha SU200 | Loop Sampler
• Yamaha UX256 | USB MIDI Interface

PEOPLE + OPINION

• 15 Years Of Sound On Sound | Special Feature
• An Introduction To mLAN, Part 4 | Exploration
• DAVE MAUGHAN: Recording Cathryn Williams | Interview | Engineer
• Disk Storage | Cutting Edge
• HUGO NICOLSON: You Only Live Twice | Interview | Producer / Engineer
• LESTYN POLSON: Recording David Gray's 'Babylon' | Interview | Producer
• SEAN CLOUGH: Click Track Constraints On Musical Expression | Sounding Off
• SIMON RINALDO: Bedroom Studio | Readerzone

TECHNIQUE

• Arpeggiator Tips | Logic Notes
• Broadcasting Your Audio, Part 1 | Net Notes
• Cubase 5.0; JXsynth | PC Notes
• DirectConnect; Finale | Apple Notes
• Expanding Your Effects Horizons, Part 1 | Tips & Tricks
• MIDI Master Drummer | Atari Notes
• Monitors Demystified, Part 2: Frequency Response Secrets | Exploration
• Optimising G-series Macs & iMacs, Part 1 | Tips & Tricks
• Playback | Readers' Music Reviewed
• Scale Correction | Steinberg Cubase Tips & Techniques
• Software Studios — Practical Solution Or Second-best? | Exploration
• Submitting Demo Recordings | Frequently Asked Questions
• Synth Secrets, Part 19: Duophony | Tips & Tricks
  Updated here: Duophony

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Presentation | Feature | Tips & Tricks

SOUND ADVICE

• CD Quality; Reduce Dust; Monitors; ADAT Audio & MIDI; CD Burning; Overcoming Distortion | Q & A

Sound On Sound | December 2000

REVIEWS

• All About EMS, Part 2 | Exploration
• Boss VF1 | Multi-effects Processor
• Drone Archeology | Sample Library
• Drums Hits & Ambience Vol. 1: The Surrey Surround Room | Sample Library
• Emu Systems Virtuoso 2000 | 128-voice Virtual Orchestra
• G-force M-tron | VST Plug-in Instrument
• Mackie 1642VLZ | Pro Mixer
• Making Waves | Digital Audio Seqencer/Sampler
• MOTU Digital Performer v2.7 | MIDI + Audio Recording Software
• Neumann M147 | Tube Studio Condenser Microphone
• Novation Supernova II | Modelling Workstation
• Oram S80 | Producer Box
• Philips CDR775 | CD-Writer
• Prosoniq Orange Vocoder | Plug-in Zone
• Roland VG88 | V-guitar System
• Seasound Solo EX | Computer Recording System
• Symphonic Fields Forever | Sample Library
• TC Electronic Triple C | Dynamics Processor
• Uncivilised G'Rooves | Sample Library
• Waves L2 Ultramaximizer | Digital Mastering Limiter
• Yamaha DJX II | Dance Music Workstation

PEOPLE + OPINION

• DAVE WRIGHT: The Case For Noise | Sounding Off
• International Broadcasting Conference | Cutting Edge
• JAY KAY: Jamiroquai's Chillington Studio | Interview | Artist
• STEVE LEVINE: Recording 'So Far Away' | Interview | Producer
• UKGARAGEFM: Home Broadcasting | Readerzone
• UNDERWORLD: The Making Of Everything, Everything | Interview | Band

TECHNIQUE

• Advanced Compression Techniques, Part 1 | Tips & Tricks
• Broadcasting Your Audio, Part 2 | Net Notes
• Customising Multi Instruments | Logic Notes
• Expanding Your Effects Horizons, Part 2 | Tips & Tricks
• Exploring The Exotic Instruments In GM/XG/GS Sound Sets | Exploration
• Logic Edit Function, Part 1 | Steinberg Cubase Tips & Techniques
• MacOS X; QuickTime 5 | Apple Notes
• MbooM | Atari Notes
• Optimising G-series Macs Powerbooks, iMacs & iBooks,, Part 2 | Tips & Tricks
• Playback | Readers' Music Reviewed
• Soundcard Compatibility; Digital Performer Vocoder Plug-ins; Budget Mics; PC Digital Mixing; Recording; Yamaha QY700 | Q & A
• Streamlining Your PC Studio | Tips & Tricks
• Synth Secrets, Part 20: Introducing Polyphony | Tips & Tricks
  Updated here: Introducing Polyphony
• Understanding & Writing Lyrics, Part 1 | Tips & Tricks
• Windows ME (Millennium Edition) | PC Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Christmas Wish List | Feature | Tips & Tricks

SOUND ADVICE

• Using VST Instruments | Frequently Asked Questions

Sound On Sound | January 2001

REVIEWS

• Alesis Air FX | Multi-effects Processor
• Aphex Thermionics Model 1100 | Tube Mic Preamp
• AVI Bigga-Tron | Red Spot Monitors
• Eventide DSP7000 Series | Ultra-harmonizer Effects Processor
• Fostex D2424 | 24-track Hard Disk Recorder
• Gary Garrritan's GigaHarp | Sample Library
• Korg CX3 | Modelling Tonewheel Organ
• Korg DDM110 | Programmable Digital Drum Machine (retro)
• Little Lanilei Rotary Wave Speaker; Tech 21 Sansamp Acoustic DI | Studio Essentials
• M Audio Delta 66 | Soundcard & Omni I/O Front End
• Magma CB2S | 2-slot PCI Expansion Chassis
• Mindprint DI Port | Stereo Preamp & A-D/D-A Converter
• MXL V77S | Vintage Series Tube Microphone
• Ntonyx Style Morpher 2.4 | MIDI Arrangement Software
• Percussive Adventures | Sample Library
• Philip Rees C16 | MIDI Controller
• Roland XV88 | Synthesizer
• Seismic Frequencies | Sample Library
• Steinberg/Wizoo VST Drum Sessions | Samples
• The Chill Out Room | Sample Library

PEOPLE + OPINION

• DAVID SINCLAIR WHITAKER: Sweet Symphony | Interview | Composer/Arranger
• FLORIAN SENFTER (ZOMBIE NATION): Recording 'Kernkraft 400' | Interview | Artist
• GRAHAM WOODCOCK & ANDY BRAMHALL: Building Master Tone Studios | Readerzone
• KEVIN PERRY: Radical Redesign For Modern Digital Audio Software | Sounding Off
• Microsoft Media Player | Cutting Edge
• RALF SCHLUENZEN (TC WORKS): TC Powercore DSP Engine | Interview | Manufacturer

TECHNIQUE

• Advanced Compression Techniques, Part 2 | Tips & Tricks
• How To Clear Out Drivers; Utilities And Registry Entries | PC Notes
• Logic Edit Function, Part 2 | Steinberg Cubase Tips & Techniques
• Making Music With Laptop PCs | Tips & Tricks
• MPTEG4 Specification; Multicasting | Net Notes
• New Beat Ace; Mario Becroft | Atari Notes
• Optimising G-series Macs Powerbooks, iMacs & iBooks, Part 3 | Tips & Tricks
• Playback | Readers' Music Reviewed
• Synth Secrets, Part 21: From Polyphony To Digital Synths | Tips & Tricks
  Updated here: From Polyphony To Digital Synths
• Transform Window | Logic Notes
• Understanding & Emulating Vintage Effects | Sound Techniques
• Understanding & Writing Lyrics, Part 2: Modes | Tips & Tricks
• VM | Apple Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: How To Hit Your Intended Target | Feature | Tips & Tricks
• Music Business Networking In The Internet Age | Career Advice

SOUND ADVICE

• Surround Sound Mixing | Frequently Asked Questions
• Yamaha CS2X & CS6X; Distance From Mic; Lightpipe/ADAT Connections; Recording Multiple Tracks On PC; Realistic String Sounds; Laptop Audio Interfaces; Atari ST & Cubase | Q & A

Sound On Sound | February 2001

REVIEWS

• Boss JS5 JamStation | Backing Sequencer
• Chronic Horns Vol. 2 | Sample Library
• Ego Sys Wami Box PCMCIA | Digital Audio Recording System
• FXpansion DR005 | Drum Sample Player
• Glyph X-project | SCSI & FireWire Hard Drives
• Hughes & Kettner Replex | Vintage Delay Modeller
• Korg PS3100 | Polyphonic Synthesizer (Retro)
• Larry Seyer's Upright Acoustic Bass | Sample Library
• Line 6 DM4 Distortion | Modeller Effects Pedal
• MAM RS3; VF11 11-band & Warp 9 | Resonator; Vocoder & MIDI Analogue Filter
• Marantz CDR631 | CD Recorder
• Neumann KMS105 | Vocal Condenser Microphone
• Red Submarine | Music Laptop PC
• Samson PH60, RH100, RH300 & RH600 Headphones; Adaptec USBXchange USB-to-SCSI Converter | Studio Essentials
• Sony DRE S777 Sampling Digital Reverb 2 | Reverb Processor
• Tascam 788 | Digital Portastudio
• TC Works Mercury 1 | Monophonic Software Synth
• Vocal Planet | Sample Library
• Waldorf Micro Q | Polyphonic Rack Synth
• Wave Mechanics Speed | AudioSuite Plug-in
• Zoom PS02 | Palm Studio

PEOPLE + OPINION

• ARCHITECHS: Recording 'Body Groove' | Interview | Band
• DAVID GEDGE, DARE MASON & STEVE ALBINI: Recording Cinerama's Disco Volante | Interview | Producer
• ELIZABETH PARKER: Flexible Working | Interview | Composer
• GLENN BROOKS: The Pearl Works | Readerzone
• PRS On Napster | Cutting Edge
• STEVE LEVINE: My Imposter | Sounding Off

TECHNIQUE

• ADSL | Net Notes
• Building PCs; Re-patch Phantom Power; Production Equipment; Remixing; M&S; Technique; Sound Effects On Stage; Finding A Manager; Reduce Studio Hum; Budget Compressor/Mic; USB MIDI Interface | Q & A
• Crawly Crypt | Atari Notes
• Digidesign's Pro Tools Explained, Part 1 | Tips & Tricks
• Eradicate PC Noise | PC Notes
• Mixing Multitracked Drums | Tips & Tricks
• Optimising G-series Macs Powerbooks, iMacs & iBooks, Part 4 | Tips & Tricks
• Playback | Readers' Music Reviewed
• Readers' Problems | Apple Notes
• Studio Module | Steinberg Cubase Tips & Techniques
• Synth Secrets, Part 22: From Springs, Plates & Buckets To Physical Modelling | Tips & Tricks
  Updated here: From Springs, Plates & Buckets To Physical Modelling
• Understanding & Writing Lyrics, Part 3: Metre & Rhyme | Tips & Tricks
• Using Folders & Screensets | Logic Notes
• Windows 2000 — Designed With Musicians In Mind? | PC Musician

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Management | Feature | Tips & Tricks

SOUND ADVICE

• Overcoming Creative Blocks | Frequently Asked Questions

Sound On Sound | March 2001

REVIEWS

• 16-track Digital Multitrackers | Buyer's Guide
• Akai S700 | 12-bit Sampler (Retro)
• Brit Horns | Sample Library
• Digidesign/Focusrite Control 24 | Pro Tools Hardware Control Surface
• Emu Mo'Phatt | Urban Dance Synth
• Ethno Techno | Sample Library
• Excel 101A | Compact Reference Monitor
• Helter Skelter | Sample Library
• HHB Burnit | CD Recorder
• Korg Triton EXB | Synth Expansion Boards
• Marian Marc 4 | MIDI Soundcard
• PC MP3 Software For Musicians | Buyer's Guide
• Presonus VXP | Voice Channel
• Propellerhead Software Reason | Virtual Music Studio
• Pure R'n'B | Sample Library
• Shure KSM44 | Multi-pattern Capacitor Microphone
• Tascam 424 MkIII & 414 MkII | Portastudio
• Yamaha DG Stomp | Modelling Guitar Preamp

PEOPLE + OPINION

• GREGG JACKMAN: Mics For Live String Recording | Interview | Engineer
• GUY SIGSWORTH: Music After MIDI | Interview | Producer/Musician
• JANE BANBURY: From Horses To Sampling | Readerzone
• PAUL K JOYCE & GRANT MITCHELL: Recording Bob The Builder's 'Can We Fix It?' | Interview | Producer
• Potential Of The Internet | Cutting Edge
• ROGER DERRY: MIDI's Impact On Quality Of Music | Sounding Off

TECHNIQUE

• Atari Recording; Acoustic Guitar; Studio Interference; Kurzweil K2000 CD-RW; PC Hard Drive Performance; Studio Monitoring; B4 Organ Plug-ins | Q & A
• Basic Overdubbing | Tips & Tricks
• Comp Performances | Logic Notes
• Digidesign's Pro Tools Explained, Part 2 | Tips & Tricks
• Expertise On The Web | Net Notes
• Getting Started In Music | Frequently Asked Questions
• Identifying & Solving PC MIDI & Audio Timing Problems | PC Musician
• Manipulating Note Lengths | Steinberg Cubase Tips & Techniques
• MyAtari Free Online Magazine | Atari Notes
• OS X Beta | Apple Notes
• Playback | Readers' Music Reviewed
• Pros & Cons Of Software & Hardware Mixers | Exploration
• Software Samplers | PC Notes
• Synth Secrets, Part 23: Formant Synthesis | Tips & Tricks
  Updated here: Formant Synthesis
• Understanding & Writing Lyrics, Part 4: Connotation & Metonymy | Tips & Tricks

MUSIC BUSINESS

• Big George's Guide To Commercial Success: All About Himself | Feature | Tips & Tricks

Sound On Sound | April 2001

REVIEWS

• Alesis A6 Andromeda | 16-voice Analogue Synth
• Antares AMM1 | Microphone Modeller Processor
• ATC T16 | Active Monitors
• Bitheadz Phrazer | Loop Composition Tool
• Cheetah MS6 | Analogue Synth Module (Retro)
• Fostex VF08 | Hard Disk Multitracker
• M Audio Audiophile 24/96 & Terratec BWX 24/96 | Soundcards
• Metamorphosis | Sample Library
• Millennia STT1 Origin | Recording Channel
• Nashville High-strung Guitars | Sample Library
• Native Instruments Dynamo | Virtual Instrument
• Peter Siedlaczek's Smart Violins | Sample Library
• Quested F11P Passive Monitor; Samson Q1 Back-electret Micropone | Studio Essentials
• Roland VGA7 | Modelling Guitar Amplifier
• Voice Fusions | Sample Library
• Yamaha Motif | Workstation Synthesizer

PEOPLE + OPINION

• DVD | Cutting Edge
• FRED SPECKEEN (TC-HELICON): The Science Of Voice Modelling | Interview | Manufacturer
• IAIN GRANT: Basement Studio | Readerzone
• PASCAL GABRIEL & JAMES SANGER: Recording Dido's 'Here With Me' | Interview | Producer
• ROBIN MORLEY: Copyright Implications On The Net | Sounding Off
• TONY PLATT: Rock Island Life | Interview | Producer

TECHNIQUE

• Advanced Gating Techniques, Part 1 | Tips & Tricks
• Cost-effective MIDI | Atari Notes
• Digidesign's Pro Tools Explained, Part 3 | Exploration
• Digital Repatching; Music Production; CD Writer; Digital Mastering; Insuring Equipment; Powered Monitors; FM Synth Editor | Q & A
• Getting Started, Part 2 | Frequently Asked Questions
• Intel Pentium 4 | PC Notes
• Interactive Phrase Synthesizer | Steinberg Cubase Tips & Techniques
• MOTU 8x8 Firewire System | Apple Notes
• Playback | Readers' Music Reviewed
• Polar | Digital Performer Notes
• Practical Phrase Sampling For Modern Music Production, Part 1 | Tips & Tricks
• Synth Secrets, Part 24: Synthesizing Wind Instruments | Tips & Tricks
  Updated here: Synthesizing Wind Instruments
• Touch Tracks | Logic Notes
• Understanding And Writing Lyrics, Part 5: Simile & Metaphor | Tips & Tricks
• Using A Second PC As A Standalone MIDI Soft Synth | Tips & Tricks
• Working On Music For Picture | Net Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Copyright | Feature | Tips & Tricks

Sound On Sound | May 2001

REVIEWS

• Ahead Software Feurio! | Audio CD-Burning Software
• Behringer B2031 | Truth Active Monitors
• Dbx 376 | Tube Channel Strip
• Emagic Sound Diver 3 | Universal MIDI Editor/Librarian
• Emu Planet Earth | 64-voice World Sound Module
• Ethno World | Sample Library
• Groove Master Drums | Sample Library
• Joemeek TB47 | Multi-pattern Tube Microphone
• Korg D1600 | Digital Recording Studio
• Korg KARMA | Music Workstation
• Mig Music XG Layered Dance Sounds Collection Vol. 1; Soundman OKM II Binaural Stereo Microphone Headset | Studio Essentials
• Peter Ewers' Symphonic Organ | Sample Library
• Roland RS9 | 64-voice Synthesizer
• Roland SPV355 | P/V Pitch-to-voltage Synth (Retro)
• Steinberg Midex 8 | MIDI Interface
• Tascam US428 | USB Digital Recording Interface

PEOPLE + OPINION

• BRENDAN PERRY & QUIVVY STUDIO: Church Music | Interview | Artist/Producer
• Frankfurt News | Special Feature
• FX Music Control — Locating & Servicing Vintage Synths | Feature | Tips & Tricks
• JOHN LECKIE: Producing Baaba Maal | Interview | Producer
• Microsoft's Plans For Windows XP | Cutting Edge
• PAUL NAGLE: Virtual Analogue Synths — Inspiring The Same Affection As Analogue Counterpart? | Sounding Off
• ROSE RYLANDS: Attic Studio | Readerzone
• TIM HAWES & PETE KIRTLEY: Writing & Recording Hear'Say's 'Pure & Simple' | Interview | Producer

TECHNIQUE

• Advanced Gating Techniques, Part 2 | Tips & Tricks
• Creating Multiple-Booting PC Environments | Tips & Tricks
• Cross Platform | Atari Notes
• Frankfurt Launches For Apple Musicians | Apple Notes
• Getting Started, Part 3 | Frequently Asked Questions
• How To Fix Vocal Tuning; Logic Upgrade; EXS24 | Logic Notes
• Interactive Phrase Synth; Merging MIDI Parts; Steinberg LM4 | Cubase Technique
• Playback | Readers' Music Reviewed
• POLAR, FreeMIDI & OMS | Performer Notes
• Portable HD Recorder; Keyboard Sounds; Hardware Sequencer; PC Rack Case; Enhancers; Yamaha A5000 Forum; Electronic Drum Kit Noise; Ambient Recording Mic | Q & A
• Practical Phrase Sampling For Modern Music Production, Part 2 | Tips & Tricks
• PSP MixTreble; Echo Mia | PC Notes
• Synth Secrets, Part 25: Synthesizing Brass Instruments | Tips & Tricks
  Updated here: Synthesizing Brass Instruments
• Tonos.com: Musicians Collaborating Online | Net Notes

MUSIC BUSINESS

• Big George's Guide To Commercial Success: Pitching For A Job | Feature | Tips & Tricks

Sound On Sound | June 2001

REVIEWS

• Abstract HipHop | Sample Library
• Analogue Meltdown | Sample Library
• Audio Technica AT3035 | Cardioid Capacitor Microphone
• BLUE TONES | Behringer V-Amp Physical Modelling Guitar Preamp
• CORE CONCEPTS | TC Works PowerCore DSP Plug-in Board For Mac
• DIGIT MIDGET | Fostex VM88 Digital Mixer
• Emagic Waveburner Pro | Audio CD-writing Software For Mac
• HIGHLY RATED? | MOTU 1296 High-Sample-Rate Audio Interface
• Hot Steel Blues | Sample Library
• MAMMA MIA! | Echo Mia PC Soundcard
• MOOD INDIGO | Access Virus Indigo/Virus OS v4
• NINE LIVES | AVI Pro Nine Monitors
• PACKING A PUNCH | Drawmer DS501 Powergate Processor
• PLAY MC FOR ME | Roland MC307 Groovebox
• SIGMA ENIGMA | Korg Sigma Analogue Monosynth
• SUPER SONAR | Cakewalk Sonar digital multitrack recording system for PC
• Total Funk | Sample Library
• TOY STORY? | Yamaha AN200 Desktop Virtual Analogue Control Synthesizer
• UNIVERSAL APPEAL | Universal Audio 1176LN Limiting Amplifier

PEOPLE + OPINION

• A NAIM OF NOTE | Recording For The Naim Label
• CUTTING EDGE | Creating demos on DVD
• FASCINATING RHYTHM | Bill Wyman, Terry Taylor & Stuart Epps: Producing The Rhythm Kings
• Producing Atomic Kitten's 'Whole Again' | Bill Padley & Jeremy Godfrey
• READERZONE | Raj Dhamu
• SOUNDING OFF | Paul Farrer reveals how he learned to stop upgrading and love the music.

TECHNIQUE

• CATCH PHRASE | Practical Phrase Sampling For Modern Music Production: Part 3
• Computer Hassles | PC Notes
• Correct Timings Of Multitrack Drum Recordings | Logic Notes
• Dr T's MIDI-Ax | Atari Notes
• Exporting Audio; Incorporating External MIDI Instruments | Steinberg Cubase Tips & Techniques
• LIVIN' IT LARGE | Increasing Loudness In Dance-music Production
• MacOS X | Apple Notes
• MASTERING MASTERS | CD Mastering On Your PC: Tools & Techniques
• NET NOTES | Studio wiring
• Playback | Readers' Music Reviewed
• Propellerhead's Rewire | Performer Notes
• SYNTH SECRETS | Part 26: Brass Synthesis On A Minimoog
  Updated here: Brass Synthesis On A Minimoog

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide To Commercial Success: Lack of MU power

SOUND ADVICE

• Q&A; | Are the new iMacs good enough for serious audio work? * Which soundcard will accommodate my record decks? * How can I build a Schroeder Diffuser? * Can I reduce equipment noise? What's wrong with my keyboard?
• Recording Lead Vocals | Frequently Asked Questions

Sound On Sound | July 2001

REVIEWS

• AGE CONCERN | Amtech Age Pro Guitar Echo Unit
• BRIGHT SPARK? | TC Works Spark XL v2 Mac Audio Editor
• CLASSIC FM? | Yamaha DX200 FM sequencing Workstation
• Clavia Nord Lead 3 | Advanced Subtractive Performance Synthesizer
• Downtown Strings | Sample Library
• DRIVING FORCE | M&K; MPS Speaker System
• ELECTRIC AVENUE | Emagic EVP88 Electric Piano Virtual Instrument Plug-In For Logic Audio
• FRIENDLY FIRE | MOTU 828 FireWire Audio Interface For Mac And PC
• Korg D12 | Digital Recording Studio
• POWER TO YOUR POCKET? | Hoontech Soundtrack Audio DSP24 & ADC/DAC2000 PC Recording Interface
• Rode NTK | Valve Microphone
• SD Systems STM99 | Instrument Microphone System
• SHER DELIGHT | Sherman Filterbank 2 Processor
• SIMPLY MASTERFUL | Studiomaster 162BP Rackmount Mixer
• SPIRITUAL ENLIGHTENMENT | Crumar Spirit Analogue Monosynth (retro)
• STUDIO ESSENTIALS | Antares ATRIA Autotune Intonation Processor
• The Electro Jazz Retro Funk Thing | Sample Library
• Ultimate Orchestral Percussion | Sample Library
• Ultimate Timpani | Sample Library
• VINTAGE VALUES | Trident MTA 'A'-range Dual Discrete Channel
• WHAT A CARILLON! | Carillon Audio Systems AC1 VST Songwriter PC

PEOPLE + OPINION

• CUTTING EDGE | Computer Storage
• GARAGE REMIX | Flightcrank - Joe Morena; Building Leeroy Thornhill's Home Studio
• HEAVY RAIN | Producer Chris Tsangarides & Rainmaker Studio
• HIGH DUDGEON | Producer Gus Dudgeon
• READERZONE | Paul Austin Kelly
• SOUNDING OFF | Paul Ward wonders whether 'classic' always means 'good'...

TECHNIQUE

• AN EAR FOR DETAIL | Improving Your Musical Skills with Ear Training
• Bass Devils | Playback | Readers' Music Reviewed
• Compatible Drives | Atari Notes
• Configuring Your PC | PC Notes
• EQUALISERS EXPLAINED | Equalisers Explained
• FEEL-GOOD FACTOR | Giving Your MIDI Tracks A Live Feel: Part 1
• KEEPING IT SIMPLE | Audio Recording Using A PC Soundcard: Basic Principles
• LOGIC NOTES | Compression Techniques
• Mac OS X | Apple Notes
• Matching The Phase Of Mic & DI Signals | Sound Workshop
• NET NOTES | Songwriting Resources Online
• PERFORMER NOTES | Memory Cycle Function
• SYNTH SECRETS | Part 27: Roland SH101/ARP Axxe Brass Synthesis *
  Updated here: Roland SH101 & ARP Axxe Brass Synthesis
• VST Score & VST/32 | Steinberg Cubase Tips & Techniques

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide to Commercial Success; Staying Cool Under Pressure

SOUND ADVICE

• Q&A; | Can you help me make the most of my studio work experience? * How can I access all the sounds in my SW1000XG? * Why won't my VST instruments run in Logic? * How do sequencers work? * What's the best way to mic a classical chamber trio? * Why won't my edit

Sound On Sound | August 2001

REVIEWS

• CARD CARRIER | Kenton Plugstation Modular Hosting System For Yamaha PLG Synthesis Cards
• CHECKS & BALANCES | NTI Minilyser & Minirator Test Instruments
• Chris Whitten's Monster Beats | Sample Library
• DOUBLE DECKER | Marantz CDR500 CD Recorder
• FROM A DISTANCE | Aphex Model 1788 Remote-controlled Mic Preamp
• GET IN LINE | Behringer Eurorack MX3242X Mixer
• HALL OF FAME | Lexicon MPX200 Dual-channel Effects Processor
• iZ Technology RADAR 24 | Multitrack Recorder
• Keith LeBlanc's Essential Trilogy | Sample Library
• NOVATION NOVA OS V4 | Novation Nova OS v4
• Nu Groove RnB | Sample Library
• PERFECT FIFTH? | Focusrite Platinum Penta Preset Stereo Compressor
• Pure Guitars | Sample Library
• SAMPLE SURGEON | Boss Dr Sample SP303 Phrase Sampler
• STUDIO ESSENTIALS | Digital Recording CD-Check
• STUDIO ESSENTIALS | Project Studios: A More Professional Approach
• TANKS FOR THE MEMORY | IK Multimedia Sampletank XL Virtual Sound Module VST Instrument For Mac & PC
• WEIRD SCIENCE | Native Instruments Spektral Delay Frequency-Based Delay Processor For Mac & PC.
• XEN MASTER | Leema Acoustics Xen Ultra-compact Reference Monitors
• XIX Pure 1 & Pure Valve | Microphones
• Yamaha GS1 & DX1 | Part 1: The Birth, Rise and Further Rise of FM Synthesis (Retro)

PEOPLE + OPINION

• CUTTING EDGE | Using Technology for Live Gigs
• MAGIC BUS | Producer, Engineer & Musician Michael Bradford
• OUT OF THE SHADOWS | Producer David Axelrod
• READERZONE | Jez Wilkinson - Aerosolik Records
• SOUNDING OFF | John Walden Explains The Problems He Encountered Using Windows
• THE LINK MAN | Paul Farrer - Composing For Film & TV

TECHNIQUE

• Cubase Score Editor | Steinberg Cubase Tips & Techniques
• FEEL-GOOD FACTOR | Giving Your MIDI Tracks A Live Feel: Part 2
• LOGIC NOTES | Hyper Draw Function; Diagnose and Solve MIDI Routing Problems
• MIDI ON THE ROAD | Live MIDI Part 1: Designing The Rig
• NET NOTES | Beatnik
• PERFORMER NOTES | Clipping Window; VST Freeware plug-ins; Setting Up Side-chain
• Purple Jaguar | Playback | Readers' Music Reviewed
• Q&A; | What kind of CD recorder is best? * Is my wordclock good enough? * How do I give my Mac MIDI? * Which recording system has the widest compatibility? Which soundcard should I choose?
• QuickTime VR; ASIO USB | Apple Notes
• RECORDING ACOUSTIC GUITAR | Recording Acoustic Guitar
• Stopping Hackers | PC Notes
• SYNTH SECRETS | Part 28: Synthesizing Plucked Strings
  Updated here: Synthesizing Plucked Strings
• Tightening Drum Recordings With Beat Detective; Online Answerbase | Digidesign (Avid) Pro Tools Tips & Techniques
• TROUBLE ON THE CARDS? | Choosing & Installing Today's PC Soundcards
• USING EQUALISATION | Using Equalisation
• YOU ARE SURROUNDED | Surround Sound Explained - Part 1
• Zeus; Midigen | Atari Notes

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide To Commercial Success: Who's Who

Sound On Sound | September 2001

REVIEWS

• ASTRAL TWEAKS | Eventide Eclipse Multi-effects
• BIG BROTHER | TL Audio Fat Man Fat 2 Valve Preamp & Compressor
• Dan Dean Solo Strings | Sample Library
• GROUND CONTROL | Steinberg Houston VST Studio Controller
• HEAVY HITTER | Empirical Labs EL7 FATSO Jr Processor
• King Tone Grooves | Sample Library
• LEADING MOTIF? | Yamaha Motif 7 Music Production Synth Workstation
• M PEOPLE | Soundcraft Spirit M-series Mixers
• PMC AML1 | Active Reference Monitors
• Rare Instruments | Sample Library
• Rode NT1000 | Condenser Microphone
• SOFTLY SOFTLY | Steinberg HALion
• SOUNDS OF THE '80S | Sounds of the '80s Part 2: The Yamaha DX1 & Its Successors (Retro)
• TRIBAL RHYTHMS | Korg EM1 Electribe Music Production Station
• Virtual Analogue Vol. 1 | Sample Library
• VIRTUALLY EVERYTHING? | Roland VS2480 Digital Studio Workstation

PEOPLE + OPINION

• CUTTING EDGE | Dolby E
• MUSIC FOR REAL LIFE | TV & Film Composer: Shawn Clement
• READERZONE | Bob Prance and Pete Phillips
• Recording Gorillaz's 'Clint Eastwood' | Tom Girling & Jason Cox
• SOUNDING OFF | Dave Shapton explains why he doesn't play live any more!

TECHNIQUE

• ACID LOOPS | Creating New Loops In Sonic Foundry's Acid
• LOGIC NOTES | Automate Plug-in parameters
• MacWorld Expo | Apple Notes
• Master track; Meter Hitpoints; DR-Verb | Steinberg Cubase Tips & Techniques
• MasterKEY | Atari Notes
• MIDI ON THE ROAD | Live MIDI Part 2: Preparing The System
• MIX & MATCH | Mixing Programmed & Real Instruments Successfully
• Nemesys Gigastudio; Shareware | PC Notes
• NET NOTES | Music Instruction On-line
• PERFORMER NOTES | DP plug-ins; USB hardware controller
• Pro Tools 5.1.1; Transfer Songs From Emagic Logic | Digidesign (Avid) Pro Tools Tips & Techniques
• SELF-ASSEMBLY | Building Your Own PC For Music
• SYNTH SECRETS | Part 29: The Theoretical Acoustic Guitar Patch
  Updated here: The Theoretical Acoustic Guitar Patch
• Untamac | Playback | Readers' Music Reviewed
• YOU ARE SURROUNDED | Surround Sound Explained - Part 2

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide To Commercial Success; Band stories

SOUND ADVICE

• Q&A; | How should I use my patchbay? * Why can I only play one sound with my Octapad? * How does DAT error correction work? Can I avoid the animation on your web site?

Sound On Sound | October 2001

REVIEWS

• Acid Orchestral Series | Sample Library
• API ENDING? | API 2500 Buss Compressor
• BABY BLUE | Presonus Blue Tube Stereo Preamp
• CAD M177 & M179 | Condenser Mics
• Dan Dean Solo Woodwinds | Sample Library
• Downtown Beats | Sample Library
• MUSIC & MOVEMENT | Soundbeam 2 MIDI Performance Controller
• OWL ROUND | EMES Owl System Stereo Monitor & Violett HR Nearfield Monitor
• PLUG BOARD | Universal Audio UAD1 Plug-in DSP Card For PC
• PRO CHOICE? | Steinberg Nuendo v1.5.2 Multitrack Recording Software For Mac
• QUAD PHONIC | Phonic MR2443 Mixer
• RACKTERIAL WARFARE | Access Virus Rack Virtual Analogue Synth Module
• SMALL IS BEAUTIFUL | Yamaha QY100 Music Sequencer
• SMALL WONDER | Boss BR532 Digital Studio
• STUDIO ESSENTIALS | The Reel World: Scoring For Picture
• STUDIO ESSENTIALS | Chordwizard Guitar Chord-finding Software For PC
• SX CRIME! | Teisco SX400 Analogue Synthesizer (retro)
• THE MEANS OF PRODUCTION | Yamaha RS7000 Music Production Studio
• WARP THREE | Digitech Genesis 3 Physical Modelling Guitar Preamp
• WEATHER REPORT | Arturia Storm v1.5 Mac/PC Software Music Studio

PEOPLE + OPINION

• CUTTING EDGE | Desktop Video Software
• NORTHERN LIGHTS | Anders Bagge and Arnthor Birgisson: Murlyn Music Group
• READERZONE | Marco Mastrocola
• SOUNDING OFF | No TV shows about making music, by Big George
• THE WAITING GAME | Producer & Engineer Stephen Harris

TECHNIQUE

• ADVANCED REVERBERATION | Advanced Reverberation: Part 1
• BASSIC INSTINCT | Recording Bass Instruments
• CONTROLLING INFLUENCE | Using Budget MIDI Hardware Controllers with a PC
• Extract Tempo Data From Unmetricised Audio | Steinberg Cubase Tips & Techniques
• Frontier Designs Deesse | Atari Notes
• LOGIC NOTES | How to match your song's tempo automatically to that of a sampled loop
• MacWorld | Apple Notes
• Munon Tau Pro; Camel Audio SuperCamelPhat | PC Notes
• PERFORMER NOTES | New Tool Bar and Graphical Editing Options
• Q&A; | What is the best kind of hard drive for me? * Do I have a mic impedance problem? * Will an analogue mixer interface prperly with my soundcard? * Are my monitor problems caused by my amp? * Would a preamp improve the quality of my PC audio? How can I mak
• Rocket Network Compatability | Digidesign (Avid) Pro Tools Tips & Techniques
• SYNTH SECRETS | Part 30: A Final Attempt To Synthesize Guitars
  Updated here: A Final Attempt To Synthesize Guitars
• The Amazing Assaf | Playback | Readers' Music Reviewed
• YOU ARE SURROUNDED | Surround Sound Explained - Part 3

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide To Commercial Success; Letter to Tessa Jowell

Sound On Sound | November 2001

REVIEWS

• AKAI AK.SYS | Akai AKsys v1.7 S5000/S6000 Sampler Management Software For Mac & PC
• Celemony Melodyne | Audio Manipulation Software For Mac
• CREATIVE LABS AUDIGY | Creative Labs Audigy Platinum EX PC Soundcard
• Drum Drops Volumes 1, 2 & 3 | Sample Library
• EMAGIC EMI 2|6 | Emagic EMI 2|6 USB Audio Interface
• EMU MP7 & XL7 COMMAND STATIONS | Emu MP7 & XL7 Command Stations: 128-Voice Synths/Multitrack Sequencers
• FOCUSRITE PLATINUM TRAK MASTER | Focusrite Platinum Trak Master: Recording Channel Processor
• Journey To The Light | Sample Library
• MOTU DIGITAL PERFORMER V3 | MOTU Digital Performer v3: MIDI + Audio Sequencer For Mac
• MXL 1006 2003 & V67 | MXL 1006 2003 & V67 Capacitor Microphones
• NY Cutz 2 - Off Da Hook | Sample Library
• PMC TB2S & XB1P | Nearfield Monitors & Subwoofer
• ROLAND DISC LAB CDX1 | Roland Disc Lab CDX1: Multitrack CD Audio Workstation
• Sequential Prophet VS | Vector Synthesizer (retro)
• SOUND FORGE V5AUDIO EDITOR FOR PC | Sonic Foundry Sound Forge v5 Audio Editor For PC
• STUDIO ESSENTIALS | Digital Recordings Audio-CD Hearing Test CD
• STUDIO ESSENTIALS | Marantz CDR770 CD Recorder
• TC-HELICON VOICEPRISM PLUS | TC-Helicon Voiceprism Plus: Vocal Formant Pitch Processor
• TERRASONDE AUDIO TOOLBOX PLUS | Terrasonde Audio Toolbox Plus: Audio Test & Measurement Set
• Underground Garage | Sample Library

PEOPLE + OPINION

• CUTTING EDGE | Laptop technology
• MUSIC FOR VIDEO GAMES | Gerard 'Gez' Gourley of Smartdog
• MUSICAL DIFFERENCES | Marius De Vries
• READERZONE | Adie Flute
• SONGS FOR CORPORATIONS | Making Money From Music For Corporate Video - Kent Brainerd
• SOUNDING OFF | By Andy Searle-Barnes

TECHNIQUE

• Absorb | Playback | Readers' Music Reviewed
• ADVANCED REVERBERATION | Advanced Reverberation: Part 2
• LOGIC NOTES | Time & Pitch machine; Protecting finished tracks
• Melodyne Pitch & Time Software | Apple Notes
• PERFORMER NOTES | Sequence Editor; Audio Bundles
• Q&A; | Why won't my ADAT-to-Logic audio transfer work? * How powerful a PC do I really need? * Which are the best cables for studio wiring? * How can I transfer old tape recordings to computer? What equipment do we need to record bands?
• Quietpc.com; Tassman 2.1 | PC Notes
• RECORDING VOCALS ON A COMPUTER | Recording Vocals On A Computer
• Simon ST Pattern/Event Editor | Atari Notes
• STABILISING YOUR PC | Identifying And Solving Instability Problems
• SYNTH SECRETS | Synthesizing Percussion
  Updated here: Synthesizing Percussion
• TDM MIX Systems Routing 5.1 Surround | Digidesign (Avid) Pro Tools Tips & Techniques
• VST Channel Settings; Channel Mixer; Cubasis v3 | Steinberg Cubase Tips & Techniques
• YOU ARE SURROUNDED | Surround Sound Explained - Part 4

MUSIC BUSINESS

• DOING THE BUSINESS | Big George's Guide To Commercial Success; Ultimatum

Sound On Sound | December 2001

REVIEWS

• AARDVARK DIRECT PRO Q10 | Aardvark Direct Pro Q10 Computer Recording System
• Backbeat | Sample Library
• BLUEROOM MINIPOD | Bass Station Monitors & Subwoofer
• CLAVIA NORD ELECTRO | Clavia Nord Electro Virtual Electromechanical Keyboard
• Electric Ghetto | Sample Library
• EMAGIC EXSP24 & EVP73 | Emagic EXSP24 & EVP73 VST Instruments For Mac & PC
• EMAGIC LOGIC AUDIO V5 & LOGIC CONTROL | Emagic Logic Audio v5 & Logic Control MIDI + Audio Sequencer & Hardware Control Surface
• JOEMEEK VC TWINQ | Joemeek TwinQ Dual Recording Channel
• Kodish Drum 'n' Bass | Sample Library
• Korg PXR4 | Digital Recording Studio
• Malmsjo Acoustic Grand | Sample Library
• MIDITECH CONTROLLER | Miditech Midicontrol MIDI Keyboard Controller
• NATIVE INSTRUMENTS ABSYNTH | Native Instruments Absynth Stand-alone/Plug-in Software Synth For Mac
• NOVATION A-STATION | Novation A-Station Polyphonic Virtual Analogue Synthesizer
• Oktava ML52 | Ribbon Microphone
• PROG SPAWN! | The Rise And Fall Of Rocky Mount Instruments (Retro) Gordon Reid
• SPARK FM MACHINE | TC Works Spark FX Machine SE Mac VST Wrapper Utility
• STUDIO ESSENTIALS | Dbx Mini Pre / Mastering Engineer's Handbook
• TC ELECTRONIC G MAJOR | TC Electronic G Major Guitar Effects Processor

PEOPLE + OPINION

• Brian Transeau: EMOTIONAL EXPERIENCE |
• CUTTING EDGE | BeOS
• JAY GRAYDON | Musician & Producer
• SOUNDING OFF | Eddy Robinson talks about bringing MIDI into the 21st century
• THE IRISH CONNECTION | Richard Stannard - Julian Gallagher - Ash Howes: Biffco Productions

TECHNIQUE

• Cadenza Web Wizard | Atari Notes
• Configuring Pro Tools for Traditional Band Recording | Digidesign (Avid) Pro Tools Tips & Techniques
• Eliminating Phase Problems | Steinberg Cubase Tips & Techniques
• EMU ESI SAMPLERS MASTERCLASS | Emu ESI Samplers Masterclass
• FXpansion DR-008; SamplerChan | PC Notes
• Islington MacExpo; OS X | Apple Notes
• LOGIC NOTES | Groove Templates
• PERFORMER NOTES | MIDI Automation Features
• Raygun | Playback | Readers' Music Reviewed
• RESOURCE MANAGEMENT | Resource Management: Making The Most Of PC System Resources
• SPEED TESTS | Mac Processor Upgrades Tested For Musical Applications
• SYNTH SECRETS | Practical Percussion Synthesis
  Updated here: Practical Percussion Synthesis: Timpani
• THE SECRETS OF WARMTH & AIR | The Secrets Of Warmth & Air
• YOU ARE SURROUNDED | Surround Sound Explained - Part 5

SOUND ADVICE

• COMPUTERS IN THE STUDIO | Frequently Asked Questions
• Q&A; | Could I create my own multi-band compression? * How can I archive my old samples? * Can a computer recording setup meet my requirements?